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	<title>Ephemeral Film Wiki - User contributions [en]</title>
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	<updated>2026-04-29T13:12:55Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>http://ephemeralfilm.info/index.php?title=User_talk:Admin&amp;diff=35496</id>
		<title>User talk:Admin</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=User_talk:Admin&amp;diff=35496"/>
		<updated>2022-03-11T01:35:53Z</updated>

		<summary type="html">&lt;p&gt;Admin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hi Skip! Do you use this login? --[[User:JJR|JJR]] ([[User talk:JJR|talk]]) 14:36, 28 February 2022 (EST)&lt;br /&gt;
&lt;br /&gt;
Yes..&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Valley_of_The_Tennessee&amp;diff=34329</id>
		<title>Moving Image:Valley of The Tennessee</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Valley_of_The_Tennessee&amp;diff=34329"/>
		<updated>2022-02-06T18:06:57Z</updated>

		<summary type="html">&lt;p&gt;Admin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Valley of The Tennessee |embid=valley_of_the_tennessee |embsv=archiveorg  |desc=One of a series of films made for the Office of War Information primarily for propaganda purposes abroad, this film employs a narrative structure in explaining the role of the Tennessee Valley Authority in overcoming the prejudices and suspicions of the residents, reclaiming the Valley and &amp;quot;harnessing nature.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 |forma=16mm |year=1945 |up=|next=|prev=|step= |lang=English |pbrs=U.S. Office of War Information |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;br /&gt;
&lt;br /&gt;
== Shot List ==&lt;br /&gt;
16:01:39:22  Great shot from underneath boat plane as it takes off out of water along shore of big city skyline off in the distance.&lt;br /&gt;
&lt;br /&gt;
16:01:54:08  VS Mainliner commercial plane flying over San Francisco Bay; CU Mainliner 1940s commercial plane. &lt;br /&gt;
&lt;br /&gt;
16:02:02:10  Aerial of oil drills of coastline.&lt;br /&gt;
&lt;br /&gt;
16:02:16:18  Aerial Tennessee Valley&lt;br /&gt;
&lt;br /&gt;
16:02:27:00  Two boys enter poor rural schoolhouse in the Tennessee Valley.&lt;br /&gt;
&lt;br /&gt;
16:02:32:04  VS poor rural Southern school children, most boy in overalls, in poor rural schoolhouse taking their seats; VS CU poor white rural childrenï¿½s faces. &lt;br /&gt;
&lt;br /&gt;
16:03:23:25  VS CU poor rural farmer with weather worn faces. &lt;br /&gt;
&lt;br /&gt;
16:04:36:27  CU low-angle poor farmer in hat looking up at ominous dark rain clouds. &lt;br /&gt;
&lt;br /&gt;
16:04:56:05  Poor farmer in hat waits in door way of house during rain storm. &lt;br /&gt;
&lt;br /&gt;
16:05:17:10  VS flooding in the Tennessee Valley during a bad storm; houses underwater, families evacuating in horse drawn carriage; sandbagging; aerial of flooded city in the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:06:25:17  Great shot of railroad tracks completely upturned and twisted after bad storm. &lt;br /&gt;
&lt;br /&gt;
16:06:38:02  CU map of southeastern United States ; hands encircles the general area of the Tennessee Valley on the map. &lt;br /&gt;
&lt;br /&gt;
16:06:44:19  MS James P. Pope in a meeting TVA with hand on map pointing at the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:06:52:13  Harcourt Morgan of the TVA in front of chalkboard map of the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:07:00:09  David Lilienthal of the TVA in meeting. &lt;br /&gt;
&lt;br /&gt;
16:07:07:08  MS George Norris of the TVA.&lt;br /&gt;
&lt;br /&gt;
16:07:18:24  Animated map showing the rivers and the plan to build a series of dams. &lt;br /&gt;
&lt;br /&gt;
16:08:21:23  CU architect drawing on blueprint with triangle ruler, camera pans up to large room filled with architects working at draught tables.&lt;br /&gt;
&lt;br /&gt;
16:08:42:12  Man monitoring with clipboard wall of various clock-like dials in a power plant.&lt;br /&gt;
&lt;br /&gt;
16:08:43:29  VS man working on scaled model of a large dam. &lt;br /&gt;
&lt;br /&gt;
16:09:26:17  Stock shot of President Roosevelt in 1933 announcing the formation of the Tennessee Value Authority (TVA) into NBC microphone. &lt;br /&gt;
&lt;br /&gt;
16:09:34:14  Poor Southern farmer seated in shade sharpening his scythe; decaying farmhouse in background. &lt;br /&gt;
&lt;br /&gt;
16:10:51:16  Great LS rural boy in the distance running up a steep hillside; VS rural southern boy in overalls running up hill through the wilderness. &lt;br /&gt;
&lt;br /&gt;
16:11:46:00  Great shot pans down following barrel-shaped object being lowered by crane into dam construction site. &lt;br /&gt;
&lt;br /&gt;
16:12:06:24  Three construction workers precariously perched on steel frame hundreds of feed above the ground in dam construction site. VS construction workers  in hardhats working on building a dam, cross cut with little boy watching attentively from an elevation.  Workers with hammers, tractor shovels, cranes. &lt;br /&gt;
&lt;br /&gt;
16:14:53:09  VS poor old rural farmers in classroom being instructed about erosion on blackboard by man in suit. CU old man with weathered face puts on glasses. &lt;br /&gt;
&lt;br /&gt;
