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	<id>http://ephemeralfilm.info/a/Prelinger_Archives_Table/vwxyz/history?feed=atom</id>
	<title>Prelinger Archives Table/vwxyz - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://ephemeralfilm.info/a/Prelinger_Archives_Table/vwxyz/history?feed=atom"/>
	<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/a/Prelinger_Archives_Table/vwxyz/history"/>
	<updated>2026-06-15T12:29:35Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Prelinger_Archives_Table/vwxyz&amp;diff=8250&amp;oldid=prev</id>
		<title>JJR at 18:25, 13 December 2021</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Prelinger_Archives_Table/vwxyz&amp;diff=8250&amp;oldid=prev"/>
		<updated>2021-12-13T18:25:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:25, 13 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| [[Vacuum Control]]||1938||Handy (Jam) Organization||Chevrolet Motor Company||B&amp;amp;amp;W||Sd||940 Feet&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| [[Vacuum Control]]||1938||Handy (Jam) Organization||Chevrolet Motor Company||B&amp;amp;amp;W||Sd||940 Feet&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Valley of the Tennessee||1945||U.S. Office of War Information||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Valley of the Tennessee&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;||1945||U.S. Office of War Information||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Valley Town||1940|| Educational Film Institute of New York University and Documentary Film Producers, Inc. ||Sloan (Alfred P.) Foundation||B&amp;amp;amp;W||Sd||24:32&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Valley Town||1940|| Educational Film Institute of New York University and Documentary Film Producers, Inc. ||Sloan (Alfred P.) Foundation||B&amp;amp;amp;W||Sd||24:32&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Vegetable Gardening||ca. 1920s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Vegetable Gardening&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;||ca. 1920s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Venice of the North||1936||Van Beuren Corporation||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Venice of the North||1936||Van Beuren Corporation||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Prelinger_Archives_Table/vwxyz&amp;diff=8247&amp;oldid=prev</id>
		<title>JJR at 18:24, 13 December 2021</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Prelinger_Archives_Table/vwxyz&amp;diff=8247&amp;oldid=prev"/>
		<updated>2021-12-13T18:24:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:24, 13 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l560&quot;&gt;Line 560:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 560:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Zoology: Animal Intelligence||2:49||News Magazine of the Screen ||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||3 reels&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Zoology: Animal Intelligence||2:49||News Magazine of the Screen ||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||3 reels&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== See Also ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Prelinger Archives Table/ab]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Prelinger Archives Table/tu]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Prelinger_Archives_Table/vwxyz&amp;diff=8246&amp;oldid=prev</id>
		<title>JJR: Created page with &quot;{| class=&quot;wikitable sortable&quot; |+ This list contains titles in the Prelinger collection that begin with the letters V, W, X, Y, or Z. |- ! Title!! Year!! Production Company !!...&quot;</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Prelinger_Archives_Table/vwxyz&amp;diff=8246&amp;oldid=prev"/>
		<updated>2021-12-13T18:22:29Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{| class=&amp;quot;wikitable sortable&amp;quot; |+ This list contains titles in the Prelinger collection that begin with the letters V, W, X, Y, or Z. |- ! Title!! Year!! Production Company !!...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{| class=&amp;quot;wikitable sortable&amp;quot;&lt;br /&gt;
|+ This list contains titles in the Prelinger collection that begin with the letters V, W, X, Y, or Z.&lt;br /&gt;
|-&lt;br /&gt;
! Title!! Year!! Production Company !! Sponsor!! BW !! Sd Si !! Length&lt;br /&gt;
|-&lt;br /&gt;
| [[Vacation in Arizona]]||1961/07/00||Audio Productions||American Airlines||C||si||586 feet&lt;br /&gt;
|-&lt;br /&gt;
| [[Vacuum Control]]||1938||Handy (Jam) Organization||Chevrolet Motor Company||B&amp;amp;amp;W||Sd||940 Feet&lt;br /&gt;
|-&lt;br /&gt;
| Valley of the Tennessee||1945||U.S. Office of War Information||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Valley Town||1940|| Educational Film Institute of New York University and Documentary Film Producers, Inc. ||Sloan (Alfred P.) Foundation||B&amp;amp;amp;W||Sd||24:32&lt;br /&gt;
|-&lt;br /&gt;
