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	<id>http://ephemeralfilm.info/a/Person:Rick_Prelinger/history?feed=atom</id>
	<title>Person:Rick Prelinger - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://ephemeralfilm.info/a/Person:Rick_Prelinger/history?feed=atom"/>
	<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/a/Person:Rick_Prelinger/history"/>
	<updated>2026-08-21T22:16:22Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=36067&amp;oldid=prev</id>
		<title>JJR at 05:02, 20 March 2022</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=36067&amp;oldid=prev"/>
		<updated>2022-03-20T05:02:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:02, 20 March 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Personjr &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|fullname=Rick Prelinger &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|gname=&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|lname= &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|dateborn= &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|datedied= &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|occ=archivist&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|org= Prelinger Archives&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|filmsAssoWith= &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|dopt=1}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an archivist, professor at the University of California, Santa Cruz, writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired over decades.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an archivist, professor at the University of California, Santa Cruz, writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired over decades.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=33847&amp;oldid=prev</id>
		<title>JJR at 04:30, 25 January 2022</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=33847&amp;oldid=prev"/>
		<updated>2022-01-25T04:30:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:30, 25 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an archivist, professor at the University of California, Santa Cruz, writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;by the [[Library of Congress]] in 2002 after 20 years&amp;#039; operation&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an archivist, professor at the University of California, Santa Cruz, writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;over decades&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His collection of found and discarded footage - home movies, outtakes from industrial videos, b-rolls from feature films - &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is..&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His collection of found and discarded footage - home movies, outtakes from industrial videos, b-rolls from feature films - &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;has been inducted in the [[Library of Congress]]&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rick has partnered with the [[Internet Archive]] to make over 6,000 films from Prelinger Archives available online for free viewing, downloading and reuse. With the Voyager Company, a pioneer new media publisher, he produced fourteen LaserDiscs and CD-ROMs with material from his archives, including &amp;#039;&amp;#039;Ephemeral Films, the &amp;#039;&amp;#039;Our Secret Century&amp;#039;&amp;#039; series and &amp;#039;&amp;#039;Call It Home: The House That Private Enterprise Built,&amp;#039;&amp;#039; a laserdisc on the history of suburbia and suburban planning (co-produced with architect Keller Easterling). For Prelinger, &amp;quot;archives are a primary weapon against amnesia.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rick has partnered with the [[Internet Archive]] to make over 6,000 films from Prelinger Archives available online for free viewing, downloading and reuse. With the Voyager Company, a pioneer new media publisher, he produced fourteen LaserDiscs and CD-ROMs with material from his archives, including &amp;#039;&amp;#039;Ephemeral Films, the &amp;#039;&amp;#039;Our Secret Century&amp;#039;&amp;#039; series and &amp;#039;&amp;#039;Call It Home: The House That Private Enterprise Built,&amp;#039;&amp;#039; a laserdisc on the history of suburbia and suburban planning (co-produced with architect Keller Easterling). For Prelinger, &amp;quot;archives are a primary weapon against amnesia.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=33846&amp;oldid=prev</id>
		<title>JJR at 04:22, 25 January 2022</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=33846&amp;oldid=prev"/>