16:15:28:10 VS high angle pan over flooded, eroded, and sandy and barren land in the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:16:11:05  CU one older poor Southern farmer covering his mouth whispers something to another poor Southern farmer. &lt;br /&gt;
&lt;br /&gt;
16:16:25:10  VS CU poor old southern farmers with weathered leathery faces. &lt;br /&gt;
&lt;br /&gt;
16:16:52:16  VS dynamite explosion for building dam. &lt;br /&gt;
&lt;br /&gt;
16:18:01:14  CU hand signing contract with signature ï¿½Henry.ï¿½&lt;br /&gt;
&lt;br /&gt;
16:18:35:02  Farmer being instructed in the principles of contour farming with a plow pulled by two horses. &lt;br /&gt;
&lt;br /&gt;
16:19:48:01  Farmer throwing phosphate fertilizer onto the soil. &lt;br /&gt;
&lt;br /&gt;
16:19:55:00  Bags of phosphate fertilizer supplied by the TVA. CU bag reads ï¿½Tennessee Valley Authority Concentrated Phosphate Fertilizer.ï¿½&lt;br /&gt;
&lt;br /&gt;
16:20:33:15  CU POV shot of farmerï¿½s hands adding up his bills, stops to look at advertisement for a new tractor. Extreme CU farmerï¿½s pensive face. &lt;br /&gt;
&lt;br /&gt;
16:21:41:12  Great shot of construction worker in helmet straddling and hammering into steel beam at extreme elevation working on dam in the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:21:44:23  VS field of tobacco and man cutting tobacco harvest and hanging the leaves up to be dried out. &lt;br /&gt;
&lt;br /&gt;
16:23:19:18  Farmer bends down to run his hands through grain running out machine threshing the grain.&lt;br /&gt;
&lt;br /&gt;
16:23:24:00 VS CU tractors sowing land.&lt;br /&gt;
&lt;br /&gt;
16:23:42:04  Pan over field of grain. &lt;br /&gt;
&lt;br /&gt;
16:24:01:24  Nice shot of farmhouse surrounded by corn stalks and a filed with haystacks. &lt;br /&gt;
&lt;br /&gt;
16:24:27:24  VS proud farmer pulls up to poor farmer on side of dirt road in his new tractor. Poor farmer eyes down the tractor, then looks at the farmer driving it. The farmer smiles and rives off. &lt;br /&gt;
&lt;br /&gt;
16:25:09:29  Rich businessman at desk takes pen out of its holder, camera pans right to poor farmer who receives the pen and signs his name. &lt;br /&gt;
&lt;br /&gt;
16:25:55:01  VS of interracial group of school children looking at model of TVA dams in the Tennessee Valley in their classroom; pan over model of TVA dams. &lt;br /&gt;
&lt;br /&gt;
16:26:08:12  Map of Tennessee valley animated so that dams appear then the rivers slowly filling with sparkling water. &lt;br /&gt;
&lt;br /&gt;
16:26:36:10  pan up from river to VS enormous TVA dams: Douglas, Guntersville, Cherokee, Wilson, Pickwick Landing, Chickamauga,  Hiwassee, Fontana, Wheeler, Appalachia,  and Norris dams. CU plaque for Norris Dam which reads ï¿½Built for the people of the United States of America by the Tennessee Valley Authorityï¿½&lt;br /&gt;
&lt;br /&gt;
16:27:19:17  VS man pulls lever, General Electric Co. dialï¿½s hand moves from ï¿½Startï¿½ to ï¿½ST-BYï¿½, CU hand turns switch to ï¿½Slowï¿½, VS Dam waters begin to run down dam; VS men pulling levers. &lt;br /&gt;
&lt;br /&gt;
16:27:44:14  VS inside hydroelectric power plant; transformers. &lt;br /&gt;
&lt;br /&gt;
16:27:59:07  Fertilizer pours onto conveyor belt. &lt;br /&gt;
&lt;br /&gt;
16:28:01:04  Long sheet of aluminum moves down conveyor line. &lt;br /&gt;
&lt;br /&gt;
16:28:10:25  CU goat watches hand plug cable into socket. &lt;br /&gt;
&lt;br /&gt;
16:28:51:01  VS children running past large distribution sub-station transformers onto the dam; children looking down at the gushing dam waters. &lt;br /&gt;
&lt;br /&gt;
16:29:27:00 Camera zooms to CU of blond girl with only one of her front teeth in looking out in the distance with interest. &lt;br /&gt;
&lt;br /&gt;
[[Category:Shot List]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Valley_of_The_Tennessee&amp;diff=34328</id>
		<title>Moving Image:Valley of The Tennessee</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Valley_of_The_Tennessee&amp;diff=34328"/>
		<updated>2022-02-06T17:58:30Z</updated>

		<summary type="html">&lt;p&gt;Admin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Valley of The Tennessee |embid=valley_of_the_tennessee |embsv=archiveorg  |desc=One of a series of films made for the Office of War Information primarily for propaganda purposes abroad, this film employs a narrative structure in explaining the role of the Tennessee Valley Authority in overcoming the prejudices and suspicions of the residents, reclaiming the Valley and &amp;quot;harnessing nature.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
== Shot List ==&lt;br /&gt;
16:01:39:22  Great shot from underneath boat plane as it takes off out of water along shore of big city skyline off in the distance.&lt;br /&gt;
&lt;br /&gt;
16:01:54:08  VS Mainliner commercial plane flying over San Francisco Bay; CU Mainliner 1940s commercial plane. &lt;br /&gt;
&lt;br /&gt;
16:02:02:10  Aerial of oil drills of coastline.&lt;br /&gt;
&lt;br /&gt;
16:02:16:18  Aerial Tennessee Valley&lt;br /&gt;
&lt;br /&gt;
16:02:27:00  Two boys enter poor rural schoolhouse in the Tennessee Valley.&lt;br /&gt;
&lt;br /&gt;
16:02:32:04  VS poor rural Southern school children, most boy in overalls, in poor rural schoolhouse taking their seats; VS CU poor white rural childrenï¿½s faces. &lt;br /&gt;
&lt;br /&gt;
16:03:23:25  VS CU poor rural farmer with weather worn faces. &lt;br /&gt;