| Vegetable Gardening||ca. 1920s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Venice of the North||1936||Van Beuren Corporation||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Victory Gardens||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Victory Is Our Business||1942||Handy (Jam) Organization||General Motors Corp.||B&amp;amp;amp;W||Sd||10:09&lt;br /&gt;
|-&lt;br /&gt;
| Victory Year, The||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vision in the Forest||1957||Unknown||U.S. Forest Service and The Advertising Council, Inc.||C||Sd||5:11&lt;br /&gt;
|-&lt;br /&gt;
| Visit to Santa, A||ca. 1963||Williams (Clem) Films||Unknown||C||Sd||11:51&lt;br /&gt;
|-&lt;br /&gt;
| Visit to Wurlitzer, A||ca. 1950||McLarty Films||Wurlitzer (Rudolph) Company, The||B&amp;amp;amp;W/C||Sd||39:19&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Airplanes, Airports, Passengers||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Bay Area Aerials from Goodyear Blimp||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Bay Area Aerials I||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Bay Area Aerials II||ca. early 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Bay Bridge||ca. early 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Birds and Animals, Zoo||ca. early 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Entertainment||ca. 1962||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Fairchild Semiconductor (Roll F-11)||ca. 1960s - 1970s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Golden Gate Bridge 1||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Golden Gate Bridge 2||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Golden Gate Park, San Francisco||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Golden Gate Park, San Francisco, Gardens and Flowers||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Home Construction||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Home Construction: Plans Approved||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Homes, San Francisco||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Houses, San Francisco||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: New York Stock Exchange||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Ocean-Oriented Footage||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Office Communications and Machines||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: People from Crowds to Closeups||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: People from Crowds to Closeups||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Apartments||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Cable Cars I||ca. early 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Cable Cars II||ca. early 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Convention and Visitors Bureau, Roll 1||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Convention and Visitors Bureau, Roll 2||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Convention and Visitors Bureau, Roll 3||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Convention and Visitors Bureau, Roll 4||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Convention and Visitors Bureau, Roll 6||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Film Stock||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Scenics||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Scenics||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco Scenics and Long Shots||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco, Dusk and Night||ca. early 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco, Skyline Stock Footage, Golden Gate Bridge||ca. 1962||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco, Skyline Stock Footage, Golden Gate Bridge||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: San Francisco, Skyline Stock Footage, Golden Gate Bridge||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Seashore||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Ships Underway||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Some Nightclubs, San Francisco||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Stores and Shops||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Sunrises and Sunsets||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Sunsets and Sunrises||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Supermarket, Interior and Exterior Stock Shots||ca. 1960s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vista Stock Shots: Supermarkets, Drug Stores and Discount Houses||ca. 1972||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Vitamin &amp;quot;U&amp;quot; for Me||&amp;lt;br&amp;gt;||Featurettes||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Voice from the Screen, The||&amp;lt;br&amp;gt;||Vitaphone||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Voice of China, The (Reel 1 only)||&amp;lt;br&amp;gt;||Sun Dial Films||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Voice of the Delaware Valley||1960/06/00||WFIL||&amp;lt;br&amp;gt;||C||si||981 Feet&lt;br /&gt;
