Moving Image:All-Is-Well Rick Prelinger - Revision history

JJR: JJR moved page Moving Image:"All-Is-Well": Rick Prelinger to Moving Image:All-Is-Well Rick Prelinger

2021-12-11T01:41:13Z

JJR moved page Moving Image:"All-Is-Well": Rick Prelinger to All-Is-Well Rick Prelinger

← Older revision	Revision as of 01:41, 11 December 2021
(No difference)

JJR: JJR moved page "All-Is-Well": Rick Prelinger to Moving Image:"All-Is-Well": Rick Prelinger

2021-12-11T01:38:39Z

JJR moved page "All-Is-Well": Rick Prelinger to Moving Image:"All-Is-Well": Rick Prelinger

← Older revision	Revision as of 01:38, 11 December 2021
(No difference)

JJR at 01:38, 11 December 2021

2021-12-11T01:38:29Z

← Older revision		Revision as of 01:38, 11 December 2021
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	{{Filmjr \|title="All-Is-Well": Rick Prelinger \|embid=AllIsWellH264 \|embsv=archiveorg \|desc=All-Is-Well" collects ordinary adventures remembered only because they survive in home movies. Against a backdrop of distant news events, kids stampede for Easter eggs, horses run together, families read pulps and shoot craps, cooks fry, tin-can tourists work hard at leisure, people pose, clown and drink, pull back the husks of sweet corn. For them and for us, remaking the ephemeral gesture is both a small pleasure and an act of survival. The home movie segments used in the film date from 1930 to 1969, the period in which the near-infinite and mostly-unseen archive of home movies that awaits our attention was born. Commissioned by San Francisco Museum of Modern Art, Open Space.;Consider watching it a second time with sound turned down and a room filled with people talking. \|forma=16mm \|year=2016 \|up=\|next=\|prev=\|step=2 \|lang=English \|pbrs=Rick Prelinger \|heldby=PA \|link= \|bw= \|ani= \|ewid= }}		{{Filmjr \|title=All-Is-Well Rick Prelinger \|embid=AllIsWellH264 \|embsv=archiveorg \|desc=All-Is-Well" collects ordinary adventures remembered only because they survive in home movies. Against a backdrop of distant news events, kids stampede for Easter eggs, horses run together, families read pulps and shoot craps, cooks fry, tin-can tourists work hard at leisure, people pose, clown and drink, pull back the husks of sweet corn. For them and for us, remaking the ephemeral gesture is both a small pleasure and an act of survival. The home movie segments used in the film date from 1930 to 1969, the period in which the near-infinite and mostly-unseen archive of home movies that awaits our attention was born. Commissioned by San Francisco Museum of Modern Art, Open Space.;Consider watching it a second time with sound turned down and a room filled with people talking. \|forma=16mm \|year=2016 \|up=\|next=\|prev=\|step=2 \|lang=English \|pbrs=Rick Prelinger \|heldby=PA \|link= \|bw= \|ani= \|ewid= }}

			;Original Title: "All-Is-Well": Rick Prelinger

			Not clear if SE means to delete this or not

Avgeeks: Created page with "{{Filmjr |title="All-Is-Well": Rick Prelinger |embid=AllIsWellH264 |embsv=archiveorg |desc=All-Is-Well" collects ordinary adventures remembered only because they survive in h..."

2021-12-09T15:08:01Z

Created page with "{{Filmjr |title="All-Is-Well": Rick Prelinger |embid=AllIsWellH264 |embsv=archiveorg |desc=All-Is-Well" collects ordinary adventures remembered only because they survive in h..."

New page

{{Filmjr |title="All-Is-Well": Rick Prelinger |embid=AllIsWellH264 |embsv=archiveorg |desc=All-Is-Well" collects ordinary adventures remembered only because they survive in home movies. Against a backdrop of distant news events, kids stampede for Easter eggs, horses run together, families read pulps and shoot craps, cooks fry, tin-can tourists work hard at leisure, people pose, clown and drink, pull back the husks of sweet corn. For them and for us, remaking the ephemeral gesture is both a small pleasure and an act of survival. The home movie segments used in the film date from 1930 to 1969, the period in which the near-infinite and mostly-unseen archive of home movies that awaits our attention was born. Commissioned by San Francisco Museum of Modern Art, Open Space.;Consider watching it a second time with sound turned down and a room filled with people talking. |forma=16mm |year=2016 |up=|next=|prev=|step=2 |lang=English |pbrs=Rick Prelinger |heldby=PA |link= |bw= |ani= |ewid= }}