&lt;br /&gt;
16:04:36:27  CU low-angle poor farmer in hat looking up at ominous dark rain clouds. &lt;br /&gt;
&lt;br /&gt;
16:04:56:05  Poor farmer in hat waits in door way of house during rain storm. &lt;br /&gt;
&lt;br /&gt;
16:05:17:10  VS flooding in the Tennessee Valley during a bad storm; houses underwater, families evacuating in horse drawn carriage; sandbagging; aerial of flooded city in the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:06:25:17  Great shot of railroad tracks completely upturned and twisted after bad storm. &lt;br /&gt;
&lt;br /&gt;
16:06:38:02  CU map of southeastern United States ; hands encircles the general area of the Tennessee Valley on the map. &lt;br /&gt;
&lt;br /&gt;
16:06:44:19  MS James P. Pope in a meeting TVA with hand on map pointing at the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:06:52:13  Harcourt Morgan of the TVA in front of chalkboard map of the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:07:00:09  David Lilienthal of the TVA in meeting. &lt;br /&gt;
&lt;br /&gt;
16:07:07:08  MS George Norris of the TVA.&lt;br /&gt;
&lt;br /&gt;
16:07:18:24  Animated map showing the rivers and the plan to build a series of dams. &lt;br /&gt;
&lt;br /&gt;
16:08:21:23  CU architect drawing on blueprint with triangle ruler, camera pans up to large room filled with architects working at draught tables.&lt;br /&gt;
&lt;br /&gt;
16:08:42:12  Man monitoring with clipboard wall of various clock-like dials in a power plant.&lt;br /&gt;
&lt;br /&gt;
16:08:43:29  VS man working on scaled model of a large dam. &lt;br /&gt;
&lt;br /&gt;
16:09:26:17  Stock shot of President Roosevelt in 1933 announcing the formation of the Tennessee Value Authority (TVA) into NBC microphone. &lt;br /&gt;
&lt;br /&gt;
16:09:34:14  Poor Southern farmer seated in shade sharpening his scythe; decaying farmhouse in background. &lt;br /&gt;
&lt;br /&gt;
16:10:51:16  Great LS rural boy in the distance running up a steep hillside; VS rural southern boy in overalls running up hill through the wilderness. &lt;br /&gt;
&lt;br /&gt;
16:11:46:00  Great shot pans down following barrel-shaped object being lowered by crane into dam construction site. &lt;br /&gt;
&lt;br /&gt;
16:12:06:24  Three construction workers precariously perched on steel frame hundreds of feed above the ground in dam construction site. VS construction workers  in hardhats working on building a dam, cross cut with little boy watching attentively from an elevation.  Workers with hammers, tractor shovels, cranes. &lt;br /&gt;
&lt;br /&gt;
16:14:53:09  VS poor old rural farmers in classroom being instructed about erosion on blackboard by man in suit. CU old man with weathered face puts on glasses. &lt;br /&gt;
&lt;br /&gt;
16:15:28:10 VS high angle pan over flooded, eroded, and sandy and barren land in the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:16:11:05  CU one older poor Southern farmer covering his mouth whispers something to another poor Southern farmer. &lt;br /&gt;
&lt;br /&gt;
16:16:25:10  VS CU poor old southern farmers with weathered leathery faces. &lt;br /&gt;
&lt;br /&gt;
16:16:52:16  VS dynamite explosion for building dam. &lt;br /&gt;
&lt;br /&gt;
16:18:01:14  CU hand signing contract with signature ï¿½Henry.ï¿½&lt;br /&gt;
&lt;br /&gt;
16:18:35:02  Farmer being instructed in the principles of contour farming with a plow pulled by two horses. &lt;br /&gt;
&lt;br /&gt;
16:19:48:01  Farmer throwing phosphate fertilizer onto the soil. &lt;br /&gt;
&lt;br /&gt;
16:19:55:00  Bags of phosphate fertilizer supplied by the TVA. CU bag reads ï¿½Tennessee Valley Authority Concentrated Phosphate Fertilizer.ï¿½&lt;br /&gt;
&lt;br /&gt;
16:20:33:15  CU POV shot of farmerï¿½s hands adding up his bills, stops to look at advertisement for a new tractor. Extreme CU farmerï¿½s pensive face. &lt;br /&gt;
&lt;br /&gt;
16:21:41:12  Great shot of construction worker in helmet straddling and hammering into steel beam at extreme elevation working on dam in the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:21:44:23  VS field of tobacco and man cutting tobacco harvest and hanging the leaves up to be dried out. &lt;br /&gt;
&lt;br /&gt;
16:23:19:18  Farmer bends down to run his hands through grain running out machine threshing the grain.&lt;br /&gt;
&lt;br /&gt;
16:23:24:00 VS CU tractors sowing land.&lt;br /&gt;
&lt;br /&gt;
16:23:42:04  Pan over field of grain. &lt;br /&gt;
&lt;br /&gt;
16:24:01:24  Nice shot of farmhouse surrounded by corn stalks and a filed with haystacks. &lt;br /&gt;
&lt;br /&gt;
16:24:27:24  VS proud farmer pulls up to poor farmer on side of dirt road in his new tractor. Poor farmer eyes down the tractor, then looks at the farmer driving it. The farmer smiles and rives off. &lt;br /&gt;
&lt;br /&gt;
16:25:09:29  Rich businessman at desk takes pen out of its holder, camera pans right to poor farmer who receives the pen and signs his name. &lt;br /&gt;
&lt;br /&gt;
16:25:55:01  VS of interracial group of school children looking at model of TVA dams in the Tennessee Valley in their classroom; pan over model of TVA dams. &lt;br /&gt;
&lt;br /&gt;
16:26:08:12  Map of Tennessee valley animated so that dams appear then the rivers slowly filling with sparkling water. &lt;br /&gt;
&lt;br /&gt;