|-&lt;br /&gt;
| Voice of Victory||1944||Handy (Jam) Organization||Hallicrafters Co.||B&amp;amp;amp;W||Sd||27:14&lt;br /&gt;
|-&lt;br /&gt;
| Volcanoes in Action||1935||Encyclopaedia Britannica Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| WABCO Metro||1960s||&amp;lt;br&amp;gt;||Westinghouse Air Brake Company||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| [Walking Down Rural Road and Posing]||ca. 1958||Vlack Productions||&amp;lt;br&amp;gt;||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Walking to School||ca. 1960s||Davis (Sid) Productions||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| War We Are In, Part Two: Communism vs. Capitalism, The||ca. 1962||National Education Program||National Education Program||B&amp;amp;amp;W||Sd||23:23&lt;br /&gt;
|-&lt;br /&gt;
| War Within a War, A||1965||U.S. Naval Photographic Center||U.S. Marine Corps||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wartime Nutrition||1943||U.S. Office of War Information, Bureau of Motion Pictures||U.S. Office of War Information||B&amp;amp;amp;W||Sd||10:21&lt;br /&gt;
|-&lt;br /&gt;
| Wash Line Romance, A||1928||Universai||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Washington in War Time||ca. 1942 - 1943||Castle Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wastage of Human Resources||1947||Emerson Film Corp.||N/A||B&amp;amp;amp;W||Sd||10:17&lt;br /&gt;
|-&lt;br /&gt;
| Water||ca. 1950||Moss (Paul F.) &amp;amp;amp; Thelma Schnee||International Tele-Films Productions, Inc.||B&amp;amp;amp;W||Sd||10:00&lt;br /&gt;
|-&lt;br /&gt;
| Water Boy||1936||Handy (Jam) Organization||Chevrolet Motor Company||B&amp;amp;amp;W||Sd||1132 Feet&lt;br /&gt;
|-&lt;br /&gt;
| Water Safety||1953||Centron Corporation||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| Water Sports (The Sport Parade)||&amp;lt;br&amp;gt;||Castle Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||1 reel&lt;br /&gt;
|-&lt;br /&gt;
| Water Wisdom||&amp;lt;br&amp;gt;||Southern Educational Film Production Service, Inc.||Tennessee Valley Authority, The||B&amp;amp;amp;W||Sd||19:35&lt;br /&gt;
|-&lt;br /&gt;
| Waters of the Commonwealth ||1950||Handy (Jam) Organization||Commonwealth of Pennsylvania||C||Sd||21:00&lt;br /&gt;
|-&lt;br /&gt;
| Waves of Green||1950||Handy (Jam) Organization||Dearborn Motors Corporation||C||Sd||38:00&lt;br /&gt;
|-&lt;br /&gt;
| Way to a Man&amp;#039;s Heart, The||1943||&amp;lt;br&amp;gt;||National Live Stock and Meat Board||B&amp;amp;amp;W/C||Sd||32:00&lt;br /&gt;
|-&lt;br /&gt;
| Way With Fires, A||ca. 1940s||&amp;lt;br&amp;gt;||American Telephone &amp;amp;amp; Telegraph Co. (AT&amp;amp;amp;T)||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Way You Want It, The||1950||Handy (Jam) Organization||Chevrolet Division, General Motors Corporation||B&amp;amp;amp;W||Sd||8:00&lt;br /&gt;
|-&lt;br /&gt;
| Ways to Good Habits||1949||Coronet Instructional Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W?||Sd||9:04&lt;br /&gt;
|-&lt;br /&gt;
| Ways to Settle Disputes||1950||Coronet Instructional Films||&amp;lt;br&amp;gt;||C||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| We Drivers (1935 edition)||1936||Handy (Jam) Organization||General Motors Corporation, Public Relations Staff||B&amp;amp;amp;W/C||Sd||10:30&lt;br /&gt;
|-&lt;br /&gt;
| We Drivers (1955 revision)||1955||Handy (Jam) Organization||General Motors Corp., Public Relations Dept.||C||Sd||14:00&lt;br /&gt;
|-&lt;br /&gt;
| We Learn About the Telephone I||1965||Fairbanks (Jerry) Productions||American Telephone and Telegraph Co. (AT&amp;amp;amp;T)||C||Sd||22:32&lt;br /&gt;
|-&lt;br /&gt;
| We Use Power||1956||Churchill Films||Churchill Wexler||C||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| We Work Again||937||Pathe News (?)||U.S. Federal Works Agency, Works Projects Administration (WPA)||B&amp;amp;amp;W||Sd||10:51&lt;br /&gt;
|-&lt;br /&gt;
| We, The People (Willkie &amp;amp;amp; McNary Know Their Farming)||1940||Republican National Committee||Republican National Committee||B&amp;amp;amp;W||Sd||14:43&lt;br /&gt;
|-&lt;br /&gt;
| Weight Reduction Through Diet||1951||Handy (Jam) Organization||National Dairy Council||C||Sd||15:00&lt;br /&gt;
|-&lt;br /&gt;
| Weitsprung: Basse-film||ca. 1930s||Reichsanstalt fˆºr Film und Bild in Wissenschaft und Unterricht (RWU)||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Welcome Guest in the House, A||ca. 1957||Unknown||National Association of Broadcasters||B&amp;amp;amp;W||Sd||23:39&lt;br /&gt;
|-&lt;br /&gt;
| Welding Operator, The||1942||Holmes (Burton) Films, Inc.||Vocational Guidance Films, Inc.||B&amp;amp;amp;W||Sd||10:10&lt;br /&gt;
|-&lt;br /&gt;
| Well-Mannered Look, The||1964||Handy (Jam) Organization||duPont (E.I.) de Nemours &amp;amp;amp; Company||C||Sd||22:27 1/2&lt;br /&gt;
|-&lt;br /&gt;
| [Western Fashions &amp;amp;amp; Arizona]||ca. 1930s - 1940s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Western Grebe, The||ca. 1940s||U.S. Fish and Wildlife Service||&amp;lt;br&amp;gt;||b&amp;amp;amp;w||si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Westinghouse Total Electric Home (Long version)||1960/01/00||Sherman (L.)||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||915 feet&lt;br /&gt;