		<updated>2022-01-25T04:22:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:22, 25 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an archivist, professor at the University of California, Santa Cruz, writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired by the [[Library of Congress]] in 2002 after 20 years&amp;#039; operation.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an archivist, professor at the University of California, Santa Cruz, writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired by the [[Library of Congress]] in 2002 after 20 years&amp;#039; operation.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;His collection of found and discarded footage - home movies, outtakes from industrial videos, b-rolls from feature films - is...&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rick has partnered with the [[Internet Archive]] to make over 6,000 films from Prelinger Archives available online for free viewing, downloading and reuse. With the Voyager Company, a pioneer new media publisher, he produced fourteen LaserDiscs and CD-ROMs with material from his archives, including &amp;#039;&amp;#039;Ephemeral Films, the &amp;#039;&amp;#039;Our Secret Century&amp;#039;&amp;#039; series and &amp;#039;&amp;#039;Call It Home: The House That Private Enterprise Built,&amp;#039;&amp;#039; a laserdisc on the history of suburbia and suburban planning (co-produced with architect Keller Easterling). For Prelinger, &amp;quot;archives are a primary weapon against amnesia.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rick has partnered with the [[Internet Archive]] to make over 6,000 films from Prelinger Archives available online for free viewing, downloading and reuse. With the Voyager Company, a pioneer new media publisher, he produced fourteen LaserDiscs and CD-ROMs with material from his archives, including &amp;#039;&amp;#039;Ephemeral Films, the &amp;#039;&amp;#039;Our Secret Century&amp;#039;&amp;#039; series and &amp;#039;&amp;#039;Call It Home: The House That Private Enterprise Built,&amp;#039;&amp;#039; a laserdisc on the history of suburbia and suburban planning (co-produced with architect Keller Easterling). For Prelinger, &amp;quot;archives are a primary weapon against amnesia.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=33845&amp;oldid=prev</id>
		<title>JJR at 04:21, 25 January 2022</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=33845&amp;oldid=prev"/>
		<updated>2022-01-25T04:21:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:21, 25 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* http://film.ucsc.edu/faculty/rick_prelinger&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* http://film.ucsc.edu/faculty/rick_prelinger&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* https://www.youtube.com/watch?v=uYE-pnroiV0&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* https://www.youtube.com/watch?v=uYE-pnroiV0&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* https://www.npr.org/2021/05/03/993265829/archivist-and-documentary-filmmaker-rick-prelinger&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=32896&amp;oldid=prev</id>
		<title>JJR at 04:05, 7 January 2022</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=32896&amp;oldid=prev"/>
		<updated>2022-01-07T04:05:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:05, 7 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He wrote &amp;#039;&amp;#039;The Field Guide to Sponsored Films&amp;#039;&amp;#039; (2007) which &amp;quot;describes 452 historically or culturally significant motion pictures commissioned by businesses, charities, advocacy groups, and state or local government units between 1897 and 1980.&amp;quot; It is available as a book and as a free PDF from the [[National Film Preservation Foundation]]. He worked at the Internet Archive on a texts-digitization project and helped organize the [[Open Content Alliance]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He wrote &amp;#039;&amp;#039;The Field Guide to Sponsored Films&amp;#039;&amp;#039; (2007) which &amp;quot;describes 452 historically or culturally significant motion pictures commissioned by businesses, charities, advocacy groups, and state or local government units between 1897 and 1980.&amp;quot; It is available as a book and as a free PDF from the [[National Film Preservation Foundation]]. He worked at the Internet Archive on a texts-digitization project and helped organize the [[Open Content Alliance]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:People|Prelinger]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See Also ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See Also ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=32895&amp;oldid=prev</id>
		<title>JJR at 04:04, 7 January 2022</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=32895&amp;oldid=prev"/>