16:26:36:10  pan up from river to VS enormous TVA dams: Douglas, Guntersville, Cherokee, Wilson, Pickwick Landing, Chickamauga,  Hiwassee, Fontana, Wheeler, Appalachia,  and Norris dams. CU plaque for Norris Dam which reads ï¿½Built for the people of the United States of America by the Tennessee Valley Authorityï¿½&lt;br /&gt;
&lt;br /&gt;
16:27:19:17  VS man pulls lever, General Electric Co. dialï¿½s hand moves from ï¿½Startï¿½ to ï¿½ST-BYï¿½, CU hand turns switch to ï¿½Slowï¿½, VS Dam waters begin to run down dam; VS men pulling levers. &lt;br /&gt;
&lt;br /&gt;
16:27:44:14  VS inside hydroelectric power plant; transformers. &lt;br /&gt;
&lt;br /&gt;
16:27:59:07  Fertilizer pours onto conveyor belt. &lt;br /&gt;
&lt;br /&gt;
16:28:01:04  Long sheet of aluminum moves down conveyor line. &lt;br /&gt;
&lt;br /&gt;
16:28:10:25  CU goat watches hand plug cable into socket. &lt;br /&gt;
&lt;br /&gt;
16:28:51:01  VS children running past large distribution sub-station transformers onto the dam; children looking down at the gushing dam waters. &lt;br /&gt;
&lt;br /&gt;
16:29:27:00 Camera zooms to CU of blond girl with only one of her front teeth in looking out in the distance with interest. &lt;br /&gt;
&lt;br /&gt;
[[Category:Shot List]]&lt;br /&gt;
&lt;br /&gt;
 |forma=16mm |year=1945 |up=|next=|prev=|step= |lang=English |pbrs=U.S. Office of War Information |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Valley_of_The_Tennessee&amp;diff=34327</id>
		<title>Moving Image:Valley of The Tennessee</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Valley_of_The_Tennessee&amp;diff=34327"/>
		<updated>2022-02-06T17:40:31Z</updated>

		<summary type="html">&lt;p&gt;Admin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Valley of The Tennessee |embid=valley_of_the_tennessee |embsv=archiveorg  |desc=0&lt;br /&gt;
&lt;br /&gt;
== Shot List ==&lt;br /&gt;
16:01:39:22  Great shot from underneath boat plane as it takes off out of water along shore of big city skyline off in the distance.&lt;br /&gt;
&lt;br /&gt;
16:01:54:08  VS Mainliner commercial plane flying over San Francisco Bay; CU Mainliner 1940s commercial plane. &lt;br /&gt;
&lt;br /&gt;
16:02:02:10  Aerial of oil drills of coastline.&lt;br /&gt;
&lt;br /&gt;
16:02:16:18  Aerial Tennessee Valley&lt;br /&gt;
&lt;br /&gt;
16:02:27:00  Two boys enter poor rural schoolhouse in the Tennessee Valley.&lt;br /&gt;
&lt;br /&gt;
16:02:32:04  VS poor rural Southern school children, most boy in overalls, in poor rural schoolhouse taking their seats; VS CU poor white rural childrenï¿½s faces. &lt;br /&gt;
&lt;br /&gt;
16:03:23:25  VS CU poor rural farmer with weather worn faces. &lt;br /&gt;
&lt;br /&gt;
16:04:36:27  CU low-angle poor farmer in hat looking up at ominous dark rain clouds. &lt;br /&gt;
&lt;br /&gt;
16:04:56:05  Poor farmer in hat waits in door way of house during rain storm. &lt;br /&gt;
&lt;br /&gt;
16:05:17:10  VS flooding in the Tennessee Valley during a bad storm; houses underwater, families evacuating in horse drawn carriage; sandbagging; aerial of flooded city in the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:06:25:17  Great shot of railroad tracks completely upturned and twisted after bad storm. &lt;br /&gt;
&lt;br /&gt;
16:06:38:02  CU map of southeastern United States ; hands encircles the general area of the Tennessee Valley on the map. &lt;br /&gt;
&lt;br /&gt;
16:06:44:19  MS James P. Pope in a meeting TVA with hand on map pointing at the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:06:52:13  Harcourt Morgan of the TVA in front of chalkboard map of the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:07:00:09  David Lilienthal of the TVA in meeting. &lt;br /&gt;
&lt;br /&gt;
16:07:07:08  MS George Norris of the TVA.&lt;br /&gt;
&lt;br /&gt;
16:07:18:24  Animated map showing the rivers and the plan to build a series of dams. &lt;br /&gt;
&lt;br /&gt;
16:08:21:23  CU architect drawing on blueprint with triangle ruler, camera pans up to large room filled with architects working at draught tables.&lt;br /&gt;
&lt;br /&gt;
16:08:42:12  Man monitoring with clipboard wall of various clock-like dials in a power plant.&lt;br /&gt;
&lt;br /&gt;
16:08:43:29  VS man working on scaled model of a large dam. &lt;br /&gt;
&lt;br /&gt;
16:09:26:17  Stock shot of President Roosevelt in 1933 announcing the formation of the Tennessee Value Authority (TVA) into NBC microphone. &lt;br /&gt;
&lt;br /&gt;
16:09:34:14  Poor Southern farmer seated in shade sharpening his scythe; decaying farmhouse in background. &lt;br /&gt;
&lt;br /&gt;
16:10:51:16  Great LS rural boy in the distance running up a steep hillside; VS rural southern boy in overalls running up hill through the wilderness. &lt;br /&gt;
&lt;br /&gt;
16:11:46:00  Great shot pans down following barrel-shaped object being lowered by crane into dam construction site. &lt;br /&gt;
&lt;br /&gt;
16:12:06:24  Three construction workers precariously perched on steel frame hundreds of feed above the ground in dam construction site. VS construction workers  in hardhats working on building a dam, cross cut with little boy watching attentively from an elevation.  Workers with hammers, tractor shovels, cranes. &lt;br /&gt;
&lt;br /&gt;
16:14:53:09  VS poor old rural farmers in classroom being instructed about erosion on blackboard by man in suit. CU old man with weathered face puts on glasses. &lt;br /&gt;