|-&lt;br /&gt;
| Westinghouse Traveler&amp;#039;s Choice 66||1966||Handy (Jam) Organization||Westinghouse||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Westward Movement, The||1941||Encyclopaedia Britannica Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| What a Wonderful World It Would Be||1965||Handy (Jam) Organization||Chevrolet Division, General Motors Corporation||C||Sd||22:16 1/2&lt;br /&gt;
|-&lt;br /&gt;
| What About Drinking?||1954||Centron Productions||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||10:25&lt;br /&gt;
|-&lt;br /&gt;
| What About Juvenile Delinquency?||1955||Centron Productions||N/A||B&amp;amp;amp;W||Sd||10:41&lt;br /&gt;
|-&lt;br /&gt;
| What About Prejudice?||1959||Centron Corporation||N/A||B&amp;amp;amp;W||Sd||11:17&lt;br /&gt;
|-&lt;br /&gt;
| What About School Spirit? ||1958||Centron Corporation||N/A||B&amp;amp;amp;W||Sd||14:08&lt;br /&gt;
|-&lt;br /&gt;
| What Happened to Emile (Cooperation &amp;amp;amp; Obedience): A Film Lesson in Citizenship||1921||Wythe (F.S.) Pictures Corporation||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| What Is a Corporation?||1949||Coronet Instructional Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| What Is Business?||1948||Coronet Instructional Films||N/A||B&amp;amp;amp;W||Sd||9:47&lt;br /&gt;
|-&lt;br /&gt;
| What Is Money?||1947||Coronet Instructional Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||10:18&lt;br /&gt;
|-&lt;br /&gt;
| What It Means to Be an American||1952||Frith Films||&amp;lt;br&amp;gt;||C||Sd||2 reels&lt;br /&gt;
|-&lt;br /&gt;
| What Made Sammy Speed?||1957||Davis (Sid) Productions||&amp;lt;br&amp;gt;||C||Sd||10:00&lt;br /&gt;
|-&lt;br /&gt;
| What Makes a Battle?||1944||U.S. War Department, Army Pictorial Service||N/A||B&amp;amp;amp;W||Sd||15:34&lt;br /&gt;
|-&lt;br /&gt;
| What Makes a Fine Watch Fine?||1947||Handy (Jam) Organization||Hamilton Watch Company||B&amp;amp;amp;W||Sd||19:54&lt;br /&gt;
|-&lt;br /&gt;
| What Makes A Good Party?||1950||Coronet Instructional Films||N/A||B&amp;amp;amp;W||Sd||10:13&lt;br /&gt;
|-&lt;br /&gt;
| What Makes Us Tick||1952||Sutherland (John) Productions||New York Stock Exchange||B&amp;amp;amp;W/C||Sd||11:35&lt;br /&gt;
|-&lt;br /&gt;
| What Mr. Bell Had in Mind||1954||Handy (Jam) Organization||Chevrolet Division, General Motors Corporation||B&amp;amp;amp;W||Sd||10:00&lt;br /&gt;
|-&lt;br /&gt;
| What Stops Them||1935||Handy (Jam) Organization||Chevrolet Motor Company||B&amp;amp;amp;W||Sd||576 Feet&lt;br /&gt;
|-&lt;br /&gt;
| What Time Is It?||1951||Coronet Instructional Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| What to Do in a Gas Attack||1942 - 1943||Filmedia Corp.||N/A||B&amp;amp;amp;W||Sd||13:52&lt;br /&gt;
|-&lt;br /&gt;
| What to Do on a Date||1950||Coronet Instructional Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| What You Should Know About Biological Warfare||1952||Ray (Reid H.) Film Industries||U.S. Federal Civil Defense Administration||B&amp;amp;amp;W||Sd||7:17&lt;br /&gt;
|-&lt;br /&gt;
| What&amp;#039;s Happened to Sugar?||&amp;lt;br&amp;gt;||Flaherty, Robert||U.S. Office of Price Administration||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| What&amp;#039;s It to You?||1955||Handy (Jam) Organization||duPont (E.I.) de Nemours &amp;amp;amp; Company, Film Department||C||Sd||23:40&lt;br /&gt;
|-&lt;br /&gt;
| What&amp;#039;s the Big Hurry?||&amp;lt;br&amp;gt;||Davis (Sid) Productions||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| What&amp;#039;s the Difference?||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||Chemstrand Corporation||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wheat Farmer, The||1938||ERPI Classroom Films, Inc.||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| Wheat&amp;#039;s Worth: The Story of a Grain of Wheat||ca. 1920s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wheels A-Rolling: 100 Years of Railroad Progress||1948||Ott (John) Pictures||Chicago Railroad Fair||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wheels Across Africa||ca. 1936||Wilding Picture Productions||Dodge Division, Chrysler Corporation||B&amp;amp;amp;W||Sd||50:24&lt;br /&gt;
|-&lt;br /&gt;
| Wheels of Progress||ca. 1927||U.S. Bureau of Public Roads, Department of Agriculture, Educational Film Service||U.S. Bureau of Public Roads||B&amp;amp;amp;W||Si||13:41&lt;br /&gt;
|-&lt;br /&gt;
| Wheels of Progress||1950||Zenith Cinema Services, Inc.||Rock Island Lines||C||Sd||19:02&lt;br /&gt;
|-&lt;br /&gt;
| Wheels of Tragedy||1963||Highway Safety Films, Inc.||Ohio State Highway Patrol||C||Sd||27:16&lt;br /&gt;
|-&lt;br /&gt;
| When Elk Come Down||&amp;lt;br&amp;gt;||U.S. Department of Agriculture||U.S. Department of Agriculture, Forest Service||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| When Sally Fell||1962||Video Pictures, Inc. / Creative Arts Studio||U.S. Dept. of Health, Education and Welfare||B&amp;amp;amp;W||Sd||15:13&lt;br /&gt;