		<updated>2022-01-07T04:04:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:04, 7 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an archivist, professor at the University of California, Santa Cruz, writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired by the [[Library of Congress]] in 2002 after 20 years&amp;#039; operation.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an archivist, professor at the University of California, Santa Cruz, writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired by the [[Library of Congress]] in 2002 after 20 years&amp;#039; operation.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rick has partnered with the [[Internet Archive]] to make over 6,000 films from Prelinger Archives available online for free viewing, downloading and reuse. With the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Voyager Company&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;, a pioneer new media publisher, he produced fourteen &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[LaserDisc]]s &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;CD-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ROM]]s &lt;/del&gt;with material from his archives, including &amp;#039;&amp;#039;Ephemeral Films,&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.levity.com/rubric/prelinger.html|title=Rick Prelinger&amp;#039;s Ephemeral Films (Richard Gehr)|publisher=Levity.com|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt;&amp;#039;&amp;#039; &lt;/del&gt;the &amp;#039;&amp;#039;Our Secret Century&amp;#039;&amp;#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{Cite web |url=http://www.mediamatic.nl/magazine/previews/reviews/strengholt/strengholt=prelinger.html |title=Archived copy |access-date=July 12, 2014 |archive-url=https://web.archive.org/web/20080201021147/http://www.mediamatic.nl/magazine/previews/reviews/strengholt/strengholt=prelinger.html |archive-date=February 1, 2008 |url-status=dead |df=mdy-all }}&amp;lt;/ref&amp;gt; &lt;/del&gt;series and &amp;#039;&amp;#039;Call It Home: The House That Private Enterprise Built,&amp;#039;&amp;#039; a laserdisc on the history of suburbia and suburban planning (co-produced with architect Keller Easterling).&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{cite book|title=Call it Home: the house that private enterprise built|first1=Keller|last1=Easterling|first2=Richard|last2=Prelinger|date=February 15, 2013|publisher=CreateSpace Independent Publishing Platform|isbn = 978-1481920087}}&amp;lt;/ref&amp;gt; &lt;/del&gt;For Prelinger, &amp;quot;archives are a primary weapon against amnesia.&amp;quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;Rick Prelinger, &amp;quot;Dr. Rick Prelinger on Sharing as Activism&amp;quot; video, UCSC Library https://www.youtube.com/watch?v=uYE-pnroiV0&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rick has partnered with the [[Internet Archive]] to make over 6,000 films from Prelinger Archives available online for free viewing, downloading and reuse. With the Voyager Company, a pioneer new media publisher, he produced fourteen &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;LaserDiscs &lt;/ins&gt;and CD-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ROMs &lt;/ins&gt;with material from his archives, including &amp;#039;&amp;#039;Ephemeral Films, the &amp;#039;&amp;#039;Our Secret Century&amp;#039;&amp;#039; series and &amp;#039;&amp;#039;Call It Home: The House That Private Enterprise Built,&amp;#039;&amp;#039; a laserdisc on the history of suburbia and suburban planning (co-produced with architect Keller Easterling). For Prelinger, &amp;quot;archives are a primary weapon against amnesia.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Life==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Life==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Prelinger worked at &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;The Comedy Channel &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(United States)|The Comedy Channel]] &lt;/del&gt;from its startup in 1989 until it merged with the comedy network &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Ha! (TV channel)|&lt;/del&gt;HA!&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;to become &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Comedy Central&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;. He then worked at &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Home Box Office&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;until 1995. Prelinger has taught in the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Master of Fine Arts&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|MFA]] &lt;/del&gt;design program at New York&amp;#039;s &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;School of Visual Arts&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;and lectures widely on American cultural and social history and on issues of cultural and intellectual property access. He sat (2001–2004) on the [[National Film Preservation Board]] as representative of the [[Association of Moving Image Archivists]], was Board President of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;San Francisco