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	<title>Soundies - Revision history</title>
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	<updated>2026-05-01T09:45:16Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Soundies&amp;diff=38133&amp;oldid=prev</id>
		<title>JJR: 1 revision imported: might be problem</title>
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		<updated>2022-05-13T02:04:55Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported: might be problem&lt;/p&gt;
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				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:04, 13 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
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		<author><name>JJR</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Soundies&amp;diff=38132&amp;oldid=prev</id>
		<title>en&gt;XanderL: /* Musical genres */  fix</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Soundies&amp;diff=38132&amp;oldid=prev"/>
		<updated>2022-04-07T03:36:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Musical genres: &lt;/span&gt;  fix&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|1940s US musical film shorts}}&lt;br /&gt;
{{More footnotes|date=May 2014}}&lt;br /&gt;
&amp;lt;!-- Commented out: [[Image:Smithdale.jpg|right|thumb|350px|Comedians Charlie Dale (left) and Joe Smith ([[Smith and Dale]]) in a comedy sketch for Soundies movie jukeboxes (1941)]] --&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Soundies&amp;#039;&amp;#039;&amp;#039; are three-minute [[United States|American]] musical films, produced between 1940 and 1947, each displaying a song, dance, and/or band or orchestral number. Produced professionally on [[35 mm movie film|35 mm black-and-white film]], like theatrical motion pictures, they were printed on the more portable and economical 16 mm film.&lt;br /&gt;
&lt;br /&gt;
The films were shown in a coin-operated &amp;quot;movie jukebox&amp;quot; named the [[Panoram]], manufactured by the [[Mills Novelty Company]] of Chicago. Each Panoram housed a 16 mm [[RCA]] film projector, with eight Soundies films threaded in an endless-loop arrangement. A system of mirrors flashed the image from the lower half of the cabinet onto a front-facing screen in the top half. Each film cost 10 cents to play, with no choice of song; the patron saw whatever film was next in the queue. Panorams could be found in public amusement centers, nightclubs, taverns, restaurants, and factory lounges, and the films were changed weekly. The completed Soundies were generally made available within a few weeks of their filming, by the Soundies Distributing Corporation of America.&lt;br /&gt;
&lt;br /&gt;
Several production companies filmed the Soundies shorts in New York City, [[Hollywood, Los Angeles|Hollywood]], and [[Chicago]]: [[James Roosevelt]]&amp;#039;s Globe Productions (1940–41), Cinemasters (1940–41), Minoco Productions (owned by Mills Novelty, 1941–43),&amp;lt;ref name=Waller&amp;gt;[https://www.youtube.com/watch?v=-7zm8v9reDo &amp;quot;Honeysuckle Rose&amp;quot;] sung by Fats Waller in a 1941 Minoco Production Soundie (video)&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{IMDb title|0814137|Ain&amp;#039;t Misbehavin&amp;#039; &amp;#039;&amp;#039;(soundie with Fats Waller)}}&amp;lt;/ref&amp;gt; RCM Productions (1941–46), LOL Productions (1943), Glamourettes (1943), Filmcraft Productions (1943–46), and Alexander Productions (1946) led by [[William D. Alexander]]).&amp;lt;ref name=&amp;quot;ReferenceA&amp;quot;&amp;gt;[[Scott MacGillivray]] and [[Ted Okuda]], &amp;#039;&amp;#039;The Soundies Book: A Revised and Expanded Guide&amp;#039;&amp;#039;, iUniverse, 2007; {{ISBN|978-0595679690}}&amp;lt;/ref&amp;gt; The performers recorded the music in advance, and mimed to the soundtrack during filming.&lt;br /&gt;
&lt;br /&gt;
The movie-jukebox idea developed several imitations and variations of the technical design; the most successful of these imitators were the [[Techniprocess]] company (managed by [[Rudy Vallee]]) and the Featurettes company, which used original novelty songs and usually unknown talent (17-year-old [[Gwen Verdon]] appears in a couple of the Featurettes as &amp;quot;Gwen Verdun&amp;quot;). As Soundies quickly gained most of the market for jukebox films, the other companies disbanded, and some sold their films to the Soundies concern.&lt;br /&gt;
&lt;br /&gt;
==Musical genres==&lt;br /&gt;