|-&lt;br /&gt;
| When the Circuit Breaks: America&amp;#039;s Energy Crisis||1975||Concept Films, Inc.||U.S. Federal Energy Administration, Office of Communications and Public Affairs||C||sd||28:00&lt;br /&gt;
|-&lt;br /&gt;
| When the White Man Came ’Äî And After||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| When Work Is Done||ca. 1943||U.S. Office of War Information, Bureau of Motion Pictures||U.S. Office of War Information, Bureau of Motion Pictures||B&amp;amp;amp;W||Sd||8:55&lt;br /&gt;
|-&lt;br /&gt;
| When You Are a Pedestrian||1948||Progressive Pictures||N/A||B&amp;amp;amp;W||Sd||9:55&lt;br /&gt;
|-&lt;br /&gt;
| When You Grow Up||1973||Films\West, Inc., California||N/A||C||Sd||11:22&lt;br /&gt;
|-&lt;br /&gt;
| When You Know||1936||Handy (Jam) Organization||Chevrolet Motor Company||B&amp;amp;amp;W||Sd||8:31&lt;br /&gt;
|-&lt;br /&gt;
| Where Does It Get You?||1946||Century Productions||Women&amp;#039;s Christian Temperance Union (WCTU)||B&amp;amp;amp;W||Sd||15:45&lt;br /&gt;
|-&lt;br /&gt;
| Where the Mountains Meet the Sea||1959||Concord Company||Unknown||C||Sd||28:00&lt;br /&gt;
|-&lt;br /&gt;
| Where the Sun Reigns!||ca. 1955||Reela Films||Greater Miami Development Board and Dade County Commission||B&amp;amp;amp;W||Sd||13:32&lt;br /&gt;
|-&lt;br /&gt;
| Where&amp;#039;s Joe?||ca. 1975||Cinecraft Productions, Inc.||U.S. Steel Co.||C||Sd||24:22&lt;br /&gt;
|-&lt;br /&gt;
| Which Way This Time?||ca. 1940s||Ragan (Philip) Productions||U.S. Office of Price Administration||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| [Whirl with the Squirrels, A]||ca. 1950s||Universal-International Newsreel||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||1:03&lt;br /&gt;
|-&lt;br /&gt;
| Whiskey Rebellion, The||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| White Ammunition||ca. 1942||Blake (B.K.) Inc.||Borden&amp;#039;s Farm Products||sepia||Sd||24:06&lt;br /&gt;
|-&lt;br /&gt;
| White Magic||1940||Handy (Jam) Organization ||Chevrolet Division, General Motors Corporation||B&amp;amp;amp;W||Sd||7:35&lt;br /&gt;
|-&lt;br /&gt;
| White Pelican||&amp;lt;br&amp;gt;||Du Bois (J.M.)||&amp;lt;br&amp;gt;||c||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| White Pelican, The||&amp;lt;br&amp;gt;||Harrison-Roberts Wild Life Films||&amp;lt;br&amp;gt;||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| White Wonder||1958||Wilding Picture Productions||Morton Salt Company||C||Sd||27:37&lt;br /&gt;
|-&lt;br /&gt;
| Whither Thou Goest||ca. 1948||Davis (Sid) Productions||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||10:30&lt;br /&gt;
|-&lt;br /&gt;
| Who Are the People of America?||1953||Coronet Instructional Films||N/A||B&amp;amp;amp;W||Sd||10:06&lt;br /&gt;
|-&lt;br /&gt;
| Who Cops Out?||1970||mhfb||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Who Shall Reap?||1969||U.S. Department of Agriculture, Motion Picture Service||U.S. Department of Agriculture||C||Sd||28:01&lt;br /&gt;
|-&lt;br /&gt;
| Who&amp;#039;s Boss?||1950||Affiliated Film Producers||N/A||B&amp;amp;amp;W||Sd||15:38&lt;br /&gt;
|-&lt;br /&gt;
| Who&amp;#039;s Right?||1954||Affiliated Film Producers||N/A||B&amp;amp;amp;W||Sd||17:44&lt;br /&gt;
|-&lt;br /&gt;
| Whoever You Are||ca. 1930s - 1940s||VFT Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Why Braceros?||ca. 1959||Wilding-Butler Division of Wilding, Inc.||Council of California Growers||B&amp;amp;amp;W||Sd||18:53&lt;br /&gt;
|-&lt;br /&gt;
| Why Kill the Goose: The Profit System||1955||Fotovox, Inc.||National Education Program, Harding College||B&amp;amp;amp;W||Sd||11:17&lt;br /&gt;
|-&lt;br /&gt;
| Why Not Live?||ca. 1937||Ganz (William A.) Productions||American Red Cross||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Why Play Leap Frog?||1949||Sutherland (John) Productions, Inc.||Harding College||C||Sd||9:39&lt;br /&gt;
|-&lt;br /&gt;
| Why Study Home Economics?||1955||Centron Corporation||N/A||B&amp;amp;amp;W||Sd||9:18&lt;br /&gt;
|-&lt;br /&gt;
| Why Study Industrial Arts?||1956||Centron Corporation||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||10:00&lt;br /&gt;
|-&lt;br /&gt;
| Why Study Science?||1955||Centron Productions||N/A||B&amp;amp;amp;W||Sd||10:54&lt;br /&gt;
|-&lt;br /&gt;
| Why Take Chances? (Safety at Play)||1952||Davis (Sid) Productions||&amp;lt;br&amp;gt;||C||Sd||10:00&lt;br /&gt;
|-&lt;br /&gt;
| Why Vandalism?||1955||Encyclopaedia Britannica Films||N/A||B&amp;amp;amp;W||Sd||16:08&lt;br /&gt;
|-&lt;br /&gt;
| Why We Respect the Law||1950||Coronet Instructional Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||14:00&lt;br /&gt;
|-&lt;br /&gt;
| Wide World Music Hall Announcement||ca. 1960s||Handy (Jam) Organization||Ford Tractor Division||C||Sd||29:53&lt;br /&gt;
|-&lt;br /&gt;
| Wild at the Wheel||ca. 1970s||Davis (Sid) Productions||&amp;lt;br&amp;gt;||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wild Fowl in Slow Motion||1947||Hawley-Lord, Inc.||&amp;lt;br&amp;gt;||C||Sd||1 reel&lt;br /&gt;
|-&lt;br /&gt;