&lt;br /&gt;
16:15:28:10 VS high angle pan over flooded, eroded, and sandy and barren land in the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:16:11:05  CU one older poor Southern farmer covering his mouth whispers something to another poor Southern farmer. &lt;br /&gt;
&lt;br /&gt;
16:16:25:10  VS CU poor old southern farmers with weathered leathery faces. &lt;br /&gt;
&lt;br /&gt;
16:16:52:16  VS dynamite explosion for building dam. &lt;br /&gt;
&lt;br /&gt;
16:18:01:14  CU hand signing contract with signature ï¿½Henry.ï¿½&lt;br /&gt;
&lt;br /&gt;
16:18:35:02  Farmer being instructed in the principles of contour farming with a plow pulled by two horses. &lt;br /&gt;
&lt;br /&gt;
16:19:48:01  Farmer throwing phosphate fertilizer onto the soil. &lt;br /&gt;
&lt;br /&gt;
16:19:55:00  Bags of phosphate fertilizer supplied by the TVA. CU bag reads ï¿½Tennessee Valley Authority Concentrated Phosphate Fertilizer.ï¿½&lt;br /&gt;
&lt;br /&gt;
16:20:33:15  CU POV shot of farmerï¿½s hands adding up his bills, stops to look at advertisement for a new tractor. Extreme CU farmerï¿½s pensive face. &lt;br /&gt;
&lt;br /&gt;
16:21:41:12  Great shot of construction worker in helmet straddling and hammering into steel beam at extreme elevation working on dam in the Tennessee Valley. &lt;br /&gt;
&lt;br /&gt;
16:21:44:23  VS field of tobacco and man cutting tobacco harvest and hanging the leaves up to be dried out. &lt;br /&gt;
&lt;br /&gt;
16:23:19:18  Farmer bends down to run his hands through grain running out machine threshing the grain.&lt;br /&gt;
&lt;br /&gt;
16:23:24:00 VS CU tractors sowing land.&lt;br /&gt;
&lt;br /&gt;
16:23:42:04  Pan over field of grain. &lt;br /&gt;
&lt;br /&gt;
16:24:01:24  Nice shot of farmhouse surrounded by corn stalks and a filed with haystacks. &lt;br /&gt;
&lt;br /&gt;
16:24:27:24  VS proud farmer pulls up to poor farmer on side of dirt road in his new tractor. Poor farmer eyes down the tractor, then looks at the farmer driving it. The farmer smiles and rives off. &lt;br /&gt;
&lt;br /&gt;
16:25:09:29  Rich businessman at desk takes pen out of its holder, camera pans right to poor farmer who receives the pen and signs his name. &lt;br /&gt;
&lt;br /&gt;
16:25:55:01  VS of interracial group of school children looking at model of TVA dams in the Tennessee Valley in their classroom; pan over model of TVA dams. &lt;br /&gt;
&lt;br /&gt;
16:26:08:12  Map of Tennessee valley animated so that dams appear then the rivers slowly filling with sparkling water. &lt;br /&gt;
&lt;br /&gt;
16:26:36:10  pan up from river to VS enormous TVA dams: Douglas, Guntersville, Cherokee, Wilson, Pickwick Landing, Chickamauga,  Hiwassee, Fontana, Wheeler, Appalachia,  and Norris dams. CU plaque for Norris Dam which reads ï¿½Built for the people of the United States of America by the Tennessee Valley Authorityï¿½&lt;br /&gt;
&lt;br /&gt;
16:27:19:17  VS man pulls lever, General Electric Co. dialï¿½s hand moves from ï¿½Startï¿½ to ï¿½ST-BYï¿½, CU hand turns switch to ï¿½Slowï¿½, VS Dam waters begin to run down dam; VS men pulling levers. &lt;br /&gt;
&lt;br /&gt;
16:27:44:14  VS inside hydroelectric power plant; transformers. &lt;br /&gt;
&lt;br /&gt;
16:27:59:07  Fertilizer pours onto conveyor belt. &lt;br /&gt;
&lt;br /&gt;
16:28:01:04  Long sheet of aluminum moves down conveyor line. &lt;br /&gt;
&lt;br /&gt;
16:28:10:25  CU goat watches hand plug cable into socket. &lt;br /&gt;
&lt;br /&gt;
16:28:51:01  VS children running past large distribution sub-station transformers onto the dam; children looking down at the gushing dam waters. &lt;br /&gt;
&lt;br /&gt;
16:29:27:00 Camera zooms to CU of blond girl with only one of her front teeth in looking out in the distance with interest. &lt;br /&gt;
&lt;br /&gt;
[[Category:Shot List]]&lt;br /&gt;
&lt;br /&gt;
 |forma=16mm |year=1945 |up=|next=|prev=|step= |lang=English |pbrs=U.S. Office of War Information |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Oil:_Paths_of_Progress&amp;diff=34326</id>
		<title>Moving Image:Oil: Paths of Progress</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Oil:_Paths_of_Progress&amp;diff=34326"/>
		<updated>2022-02-02T23:58:38Z</updated>

		<summary type="html">&lt;p&gt;Admin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Oil: Paths of Progress |embid=0650_Oil_Paths_of_Progress |embsv=archiveorg  |desc=[shotlist following applies to PA-0650]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 |forma=16mm |year=0 |up=|next=|prev=|step= |lang=English |pbrs=Richie (Robert Yarnall) Productions, Inc. |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;br /&gt;
&lt;br /&gt;
== Shot List ==&lt;br /&gt;
19:28:10:05 Two Middle Eastern farmers standing on pile of hay, one sifts hay. &lt;br /&gt;
&lt;br /&gt;
19:28:17:19 Camera follows person riding on camel through desert, oil well enters frame in background, person on camel passes a 1950s airplane and waves to the pilot who waves back. &lt;br /&gt;
 &lt;br /&gt;
19:29:56:07 CU disembodied shucks an oyster for the camera.&lt;br /&gt;
&lt;br /&gt;
19:30:06:10 CU stenciled sign reads  P. No. 1 Pesa A Perforarse 24 de Nov. de 1913 6 de Julio de 1918  pan down from sign to man holding camera. &lt;br /&gt;
&lt;br /&gt;
19:30:25:23 Floating oil platform. &lt;br /&gt;
&lt;br /&gt;