Cinematheque&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;(2002–2007), and is a board member of the [[Internet Archive]] and a professor in the Department of Film &amp;amp; Digital Media at &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;University of California, Santa Cruz|UC Santa Cruz&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Prelinger worked at The Comedy Channel from its startup in 1989 until it merged with the comedy network HA! to become Comedy Central. He then worked at Home Box Office until 1995. Prelinger has taught in the Master of Fine Arts design program at New York&amp;#039;s School of Visual Arts and lectures widely on American cultural and social history and on issues of cultural and intellectual property access. He sat (2001–2004) on the [[National Film Preservation Board]] as representative of the [[Association of Moving Image Archivists]], was Board President of the San Francisco Cinematheque (2002–2007), and is a board member of the [[Internet Archive]] and a professor in the Department of Film &amp;amp; Digital Media at University of California, Santa Cruz|UC Santa Cruz.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His feature-length film &amp;#039;&amp;#039;Panorama Ephemera&amp;#039;&amp;#039; opened in summer 2004. With spouse &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Megan Prelinger&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;he is co-founder of the [[Prelinger Library]], a reference library located in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;San Francisco&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;, California. He has produced such archival compilation films &amp;#039;&amp;#039;Lost Landscapes of San Francisco&amp;#039;&amp;#039; (15 annual films, 2006–2020) and &amp;#039;&amp;#039;Lost Landscapes of Detroit&amp;#039;&amp;#039; (three films, 2010–2012 and a fourth and fifth, &amp;quot;Yesterday and Tomorrow in Detroit&amp;quot;, 2014 and 2015.)&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{cite web|url=http://theessayreview.org/essayistic-interventions-taking-the-city-into-the-theater/|title=Essayistic Interventions: Taking the City into the Theater – The Essay Review|publisher=TheEssayReview.org|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt; He received the [[Creative Capital]] Award in 2012 to make the film &amp;#039;&amp;#039;No More Road Trips?,&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;{{cite web|url=https://nomoreroadtrips.blogspot.com/|title=No More Road Trips?|first=Prelinger|last=Library|date=March 8, 2013|publisher=Prelinger Library No Morer Road Trips? blog|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=https://www.youtube.com/watch?v=pui2LMn2JMQ |archive-url=https://ghostarchive.org/varchive/youtube/20211213/pui2LMn2JMQ |archive-date=2021-12-13 |url-status=live|title=No More Road Trips? A dream ride through 20th-century America made from home movies|last=Prelinger Archives|date=September 15, 2016|accessdate=May 21, 2018|publisher=[[YouTube]]}}{{cbignore}}&amp;lt;/ref&amp;gt; which premiered in [[Austin, Texas]], at [[South by Southwest]] in March 2013.&amp;lt;ref&amp;gt;{{cite web|url=http://www.austinchronicle.com/screens/2013-03-08/traveling-road-show/|title=A rowdy look back at the home movies a nation&amp;#039;s road trips have inspired|work=[[Austin Chronicle]]|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His feature-length film &amp;#039;&amp;#039;Panorama Ephemera&amp;#039;&amp;#039; opened in summer 2004. With spouse Megan Prelinger he is co-founder of the [[Prelinger Library]], a reference library located in San Francisco, California. He has produced such archival compilation films &amp;#039;&amp;#039;Lost Landscapes of San Francisco&amp;#039;&amp;#039; (15 annual films, 2006–2020) and &amp;#039;&amp;#039;Lost Landscapes of Detroit&amp;#039;&amp;#039; (three films, 2010–2012 and a fourth and fifth, &amp;quot;Yesterday and Tomorrow in Detroit&amp;quot;, 2014 and 2015.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He wrote &amp;#039;&amp;#039;The Field Guide to Sponsored Films&amp;#039;&amp;#039; (2007) which &amp;quot;describes 452 historically or culturally significant motion pictures commissioned by businesses, charities, advocacy groups, and state or local government units between 1897 and 1980.&amp;quot; It is available as a book and as a free PDF from the [[National Film Preservation Foundation]]. He worked at the Internet Archive on a texts-digitization project&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cn|date=June 2018}} &lt;/del&gt;and helped organize the [[Open Content Alliance]].&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cn|date=June 2018}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He wrote &amp;#039;&amp;#039;The Field Guide to Sponsored Films&amp;#039;&amp;#039; (2007) which &amp;quot;describes 452 historically or culturally significant motion pictures commissioned by businesses, charities, advocacy groups, and state or local government units between 1897 and 1980.