| Wild Life in the 49th State||ca. 1959||Pennsylvania Film Productions||E. I. duPont de Nemours &amp;amp;amp; Co., Inc., Textile Fibers Department||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wild Pig Kills Rattlesnake!||1937||Cine Art||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wild Shore||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||Union Pacific Railroad.||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wild Wool||1927||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| [Willie Shoemaker at Golden Gate Fields]||ca. 1950s||Universal-International Newsreel||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||0:33&lt;br /&gt;
|-&lt;br /&gt;
| Wilson Dam School, The||1942||American Film Center||Tennessee Valley Authority and the Alabama State Department of Education||B&amp;amp;amp;W||Sd||20:00&lt;br /&gt;
|-&lt;br /&gt;
| Wing, Claw and Fang||1944||Castle Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||10:00&lt;br /&gt;
|-&lt;br /&gt;
| Winged Pageantry||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wings for Doubting Thomas||ca. 1950s||&amp;lt;br&amp;gt;||Cessna Aircraft Co.||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wings for Roger Windsock||1952||Handy (Jam) Organization||U. S. Air Force||B&amp;amp;amp;W||Sd||800 Feet&lt;br /&gt;
|-&lt;br /&gt;
| Winning Against Odds||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||1 reel&lt;br /&gt;
|-&lt;br /&gt;
| Wise Use of Credit, The||1960||Sutherland Educational Films, Inc.||National Consumer Finance Association||B&amp;amp;amp;W||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| Wish You Were Here||&amp;lt;br&amp;gt;||Klamath County (Oregon) Chamber of Commerce||Klamath County (Oregon) Chamber of Commerce||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| With Buffalo Bill on the U.P. Trail||1926||Sunset Productions||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| With No One to Help Us||1967||U. S. Office Of Economic Opportunity||Head Start Programs||B&amp;amp;amp;W||Sd||21:42&lt;br /&gt;
|-&lt;br /&gt;
| With One Voice: The Story of the Economic Security Program||1954||Julien Bryan International Film Foundation||American Nurses Association||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| With This Ring||1954||Fairbanks (Jerry) Productions||Miller Brewing Co.||C||Sd||40:11&lt;br /&gt;
|-&lt;br /&gt;
| WJR: One of a Kind||ca. 1966||Handy (Jam) Organization||WJR||C||Sd||15:00 (approx.)&lt;br /&gt;
|-&lt;br /&gt;
| Wolf of Cajon, The||ca. 1920s||Pizor, William M.||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wonder of Water, The||1966||Handy (Jam) Organization|| ||C||Sd||3 reels&lt;br /&gt;
|-&lt;br /&gt;
| Wonder World of Chemistry: A Film Story of Better Things for Better Living, The||1936||Audio Productions, Inc.||duPont (E.I.) de Nemours &amp;amp;amp; Company, Inc.||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wonderful Jet World of Pan American, The||1959||Coleman Productions (New York City)||Pan American World Airways||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wonderful New World of Fords, A (1960 Ford Spot)||1960||Filmways||Ford Motor Company||C||Sd||3:00&lt;br /&gt;
|-&lt;br /&gt;
| Wonderful World||1959||Handy (Jam) Organization||Coca-Cola Company||C||Sd||45:00&lt;br /&gt;
|-&lt;br /&gt;
| Wonderful World of Nylon, The||1964||Handy (Jam) Organization||duPont (E.I.) de Nemours &amp;amp;amp; Co.||C||Sd||12:51 1/2&lt;br /&gt;
|-&lt;br /&gt;
| Wonderful World of Trains||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Sd||ca. 890 Feet&lt;br /&gt;
|-&lt;br /&gt;
| Wonderful World of Tupperware, The||&amp;lt;br&amp;gt;||United Film Productions (Orlando, Florida)||Tupperware Corporation||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wonderful World of Wash &amp;#039;n&amp;#039; Wear, The||1958||Handy (Jam) Organization||Whirlpool Corporation||C||Sd||22:30&lt;br /&gt;
|-&lt;br /&gt;
| Wonderland of Vision||ca. 1948||PRBAP||Better Vision Institute||C||Sd||16:00&lt;br /&gt;
|-&lt;br /&gt;
| Wonders of the Unseen World||&amp;lt;br&amp;gt;||Unknown||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wood For War||ca. 1942||Calvin Company||U.S. Department of Agriculture, Forest Service||C||Sd||6:24&lt;br /&gt;
|-&lt;br /&gt;
| Woodland Wonders of the West: A Classroom Picture||1936||Edited Pictures||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Woodworker, The||1940||Holmes (Burton) Films, Inc.||Vocational Guidance Films, Inc.||B&amp;amp;amp;W||Sd||10:07&lt;br /&gt;
|-&lt;br /&gt;
| Word to the Wives, A||ca. 1955||Telamerica, Inc.||American Gas Association, National Association of Home Builders, and The Woman&amp;#039;s Home Companion||C||Sd||12:41&lt;br /&gt;
|-&lt;br /&gt;
| Work Measurement Film: Effort Rating: Experiment II: Dealing Cards||ca. 1940s||Barnes, Ralph M.||University of Iowa||B&amp;amp;amp;W||Si||5:15&lt;br /&gt;
|-&lt;br /&gt;
| Work of My Hands, The||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||Commission on Social Action of Reform Judaism||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Work of the Stock Exchange||1941||Coronet Instructional Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||16:00&lt;br /&gt;