19:31:32:29 Floating oil plat formwith pumps and piping. &lt;br /&gt;
&lt;br /&gt;
19:31:46:02 LS downtown Caracas, zoom between the Simon Bolivar towers. &lt;br /&gt;
&lt;br /&gt;
19:32:39:16 CU disembodied hand holding pan writes on notepad of J. Ray McDermott &amp;amp; Co. Inc., memo is made out to Venezuelan Sun Oil Co. with date on top 10-18-1958 and location marked as Maracaibo, memo about production facilities. &lt;br /&gt;
&lt;br /&gt;
19:32:52:03 Man stands in front of class and writes in chalk on blackboard, backs of two pupils  heads in frame, information on board concerns oil production, barrels, pounds per square inch at the pumps.&lt;br /&gt;
&lt;br /&gt;
19:33:23:21 CU engineers going over blueprints of oil well. &lt;br /&gt;
&lt;br /&gt;
19:34:19:18 CU yellow poster board reads in blue text  Production Facilities for The Venezuelan Sun Oil Co. Lake Maracaibo, Venezuela &lt;br /&gt;
&lt;br /&gt;
19:36:26:15 CU man welding an oil pipe, sparks flying and blue flame light reflecting off man s protective mask. &lt;br /&gt;
&lt;br /&gt;
19:36:41:03 MS welder welding segment of oil pipe. &lt;br /&gt;
&lt;br /&gt;
19:37:07:00 Steel frame of oil drill being craned into place &lt;br /&gt;
&lt;br /&gt;
19:37:22:27 Oil drill being craned into place. &lt;br /&gt;
&lt;br /&gt;
19:37:35:16 Tugboat pulling oil drill into place to be installed in Lake Maracaibo. &lt;br /&gt;
&lt;br /&gt;
19:38:23:15 Simple color animation of an oil drill being lowered into a lake. &lt;br /&gt;
&lt;br /&gt;
19:38:29:05 Oil pipes being craned off of boat into Lake Maracaibo&lt;br /&gt;
19:40:09:12 LS McDermott Fabricators warehouse.&lt;br /&gt;
&lt;br /&gt;
19:40:46:17 Great shot of huge platform covered with various colorful pipes for oil plant being craned onto of existing structures covered with various yellow, red and green pipes.&lt;br /&gt;
&lt;br /&gt;
19:41:43:27 Sign in front of building for Texas Instruments Incorporated Geosciences and Instrumentation Division 3609, pan over building. &lt;br /&gt;
&lt;br /&gt;
19:41:59:17 Man showing other man Texas Instruments research laboratory, engineer working on machine on high-tech looking electronic equipment. &lt;br /&gt;
&lt;br /&gt;
19:42:25:01 CU instrument gauge with warning on bottom  Caution on high volts , needle on gauge jumps from zero to center of gauge. &lt;br /&gt;
&lt;br /&gt;
19:42:42:01 CU disembodied finger dials Texas Instruments rotary phone dial, then presses red button beside dial. &lt;br /&gt;
&lt;br /&gt;
19:43:37:11 LS passengers disembarking commercial Venezuelan airplane with Venezuelan flag painted on tail of plane. &lt;br /&gt;
&lt;br /&gt;
19:47:12:13 VS large piece of oil platform lowered into place onto existing floating platform in middle of lake. &lt;br /&gt;
&lt;br /&gt;
19:53:44:11 Man working typing on typewriter, on faux wood wall over his desk is a Pan American Calendar, man enters office with a reel of punched tape which man feeds into the typewriter; CU typewriter ribbon printing various number on Production Data chart. &lt;br /&gt;
&lt;br /&gt;
19:55:31:27 Aerial of large oil platform in middle of what is probably Lake Maracaibo in Venezuela. &lt;br /&gt;
&lt;br /&gt;
19:56:28:11 Aerial of elongated pyramidal steel structure of oil drill lying on its side on platform between two boats with cranes in middle of lake. &lt;br /&gt;
&lt;br /&gt;
19:58:03:19 LS burning oil well, helicopter in center of shot, hoses firing water at fire. &lt;br /&gt;
&lt;br /&gt;
[shotlist following applies to PA-0654]&lt;br /&gt;
&lt;br /&gt;
15:28:03:29 LS Middle Eastern men resting with their camels.&lt;br /&gt;
&lt;br /&gt;
15:28:18:08 Caravan of camels walking through the desert.&lt;br /&gt;
&lt;br /&gt;
15:28:46:27 Pan over old European city along river beginning from a large basilica.&lt;br /&gt;
&lt;br /&gt;
15:29:09:04 Man working in old-fashioned workshop running bundles of blonde hair through heavy brush, possibly horse hair. &lt;br /&gt;
&lt;br /&gt;
15:29:20:27 workers and craned laying long piece of pipeline into trench. &lt;br /&gt;
&lt;br /&gt;
15:29:37:06 CU under water shot two men wearing goggles diving for oysters. &lt;br /&gt;
&lt;br /&gt;
15:29:53:05 High-angle MS man and boy shucking oysters in small raft. &lt;br /&gt;
&lt;br /&gt;
15:30:06:04 Great shot CU pearly of edge of sharp knife, knife moves up close to camera.&lt;br /&gt;
&lt;br /&gt;
15:31:12:28 Pan over two large 1950s modern buildings, two women wearing white gloves one wearing a red dress the other a blue walk up side walk past large concrete sign for the Public Library of New Orleans with text  for all those who thirst for Knowledge leads them to the eternal quest for Truth. &lt;br /&gt;
&lt;br /&gt;
15:32:09:14 CU car door with McDermott Contratistas (contractors) logo.&lt;br /&gt;
&lt;br /&gt;
15:32:15:09  The Venezuelan Sun Oil Co.  text painted on wall. &lt;br /&gt;
&lt;br /&gt;
15:32:46:15 CU blackboard with white chalk writing about oil production in barrel per day and oil pressure in  p.s.i.g, disembodied hand enters frame and writes on board in chalk  2nd stage. &lt;br /&gt;
&lt;br /&gt;
15:33:44:16 CU engineers blue prints for oil pump, disembodied hands enters from right side of frame and roll up drawings. &lt;br /&gt;
&lt;br /&gt;