Soundies emphasized variety from their beginning; the first three bandleaders who contracted for Soundies were boogie-woogie specialist [[Will Bradley]],  established popular music maestro [[Vincent Lopez]], and Hawaiian singer-leader [[Ray Kinney]].&amp;lt;ref name=&amp;quot;ReferenceA&amp;quot;/&amp;gt; Soundies displayed all genres of music, from classical to big-band swing, and from hillbilly novelties to patriotic songs. [[Harry McClintock]], [[Jimmy Dorsey]], [[Louis Jordan]], [[Spike Jones]], [[Stan Kenton]], [[Kay Starr]], [[Johnnie Johnston]], [[Les Brown (bandleader)|Les Brown]], The [[Hoosier Hot Shots]], [[Charlie Spivak]], [[Martha Tilton]], [[Sally Rand]], [[Nick Lucas]], [[Gene Krupa]], [[Anita O&amp;#039;Day]], [[Jimmie Dodd]], [[Merle Travis]], and [[Lawrence Welk]] were some of the leading Soundies performers. Many stars of the future made appearances in Soundies at the beginning of their careers, including [[Gale Storm]], [[Dorothy Dandridge]], [[Ricardo Montalban]], [[Liberace]], [[Doris Day]], [[Gloria Grahame]], [[Cyd Charisse]], [[Alan Ladd]], [[Marilyn Maxwell]], and [[Yvonne DeCarlo]].&lt;br /&gt;
&lt;br /&gt;
Many nightclub and recording artists also made Soundies, including [[Harry &amp;quot;The Hipster&amp;quot; Gibson]], [[Benny Fields]], [[Frances Faye]], [[Gloria Parker]], [[Charles Magnante]], [[Milton DeLugg]], and [[Gus Van]]. In the mid-1940s, during a moratorium imposed by [[James Petrillo]] of the musicians&amp;#039; union, Soundies resorted to filming nonmusical vaudeville acts, featuring exotic dancers [[Sally Rand]] and [[Faith Bacon]], animal acts, acrobats, impressionists, and jugglers.&lt;br /&gt;
&lt;br /&gt;
Beginning in 1941, Soundies experimented with expanding its format, and filmed comedy Soundies with &amp;#039;&amp;#039;[[Our Gang]]&amp;#039;&amp;#039; actor [[Carl &amp;quot;Alfalfa&amp;quot; Switzer]], Broadway comic Willie Howard, dialect comedians [[Smith and Dale]], [[Harry Langdon]], [[Snub Pollard]], and [[The Keystone Kops]]. Most of these films were nonmusical, and were not as well received as the musical Soundies. Soundies abandoned the comedy-sketch idea, but continued to produce filmed versions of comic novelty songs.&lt;br /&gt;
&lt;br /&gt;
By the time [[Louis Jordan]] moved from swing music to [[jump blues]] with his new band [[Tympany Five band]] in the late 1940s, he was often using Soundies as promotional material.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=PR6pHtiNT_k&amp;amp;feature=youtu.be Caldonia, Louis Jordan]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://www.seattleweekly.com/film/louis-jordan-and-his-tympany-band-films-and-soundies/ Louis Jordan and his Tympany Band: Films and Soundies]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
More than 1,800 Soundies minimusicals were made, many of which have been released on home video.&amp;lt;ref name=nhd&amp;gt;Anthony Slide, &amp;#039;&amp;#039;New Historical Dictionary of the American Film Industry&amp;#039;&amp;#039; Chicago &amp;amp; London: Fitzroy Dearborn, 1998 1-57958-056-4 p.191&amp;lt;/ref&amp;gt; The Soundies films were regularly described and reviewed in the entertainment and music trade publications, such as &amp;#039;&amp;#039;[[Billboard (magazine)|Billboard]]&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
==Success, then readjustment==&lt;br /&gt;
The Soundies were a great success during their first year, making millions of dollars (in dimes). In the days before television, the concept of seeing and hearing musical artists was very attractive. However, in late 1941, the federal government restricted the use of rubber and precious metals, prioritizing these resources for military use during wartime. This meant that Mills Novelty could no longer build and sell Panoram machines, and had to confine its activities to keeping the existing projectors supplied with films. Soundies became strictly a production company, dedicated to making its own musical shorts.&lt;br /&gt;
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==Legacy==&lt;br /&gt;
For today&amp;#039;s filmmakers and archivists, Soundies are known for preserving rare performances of [[African-American]] artists who had fewer opportunities to perform in mainstream films. Artists such as [[The Ink Spots]], [[Fats Waller]],&amp;lt;ref name=Waller/&amp;gt; [[Duke Ellington]], [[Louis Jordan]], [[Sister Rosetta Tharpe]], [[Dorothy Dandridge]], [[Big Joe Turner]], [[Bob Howard (singer)|Bob Howard]], [[Billy Eckstine]], [[Count Basie]], [[The Mills Brothers]], [[Herb Jeffries]], [[Cab Calloway]], [[Meade Lux Lewis]], [[Lena Horne]], [[Louis Armstrong]], [[Nat King Cole]], and [[Stepin Fetchit]] all made Soundies (a handful of whom were excerpted from longer theatrical films).&lt;br /&gt;