|-&lt;br /&gt;
| Work of the Wind, The||ca. 1920s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Work Pays America||1937||U.S. Work Projects Administration||U.S. Work Projects Administration||B&amp;amp;amp;W||Sd||31:08&lt;br /&gt;
|-&lt;br /&gt;
| [Work Simplification Program, York Knitting Mills Ltd., Zimmerknit Division, Hamilton, Ont., J.D. Woods &amp;amp;amp; Co., Ltd.]||&amp;lt;br&amp;gt;||Barnes, Ralph M.||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Work, For the Night Is Coming||1946||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Working and Playing to Health (As We See It)||1953||Affiliated Film Producers||State of Illinois Mental Health Film Board||B&amp;amp;amp;W||Sd||35:26&lt;br /&gt;
|-&lt;br /&gt;
| Working Dollars||1957||Sutherland (John) Productions, Inc..||Members of the New York Stock Exchange||C||Sd||10:44&lt;br /&gt;
|-&lt;br /&gt;
| Working Together: A Case History in Labor-Management Cooperation||1951||Albert (Eddie) Productions||Twentieth Century Fund||B&amp;amp;amp;W||Sd||22:35&lt;br /&gt;
|-&lt;br /&gt;
| World at War||1942||U.S. Office of War Information||N/A||B&amp;amp;amp;W||Sd||41:42&lt;br /&gt;
|-&lt;br /&gt;
| World at Your Call, The||1950||Handy (Jam) Organization||American Telephone and Telegraph Co. (AT&amp;amp;amp;T)||C||Sd||1 reel&lt;br /&gt;
|-&lt;br /&gt;
| World Beneath the Sea||ca. 1920s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| World of Tomorrow, The||1939-40||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| World That Nature Forgot, The||1955||MPO Productions||Monsanto Chemical Company||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| World Through Stamps: The Stories Behind Postage Stamps, The||1957||Craven Film Corporation||N/A||B&amp;amp;amp;W||Sd||12:50&lt;br /&gt;
|-&lt;br /&gt;
| World Trade Center||ca. 1970||Western Electric||&amp;lt;br&amp;gt;||C||SI||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| World We Want to Live in, The||1942||National Conference of Christians and Jews||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||11:00&lt;br /&gt;
|-&lt;br /&gt;
| World&amp;#039;s Fair Report with Lowell Thomas||1961 - 1963||Campbell (John) Films, Inc., in association with Communications and Public Relations Department, New York World&amp;#039;s Fair 1964-1965 Corporation||&amp;lt;br&amp;gt;||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| [WPA Film]||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||U.S. Works Progress Administration||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Wreckless||1935||Handy (Jam) Organization||Chevrolet Motor Company||B&amp;amp;amp;W||Sd||1617 Feet&lt;br /&gt;
|-&lt;br /&gt;
| Writing Better Social Letters||1950||Coronet Instructional Films||&amp;lt;br&amp;gt;||C||Sd||10:00&lt;br /&gt;
|-&lt;br /&gt;
| X Marks the Spot||1944||Handy (Jam) Organization||State of New Jersey, Bureau of Traffic Safety||B&amp;amp;amp;W||Sd||800 feet&lt;br /&gt;
|-&lt;br /&gt;
| X-1724 Demo Reel||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Xerox 2400: What&amp;#039;s the Difference?||ca. 1967||Handy (Jam) Organization||&amp;lt;br&amp;gt;||c||sd||1 1/2 reels&lt;br /&gt;
|-&lt;br /&gt;
| Yankee Story, The||1956||RKO Teleradio Pictures, Yankee Division||Yankee Network||C||Sd||1167 Feet&lt;br /&gt;
|-&lt;br /&gt;
| Yanks Battle for Okinawa!||1945||Castle Films||&amp;lt;br&amp;gt;||b&amp;amp;amp;w||si||3:10&lt;br /&gt;
|-&lt;br /&gt;
| Yeggs Aren&amp;#039;t Safe||1935||Handy (Jam) Organization||Chevrolet Motor Company||B&amp;amp;amp;W||Sd||1864 feet&lt;br /&gt;
|-&lt;br /&gt;
| Yellowstone National Park||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||b&amp;amp;amp;w||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Yield Not to Temptation||ca. 1948||Davis (Sid) Productions||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||1 reel&lt;br /&gt;
|-&lt;br /&gt;
| You and the Weather||1962/04/00||Audio Productions||Texaco, Inc.||C||Sd||24:52&lt;br /&gt;
|-&lt;br /&gt;
| You and Your Bicycle||1948||Progressive Pictures||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||8:58&lt;br /&gt;
|-&lt;br /&gt;
| You and Your Family||1946||Blake (B.K.) Inc.||Cowles Magazines||B&amp;amp;amp;W||Sd||7:06&lt;br /&gt;
|-&lt;br /&gt;
| You and Your Friends||1946||Blake (B.K.) Inc.||&amp;quot;the editors of Look magazine&amp;quot; (Cowles Magazines, Inc.)||B&amp;amp;amp;W||Sd||7:49&lt;br /&gt;
|-&lt;br /&gt;
| You and Your Parents||1950||Coronet Instructional Films||N/A||B&amp;amp;amp;W||Sd||13:05&lt;br /&gt;
|-&lt;br /&gt;
| You Are the Switchman||ca. 1951||Unknown||American Cancer Society||B&amp;amp;amp;W||Sd||11:09&lt;br /&gt;
|-&lt;br /&gt;
| You Be the Doctor (Chevrolet Conference)||1965||Handy (Jam) Organization||Chevrolet Motor Division, General Motors Corp.||C||Sd||1.5 reels&lt;br /&gt;
|-&lt;br /&gt;
| You Can Tell by the Teller||1945||Wilding Picture Productions||American Telephone and Telegraph Co. (AT&amp;amp;amp;T)||B&amp;amp;amp;W||Sd||18:41&lt;br /&gt;