15:33:57:08 Three black notebooks from the Venezuelan Sun Oil Company stacked on top of each other onto a wood table, McDermott Contractors logo on bottom of front cover of top notebook. &lt;br /&gt;
&lt;br /&gt;
15:34:14:35 Two older business man working at desk, one white haired man seated a desk, pan to man standing at yellow poster board with blue text  Production Facilities for Venezuelan Sun Oil Co Lake Maracaibo, Venezuela  with the McDermott Contractors logo on bottom of the poster board.&lt;br /&gt;
&lt;br /&gt;
15:36:11:14 MS man lowers his welding mask and begins to weld large oil pip.&lt;br /&gt;
&lt;br /&gt;
15:38:00:10 VS oil rig being craned into water; VS construction of off-shore oil platforms and rigs; lowering oil pipes; probably footage taken from Lake Maracaibo.&lt;br /&gt;
&lt;br /&gt;
15:40:40:29 Huge segment of off-shore oil platform with various colored pipes craned onto existing floating platform; VS constructing oil platform.&lt;br /&gt;
&lt;br /&gt;
15:41:02:05 CU green McDermott Contractors crane.&lt;br /&gt;
&lt;br /&gt;
15:41:40:05 Tugboat pulling oil rig through river. &lt;br /&gt;
&lt;br /&gt;
15:42:25:21 CU electronics of machine with dozens of wires of various colors, disembodied hand enters frame and screws in tiny piece with red screw driver. &lt;br /&gt;
&lt;br /&gt;
15:43:36:19 Exterior of Maracaibo airport, propeller of Venezuelan airline plane along right hand edge of frame, clock on airport exterior reads about 4:20. &lt;br /&gt;
&lt;br /&gt;
15:43:46:21 Cargo being unload from tail of plane on a conveyor belt, logo on tale of plane shows outline of South American and painted on top of plane s tail is Venezuelan flag.&lt;br /&gt;
&lt;br /&gt;
15:45:14:08 Large segment of oil rig platform being craned into place, platform has various colored pipes, purple, green, yellow, red. &lt;br /&gt;
&lt;br /&gt;
15:46:29:18 Large segment of oil rig platform being craned into place, platform has various colored pipes, purple, green, yellow, red.&lt;br /&gt;
&lt;br /&gt;
15:46:57:11 CU black text stenciled on white beam  No. 2 Ray McDermott (Venezuela) Maracaibo, San Francisco Kilos. 54432.0 Junction Platform Unit. &lt;br /&gt;
&lt;br /&gt;
15:49:50:00 Great high-angle shot men in silver hardhats working on colorful off-shore oil rig. &lt;br /&gt;
&lt;br /&gt;
15:50:51:16 CU disembodied man s hand wearing large gold ring turns various knobs on panel with dozens of knobs coded by color with yellow, red, whit and blue knobs as wells as black and red lights. &lt;br /&gt;
&lt;br /&gt;
15:52:24:09 CU disembodied hands make adjustment on instrument then closes box with two holes to see two different gauges, control box is labeled Climax  BS&amp;amp;B Controls.&lt;br /&gt;
&lt;br /&gt;
15:52:54:27 High-angle shot off-shore oil rig with colorful pipes. &lt;br /&gt;
&lt;br /&gt;
15:53:06:14 Low-angle shot Venezuelan flag waving on top of oil rig, blue sky in background. &lt;br /&gt;
&lt;br /&gt;
15:53:18:14 Disembodied hand removes reel of reddish pink table and places it in cardboard box; the tape is punched with holes and contains oil well data.&lt;br /&gt;
&lt;br /&gt;
15:54:01:27 CU typewriter ribbon, paper chart marked  Well Flow Data  and  Production Data  is fed into the machine. &lt;br /&gt;
&lt;br /&gt;
15:55:44:03 CU map of Lake Maracaibo, zoom in Junction Platform off-shore oil rig in center of lake marked on map beside text  concessions of Venezuela , pencil enters frame and points to platform&lt;br /&gt;
&lt;br /&gt;
15:56:19:22 Great shot of offshore oil drill being pulled by tugboat; VS offshore oil drills being craned into place&lt;br /&gt;
&lt;br /&gt;
15:57:49:25 Helicopter lands on offshore oil rig where there is a large oil fire being fought. &lt;br /&gt;
&lt;br /&gt;
15:58:21:23 CU worker slide large pipe into another pipe.&lt;br /&gt;
&lt;br /&gt;
15:58:58:21 MS back of man in yellow  McDermott rain jacket and silver hard hat standing on floating oil rig being pulled by tugboat through stormy waters, long rope extends from platform to tugboat. &lt;br /&gt;
[[Category:Shot List]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Washington_in_War_Time&amp;diff=14011</id>
		<title>Washington in War Time</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Washington_in_War_Time&amp;diff=14011"/>
		<updated>2021-12-27T16:58:15Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Washington in War Time to Moving Image:Washington in War Time&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Washington in War Time]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Washington_in_War_Time&amp;diff=14010</id>
		<title>Moving Image:Washington in War Time</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Washington_in_War_Time&amp;diff=14010"/>
		<updated>2021-12-27T16:58:15Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Washington in War Time to Moving Image:Washington in War Time&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Washington in War Time |embid=6114_Washington_in_War_Time_00_46_24_14 |embsv=archiveorg  |desc=Memorials&lt;br /&gt;
Union Station, exterior and interiors&lt;br /&gt;
Railroad passengers in station&lt;br /&gt;
President Roosevelt welcoming visitors&lt;br /&gt;
presidential motorcade down Pennsylvania Avenue&lt;br /&gt;
Washington National Airport VS&lt;br /&gt;
Cordell Hull greeting dignitaries at airport&lt;br /&gt;
U.S. Information building&lt;br /&gt;
