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| name = {{Name in official languages | native_name = <!-- already in 'name' -->

|foundation = 1996<br>[[United States]] ...nning effort led by the [[Library of Congress]], the NFPF began operations in 1997. It supports activities nationwide that preserve American films and i

...rvation in the [[Library of Congress]]' [[National Film Registry]]. It was established by the [[National Film Preservation Act]] of 1988. The National Film Regis ...ilm Preservation Act of 1988, and reauthorized in 1992, 1996 and 2005. The 1996 reauthorization also created the non-profit [[National Film Preservation Fo

...leading to its merger with the [[Academy of Canadian Cinema & Television]] in 2009–10.<ref name="2k9" />{{Rp|4–5}} ...e for the Preservation of Canada's Audio-Visual Heritage''' was created in 1996 to create action plans, advocate, manage projects, administer funding, and

...on|moving image archiving]] by fostering cooperation among individuals and organizations concerned with the acquisition, description, preservation, exhibition and u ...s kind in the moving image archival field. Although AMIA's office is based in the US, its membership is now drawn from across the world.<ref>See also Tom

| caption = Felix in his classic design ...mber 2020}}</ref><br>[[Thom Adcox-Hernandez]] (1995)<br>[[Charlie Adler]] (1996)<br>Don Oriolo (2000–2001)<br>{{nowrap|Denise Nejame (2000–2001; Baby)}

...an affiliation of 49 European national and regional film archives founded in 1991.<ref>{{Cite web|title=History of ACE|url=https://ace-film.eu/about-ace ...re re-discovered and identified and a Joint European Filmography (JEF) was established.<ref name=":0" /><ref name=":1" /><ref>{{Cite book|last=Le Roy|first=Eric|t

...akland, California]]##Location in the [[San Francisco Bay Area]]##Location in [[California]] |established = 1963

...e}}</ref> is an independent [[film distribution]] company, founded in 1990 in the United States by Dennis Doros and Amy Heller. The company researches an ...urity.html "How to Make a Specialty of Obscurity"] New York Times. May 26, 1996</ref>

...recent years it has collaborated with international film bodies to assist in film preservation and has organised numerous events, most notably the [[Bei ...st=Lent|first=John A.|date=1999|title=Cheng Jihua and Li Shaobai, Pioneers in Chinese Film Studies: Interview II|journal=[[Asian Cinema]]|volume=10|pages

...gital''' is a digital [[Film preservation|film restoration]] company based in [[Burbank, California]]. ...ia subsidiary was lauded in helping ''Avatar'' — the highest-grossing film in history — to earn its [[82nd Academy Awards|Academy Awards]] for technica