|-&lt;br /&gt;
| You Can&amp;#039;t Stop on a Dime||&amp;lt;br&amp;gt;||Davis (Sid) Productions||&amp;lt;br&amp;gt;||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| You Have Everything (Chevrolet Truck Field Training Film)||1950||Handy (Jam) Organization||Chevrolet Division, General Motors Corporation||C||Si||10:00&lt;br /&gt;
|-&lt;br /&gt;
| You in Public Service: Applying for a Public Service Job||1970s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Si||27:26&lt;br /&gt;
|-&lt;br /&gt;
| You in Public Service: Good Grooming||ca. 1970s||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||C||Sd||27:27&lt;br /&gt;
|-&lt;br /&gt;
| You&amp;#039;d Be There||1977/07/00||New York Film and Videotape Communications, Inc.||&amp;lt;br&amp;gt;||C||Si||355 Feet&lt;br /&gt;
|-&lt;br /&gt;
| You&amp;#039;re Driving 90 Horses||1959||Kasper (Edwin T.) Productions||American Telephone and Telegraph Co. (AT&amp;amp;amp;T)||C||Sd||23:13&lt;br /&gt;
|-&lt;br /&gt;
| Young Man River||ca. 1965||Mode-Art Productions||U.S. Army Corps Of Engineers||C||Sd||3 reels&lt;br /&gt;
|-&lt;br /&gt;
| Young Man&amp;#039;s Fancy||1952||Handy (Jam) Organization||Edison Electric Institute||&amp;lt;br&amp;gt;||Sd||29:00&lt;br /&gt;
|-&lt;br /&gt;
| Young Uruguay||1943||Bryan (Julien)||U.S. Office of the Coordinator of Inter-American Affairs||B&amp;amp;amp;W||Sd||17:08&lt;br /&gt;
|-&lt;br /&gt;
| Younger Years||1931||Van Beuren Corporation||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Your Body During Adolescence||1955||McGraw-Hill Text Films||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||10:00&lt;br /&gt;
|-&lt;br /&gt;
| Your Career in the Paper Industry||1952||Schmitz (R.M.) Co., Madison, Wisconsin||American Paper and Pulp Association||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Your Chance of a Lifetime||1941||Horne Productions||International Silver Co.||B&amp;amp;amp;W/C||Sd||1 1/2 reels&lt;br /&gt;
|-&lt;br /&gt;
| Your Chance to Live: Earthwatch||1972||Screenscope, Inc.||U.S. Defense Civil Preparedness Agency||C||Sd||12:12&lt;br /&gt;
|-&lt;br /&gt;
| Your Chance to Live: Technological Failures||1972||Screenscope||U.S. Defense Civil Preparedness Agency||C||Sd||14:00&lt;br /&gt;
|-&lt;br /&gt;
| Your Family||1948||Coronet Instructional Films||N/A||B&amp;amp;amp;W||Sd||10:06&lt;br /&gt;
|-&lt;br /&gt;
| Your Fire Department ||1949||Film Communicators||Los Angeles Fire Department||C||Sd||31:35&lt;br /&gt;
|-&lt;br /&gt;
| Your Home Is What You Make It||1969||Handy (Jam) Organization||Whirlpool Corporation, Department of Corporate and Public Affairs||C||Sd||15:14&lt;br /&gt;
|-&lt;br /&gt;
| Your Movie Camera and How to Use It||&amp;lt;br&amp;gt;||Hollywood 35m.m. Film Company||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Your Name Here&amp;quot; Story, The||ca. 1964-65||Calvin Communications||Calvin Communications||C||Sd||10:06&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Your Name Here&amp;quot; Story, The (Outtakes)||ca. 1964-65||Calvin Communications||Calvin Communications||C||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Your Permit to Drive||1951||General Motors Photographic||General Motors Corporation||B&amp;amp;amp;W||Sd||10:17&lt;br /&gt;
|-&lt;br /&gt;
| Your Police||ca. late 1950s||Riviera Productions||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Your Safety First||1956||Sutherland (John) Productions||Automobile Manufacturers Association||C||Sd||12:36&lt;br /&gt;
|-&lt;br /&gt;
| Your Social Security||ca. 1940s||Warner News Inc.||U.S. Federal Security Agency||B&amp;amp;amp;W||Sd||17:42&lt;br /&gt;
|-&lt;br /&gt;
| Your Thrift Habits||1948||Coronet Instructional Films||N/A||B&amp;amp;amp;W||Sd||10:33&lt;br /&gt;
|-&lt;br /&gt;
| Your Town: A Story of America||1940||Audio Productions Inc.||National Association of Manufacturers||B&amp;amp;amp;W||Sd||10:12&lt;br /&gt;
|-&lt;br /&gt;
| Yours to Command||ca. 1961||Handy (Jam) Organization||Ontario Hydro||C||Sd||24:00&lt;br /&gt;
|-&lt;br /&gt;
| Youth Behind the Badge||ca. 1958||Golden State Film Productions||Berkeley (California) Police Dept. (?)||C||Sd||26:57&lt;br /&gt;
|-&lt;br /&gt;
| Yucca Valley, California: Queen of the High Desert||&amp;lt;br&amp;gt;||Potter (Robert) Productions||Yucca Valley Ranchos||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Zampa||1930||&amp;lt;br&amp;gt;||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||1 reel &lt;br /&gt;
|-&lt;br /&gt;
| Zip Code with the Swingin&amp;#039; 6||1967||Rothberg (Lee) Productions, Inc.||U.S. Post Office Department||C||Sd||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Zoo in Manhattan||&amp;lt;br&amp;gt;||Central Film Company||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Si||&amp;lt;br&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| Zoology: Animal Intelligence||2:49||News Magazine of the Screen ||&amp;lt;br&amp;gt;||B&amp;amp;amp;W||Sd||3 reels&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>JJR</name></author>
	</entry>
</feed>