&lt;br /&gt;
==Eclipse==&lt;br /&gt;
The Soundies Distributing Corporation of America remained active until 1947. With commercial television developing rapidly, the Soundies machines and films became obsolete. Almost all of the Panoram jukeboxes were either junked or modified into self-service &amp;quot;peepshow&amp;quot; machines, although the remaining Panorams are in the hands of collectors and are occasionally offered for sale. The library of 1,800 Soundies films was sold to home-movie companies [[Castle Films]] and [[Official Films]], then to syndicated television, and ultimately to home video (via England&amp;#039;s [[Charly Records]]).&lt;br /&gt;
&lt;br /&gt;
==Telescriptions and Scopitones==&lt;br /&gt;
&lt;br /&gt;
The Soundies concept was revived in 1951 by producer [[Louis D. Snader]]. Radio stations relied on transcriptions—recorded musical performances. Snader brought the idea to television with films, which he called &amp;quot;[[Snader Telescriptions]].&amp;quot; Snader hired dozens of pop-music acts and vaudeville performers, many of whom had already appeared in Soundies, to star in his new films. Snader Telescriptions are often confused with Soundies because of their similarity in length and personnel.&amp;lt;ref&amp;gt;[[Scott MacGillivray]] and [[Ted Okuda]], &amp;#039;&amp;#039;The Soundies Book: A Revised and Expanded Guide&amp;#039;&amp;#039;, iUniverse, 2007; {{ISBN|978-0595679690}}.&amp;lt;/ref&amp;gt; Telescriptions became a haven for bandleaders and singers of the 1940s, including [[Charlie Barnet]], [[Bob Wills]], [[Tony Pastor]], [[Gloria Jean]], [[Carolina Cotton]], [[Allan Jones (actor)|Allan Jones]], and [[Andy Russell (singer)|Andy Russell]]. Snader Telescriptions were widely syndicated and hundreds of film prints survive.&lt;br /&gt;
&lt;br /&gt;
In 1958, the original Soundies &amp;quot;jukebox&amp;quot; concept was revived by French company Cameca as [[Scopitone]]. Similar to Soundies, Scopitones are short musical films designed to be played on a specially designed coin-operated jukebox, but with new technical improvements - color and high-fidelity sound. Scopitones were printed on color 16 mm film with magnetic sound instead of Soundies&amp;#039; optical sound.&lt;br /&gt;
&lt;br /&gt;
By the mid-1960s, Scopitone jukeboxes had spread across England and the United States. Many well-known American and French popular music acts of the 1960s made Scopitone films such as [[The Exciters]], [[Brigitte Bardot]], [[Debbie Reynolds]], [[Vic Damone]], [[Dalida]], [[Herb Alpert &amp;amp; the Tijuana Brass]], [[Procol Harum]], [[Neil Sedaka]], [[Serge Gainsbourg]], [[Johnny Hallyday]], [[Sylvie Vartan]], [[Brook Benton]], [[Ray Anthony]], [[Gale Garnett]], [[Sacha Distel]], [[Buddy Greco]], [[Tommy James &amp;amp; the Shondells]], [[Della Reese]], [[Bobby Rydell]], [[Petula Clark]], [[Bobby Vee]], [[Lou Christie]], [[The Shadows]], [[Jody Miller]], [[Kay Starr]], [[Dionne Warwick]], [[Jane Morgan]], [[Nancy Sinatra]], [[Lesley Gore]], [[Françoise Hardy]], and [[Julie London]]. The Scopitones were popular until the end of the decade.&lt;br /&gt;
&lt;br /&gt;
==Documentaries==&lt;br /&gt;
Three documentaries have been produced about Soundies. Don McGlynn produced and edited &amp;#039;&amp;#039;[[The Soundies]]&amp;#039;&amp;#039; in 1986, hosted by [[Cab Calloway]]; the film was broadcast nationally on [[PBS]]. Dewey Russell compiled an hourlong, direct-to-video history, &amp;quot;Soundies: Music Video from the &amp;#039;40s&amp;quot; in 1987, narrated by Michael Sollazzo. Chris Lamson produced &amp;quot;Soundies: A Musical History,&amp;quot; hosted by [[Michael Feinstein]], in 2007 for PBS.&lt;br /&gt;
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==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{Internet Archive film clip|id=OooLaLa|description=of &amp;#039;&amp;#039;Cocktails and Oo-La-La&amp;#039;&amp;#039; featuring Carolyn Grey}}&lt;br /&gt;
&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
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[[Category:Short film series]]&lt;/div&gt;</summary>
		<author><name>en&gt;XanderL</name></author>
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