&amp;quot; It is available as a book and as a free PDF from the [[National Film Preservation Foundation]]. He worked at the Internet Archive on a texts-digitization project and helped organize the [[Open Content Alliance]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See Also ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See Also ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Much of the above content is simply a cut and paste of the wikipedia content - https://en.wikipedia.org/wiki/Rick_Prelinger - [[User:JJR|JJR]] ([[User talk:JJR|talk]]) 22:59, 6 January 2022 (EST)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Much of the above content is simply a cut and paste of the wikipedia content - https://en.wikipedia.org/wiki/Rick_Prelinger - [[User:JJR|JJR]] ([[User talk:JJR|talk]]) 22:59, 6 January 2022 (EST)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* http://film.ucsc.edu/faculty/rick_prelinger&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* http://film.ucsc.edu/faculty/rick_prelinger&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* https://www.youtube.com/watch?v=uYE-pnroiV0&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=32894&amp;oldid=prev</id>
		<title>JJR at 04:00, 7 January 2022</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=32894&amp;oldid=prev"/>
		<updated>2022-01-07T04:00:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:00, 7 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;archivist&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;, professor at the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;University of California, Santa Cruz&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;,&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{cite web|url=http://film.ucsc.edu/faculty/rick_prelinger|title=Rick Prelinger - Film+Digital Media BA, PhD / MFA in Social Documentary Production at UC Santa Cruz|publisher=[[University of California, Santa Cruz]]|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt; &lt;/del&gt;writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired by the [[Library of Congress]] in 2002 after 20 years&amp;#039; operation.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;[http://www.macba.cat/en/rick-prelinger-lost-landscapes Lost Landscapes and Found Collections], Rick Prelinger at [[Barcelona Museum of Contemporary Art|MACBA]] in Barcelona&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an archivist, professor at the University of California, Santa Cruz, writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired by the [[Library of Congress]] in 2002 after 20 years&amp;#039; operation.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rick has partnered with the [[Internet Archive]] to make over 6,000 films from Prelinger Archives available online for free viewing, downloading and reuse. With the [[Voyager Company]], a pioneer new media publisher, he produced fourteen [[LaserDisc]]s and [[CD-ROM]]s with material from his archives, including &amp;#039;&amp;#039;Ephemeral Films,&amp;lt;ref&amp;gt;{{cite web|url=http://www.levity.com/rubric/prelinger.html|title=Rick Prelinger&amp;#039;s Ephemeral Films (Richard Gehr)|publisher=Levity.com|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt;&amp;#039;&amp;#039; the &amp;#039;&amp;#039;Our Secret Century&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;{{Cite web |url=http://www.mediamatic.nl/magazine/previews/reviews/strengholt/strengholt=prelinger.html |title=Archived copy |access-date=July 12, 2014 |archive-url=https://web.archive.org/web/20080201021147/http://www.mediamatic.nl/magazine/previews/reviews/strengholt/strengholt=prelinger.html |archive-date=February 1, 2008 |url-status=dead |df=mdy-all }}&amp;lt;/ref&amp;gt; series and &amp;#039;&amp;#039;Call It Home: The House That Private Enterprise Built,&amp;#039;&amp;#039; a laserdisc on the history of suburbia and suburban planning (co-produced with architect Keller Easterling).&amp;lt;ref&amp;gt;{{cite book|title=Call it Home: the house that private enterprise built|first1=Keller|last1=Easterling|first2=Richard|last2=Prelinger|date=February 15, 2013|publisher=CreateSpace Independent Publishing Platform|isbn = 978-1481920087}}&amp;lt;/ref&amp;gt; For Prelinger, &amp;quot;archives are a primary weapon against amnesia.&amp;quot;&amp;lt;ref&amp;gt;Rick Prelinger, &amp;quot;Dr. Rick Prelinger on Sharing as Activism&amp;quot; video, UCSC Library https://www.youtube.com/watch?v=uYE-pnroiV0&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rick has partnered with the [[Internet Archive]] to make over 6,000 films from Prelinger Archives available online for free viewing, downloading and reuse. With the [[Voyager Company]], a pioneer new media publisher, he produced fourteen [[LaserDisc]]s and [[CD-ROM]]s with material from his archives, including &amp;#039;&amp;#039;Ephemeral Films,&amp;lt;ref&amp;gt;{{cite web|url=http://www.levity.com/rubric/prelinger.html|title=Rick Prelinger&amp;#039;s Ephemeral Films (Richard Gehr)|publisher=Levity.com|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt;&amp;#039;&amp;#039; the &amp;#039;&amp;#039;Our Secret Century&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;{{Cite web |url=http://www.mediamatic.nl/magazine/previews/reviews/strengholt/strengholt=prelinger.html |title=Archived copy |access-date=July 12, 2014 |archive-url=https://web.archive.org/web/20080201021147/http://www.mediamatic.nl/magazine/previews/reviews/strengholt/strengholt=prelinger.html |archive-date=February 1, 2008 |url-status=dead |df=mdy-all }}&amp;lt;/ref&amp;gt; series and &amp;#039;&amp;#039;Call It Home: The House That Private Enterprise Built,&amp;#039;&amp;#039; a laserdisc on the history of suburbia and suburban planning (co-produced with architect Keller Easterling).&amp;lt;ref&amp;gt;{{cite book|title=Call it Home: the house that private enterprise built|first1=Keller|last1=Easterling|first2=Richard|last2=Prelinger|date=February 15, 2013|publisher=CreateSpace Independent Publishing Platform|isbn = 978-1481920087}}&amp;lt;/ref&amp;gt; For Prelinger, &amp;quot;archives are a primary weapon against amnesia.&amp;quot;&amp;lt;ref&amp;gt;Rick Prelinger, &amp;quot;Dr. Rick Prelinger on Sharing as Activism&amp;quot; video, UCSC Library https://www.youtube.com/watch?v=uYE-pnroiV0&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot;&gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See Also ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See Also ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Much of the above content is simply a cut and paste of the wikipedia content - https://en.wikipedia.org/wiki/Rick_Prelinger - [[User:JJR|JJR]] ([[User talk:JJR|talk]]) 22:59, 6 January 2022 (EST)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Much of the above content is simply a cut and paste of the wikipedia content - https://en.wikipedia.org/wiki/Rick_Prelinger - [[User:JJR|JJR]] ([[User talk:JJR|talk]]) 22:59, 6 January 2022 (EST)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* http://film.ucsc.edu/faculty/rick_prelinger&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=32893&amp;oldid=prev</id>
		<title>JJR: Created page with &quot;&#039;&#039;&#039;Rick Prelinger&#039;&#039;&#039; is an archivist, professor at the University of California, Santa Cruz,&lt;ref&gt;{{cite web|url=http://film.ucsc.edu/faculty/rick_prelinger|title=Rick...&quot;</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Person:Rick_Prelinger&amp;diff=32893&amp;oldid=prev"/>
		<updated>2022-01-07T03:59:33Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an &lt;a href=&quot;/a/Archivist/edit?redlink=1&quot; class=&quot;new&quot; title=&quot;Archivist (page does not exist)&quot;&gt;archivist&lt;/a&gt;, professor at the &lt;a href=&quot;/a/University_of_California,_Santa_Cruz/edit?redlink=1&quot; class=&quot;new&quot; title=&quot;University of California, Santa Cruz (page does not exist)&quot;&gt;University of California, Santa Cruz&lt;/a&gt;,&amp;lt;ref&amp;gt;{{cite web|url=http://film.ucsc.edu/faculty/rick_prelinger|title=Rick...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Rick Prelinger&amp;#039;&amp;#039;&amp;#039; is an [[archivist]], professor at the [[University of California, Santa Cruz]],&amp;lt;ref&amp;gt;{{cite web|url=http://film.ucsc.edu/faculty/rick_prelinger|title=Rick Prelinger - Film+Digital Media BA, PhD / MFA in Social Documentary Production at UC Santa Cruz|publisher=[[University of California, Santa Cruz]]|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt; writer and filmmaker, and founder of the [[Prelinger Archives]], a collection of 60,000 advertising, educational, industrial, and amateur films acquired by the [[Library of Congress]] in 2002 after 20 years&amp;#039; operation.&amp;lt;ref&amp;gt;[http://www.macba.cat/en/rick-prelinger-lost-landscapes Lost Landscapes and Found Collections], Rick Prelinger at [[Barcelona Museum of Contemporary Art|MACBA]] in Barcelona&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Rick has partnered with the [[Internet Archive]] to make over 6,000 films from Prelinger Archives available online for free viewing, downloading and reuse. With the [[Voyager Company]], a pioneer new media publisher, he produced fourteen [[LaserDisc]]s and [[CD-ROM]]s with material from his archives, including &amp;#039;&amp;#039;Ephemeral Films,&amp;lt;ref&amp;gt;{{cite web|url=http://www.levity.com/rubric/prelinger.html|title=Rick Prelinger&amp;#039;s Ephemeral Films (Richard Gehr)|publisher=Levity.com|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt;&amp;#039;&amp;#039; the &amp;#039;&amp;#039;Our Secret Century&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;{{Cite web |url=http://www.mediamatic.nl/magazine/previews/reviews/strengholt/strengholt=prelinger.html |title=Archived copy |access-date=July 12, 2014 |archive-url=https://web.archive.org/web/20080201021147/http://www.mediamatic.nl/magazine/previews/reviews/strengholt/strengholt=prelinger.html |archive-date=February 1, 2008 |url-status=dead |df=mdy-all }}&amp;lt;/ref&amp;gt; series and &amp;#039;&amp;#039;Call It Home: The House That Private Enterprise Built,&amp;#039;&amp;#039; a laserdisc on the history of suburbia and suburban planning (co-produced with architect Keller Easterling).&amp;lt;ref&amp;gt;{{cite book|title=Call it Home: the house that private enterprise built|first1=Keller|last1=Easterling|first2=Richard|last2=Prelinger|date=February 15, 2013|publisher=CreateSpace Independent Publishing Platform|isbn = 978-1481920087}}&amp;lt;/ref&amp;gt; For Prelinger, &amp;quot;archives are a primary weapon against amnesia.&amp;quot;&amp;lt;ref&amp;gt;Rick Prelinger, &amp;quot;Dr. Rick Prelinger on Sharing as Activism&amp;quot; video, UCSC Library https://www.youtube.com/watch?v=uYE-pnroiV0&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Life==&lt;br /&gt;
Prelinger worked at [[The Comedy Channel (United States)|The Comedy Channel]] from its startup in 1989 until it merged with the comedy network [[Ha! (TV channel)|HA!]] to become [[Comedy Central]]. He then worked at [[Home Box Office]] until 1995. Prelinger has taught in the [[Master of Fine Arts|MFA]] design program at New York&amp;#039;s [[School of Visual Arts]] and lectures widely on American cultural and social history and on issues of cultural and intellectual property access. He sat (2001–2004) on the [[National Film Preservation Board]] as representative of the [[Association of Moving Image Archivists]], was Board President of the [[San Francisco Cinematheque]] (2002–2007), and is a board member of the [[Internet Archive]] and a professor in the Department of Film &amp;amp; Digital Media at [[University of California, Santa Cruz|UC Santa Cruz]].&lt;br /&gt;
&lt;br /&gt;
His feature-length film &amp;#039;&amp;#039;Panorama Ephemera&amp;#039;&amp;#039; opened in summer 2004. With spouse [[Megan Prelinger]] he is co-founder of the [[Prelinger Library]], a reference library located in [[San Francisco]], California. He has produced such archival compilation films &amp;#039;&amp;#039;Lost Landscapes of San Francisco&amp;#039;&amp;#039; (15 annual films, 2006–2020) and &amp;#039;&amp;#039;Lost Landscapes of Detroit&amp;#039;&amp;#039; (three films, 2010–2012 and a fourth and fifth, &amp;quot;Yesterday and Tomorrow in Detroit&amp;quot;, 2014 and 2015.)&amp;lt;ref&amp;gt;{{cite web|url=http://theessayreview.org/essayistic-interventions-taking-the-city-into-the-theater/|title=Essayistic Interventions: Taking the City into the Theater – The Essay Review|publisher=TheEssayReview.org|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt; He received the [[Creative Capital]] Award in 2012 to make the film &amp;#039;&amp;#039;No More Road Trips?,&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;{{cite web|url=https://nomoreroadtrips.blogspot.com/|title=No More Road Trips?|first=Prelinger|last=Library|date=March 8, 2013|publisher=Prelinger Library No Morer Road Trips? blog|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=https://www.youtube.com/watch?v=pui2LMn2JMQ |archive-url=https://ghostarchive.org/varchive/youtube/20211213/pui2LMn2JMQ |archive-date=2021-12-13 |url-status=live|title=No More Road Trips? A dream ride through 20th-century America made from home movies|last=Prelinger Archives|date=September 15, 2016|accessdate=May 21, 2018|publisher=[[YouTube]]}}{{cbignore}}&amp;lt;/ref&amp;gt; which premiered in [[Austin, Texas]], at [[South by Southwest]] in March 2013.&amp;lt;ref&amp;gt;{{cite web|url=http://www.austinchronicle.com/screens/2013-03-08/traveling-road-show/|title=A rowdy look back at the home movies a nation&amp;#039;s road trips have inspired|work=[[Austin Chronicle]]|accessdate=May 21, 2018}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
He wrote &amp;#039;&amp;#039;The Field Guide to Sponsored Films&amp;#039;&amp;#039; (2007) which &amp;quot;describes 452 historically or culturally significant motion pictures commissioned by businesses, charities, advocacy groups, and state or local government units between 1897 and 1980.&amp;quot; It is available as a book and as a free PDF from the [[National Film Preservation Foundation]]. He worked at the Internet Archive on a texts-digitization project{{cn|date=June 2018}} and helped organize the [[Open Content Alliance]].{{cn|date=June 2018}}&lt;br /&gt;
&lt;br /&gt;
== See Also ==&lt;br /&gt;
* Much of the above content is simply a cut and paste of the wikipedia content - https://en.wikipedia.org/wiki/Rick_Prelinger - [[User:JJR|JJR]] ([[User talk:JJR|talk]]) 22:59, 6 January 2022 (EST)&lt;/div&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
</feed>