Crowds on sidewalks (good)&lt;br /&gt;
Legs walking&lt;br /&gt;
Passengers crowding onto streetcars&lt;br /&gt;
U.S. Treasury&lt;br /&gt;
Secretary of the Treasury Henry Morgenthau. CU SOF: &amp;quot;War is never cheap. But as I&amp;#039;ve said before, it&amp;#039;s a million times cheaper to win than to lose.&amp;quot;&lt;br /&gt;
Bureau of Engraving and Printing VS and interiors&lt;br /&gt;
Donald M. Nelson, war production czar. CU SOF: &amp;quot;This is the time for teamwork for you and your government, because we&amp;#039;ve got a war to win, and we&amp;#039;re gonna win it.&amp;quot;&lt;br /&gt;
Social Security building. Paul B. McNutt, War Manpower Commission, CU SOF.&lt;br /&gt;
War Department, Munitions Building&lt;br /&gt;
Gen. George C. Marshall and Secretary of War Henry L. Stimson.&lt;br /&gt;
VS combat scenes&lt;br /&gt;
Traffic on Mall.&lt;br /&gt;
Navy Department.&lt;br /&gt;
Frank Knox, secretary; CU Adm. Ernest Joseph King&lt;br /&gt;
Leon Henderson (Price Administrator) bicycling with others.&lt;br /&gt;
Dr. J. W. Studebaker, Commissioner of Education&lt;br /&gt;
Boys and girls on scrap drive (exuberant, throwing scrap into pile)&lt;br /&gt;
people signing up for draft and rationing&lt;br /&gt;
Department of Agriculture&lt;br /&gt;
VS agriculture&lt;br /&gt;
Department of State&lt;br /&gt;
Secretary Cordell Hull&lt;br /&gt;
Int Washington hotel lobby&lt;br /&gt;
VS crowded cafeteria&lt;br /&gt;
sign: Room and Board, No Vacancy&lt;br /&gt;
group of women war workers living in one room&lt;br /&gt;
CU pensive woman reclining reading book: &amp;quot;Washington Is Like That,&amp;quot; by W.M. Kiplinger&lt;br /&gt;
U.S. Capitol building&lt;br /&gt;
VS Congress&lt;br /&gt;
CU sign: &amp;quot;Thomas Rolph, California&amp;quot; and congressman Rolph&lt;br /&gt;
White House&lt;br /&gt;
Marvin McIntyre&lt;br /&gt;
Stephen Early&lt;br /&gt;
Cabinet meeting&lt;br /&gt;
Winston Churchill and Franklin D. Roosevelt&lt;br /&gt;
Roosevelt giving Congressional Medal of Honor to General James Doolittle&lt;br /&gt;
United Nations (28 countries) meeting with Roosevelt&lt;br /&gt;
Military parades along Washington streets with soldiers, tanks, airplanes&lt;br /&gt;
Vignette of Roosevelt&amp;#039;s face inside outline of United States with soldiers marching in background&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 |forma=16mm |year=ca. 1942 - 1943 |up=|next=|prev=|step= |lang=English |pbrs=Castle Films |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=We_Drivers_(1935_edition)&amp;diff=14003</id>
		<title>We Drivers (1935 edition)</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=We_Drivers_(1935_edition)&amp;diff=14003"/>
		<updated>2021-12-27T16:03:07Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page We Drivers (1935 edition) to Moving Image:We Drivers (1935 edition)&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:We Drivers (1935 edition)]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:We_Drivers_(1935_edition)&amp;diff=14002</id>
		<title>Moving Image:We Drivers (1935 edition)</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:We_Drivers_(1935_edition)&amp;diff=14002"/>
		<updated>2021-12-27T16:03:07Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page We Drivers (1935 edition) to Moving Image:We Drivers (1935 edition)&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=We Drivers (1935 edition) |embid=1956_We_Drivers_1935_edition_M00130_01_31_48_20 |embsv=archiveorg  |desc=We Drivers was released as part of an industry-wide safety campaign throughout the Thirties. Two years earlier, in 1934, the first driver training courses began in American schools, and the film was no doubt made to be shown to pioneering driver ed students. In 1936, the Automotive Safety Foundation was organized, funded jointly by car manufacturers, tire companies, the oil industry and insurance firms. As Ed Cray put it in Chrome Colossus: General Motors and Its Times (New York: McGraw-Hill, 1980), &amp;quot;the foundation deflected criticism from the vehicle itself...&amp;quot;. The Foundation lobbied for more and better roads, promoted mandatory state motor vehicle inspections (blaming accidents on motorists keeping their vehicles in poor mechanical condition), but ignored the design defects of automobiles.&lt;br /&gt;
	Of 55 films distributed by the General Motors Film Library, We Drivers was the most popular. This, the first version, was shown in 7,000 theaters over ten months in 1936-37 and also seen by 24 million people in schools, institutions and community groups. Its technical complexity (including photography of models, full animation, animation over real photography, and technical animation, all in early three-strip Technicolor) necessitated an eleven-month production schedule. Later, it was remade at least four more times to update the look of the cars seen in every scene. A short booklet, also called We Drivers, was also made available by GM for &amp;quot;the safety, comfort and pleasure of the motoring public.&amp;quot;&lt;br /&gt;
	The strategy that We Drivers chooses to employ dramatizes safe vs. unsafe behavior as a struggle for good and evil within the mind of the all-too-human driver. In eight sequences, the animated characters &amp;quot;Reckless Rudolph&amp;quot; and &amp;quot;Sensible Sam&amp;quot;, an earlier incarnation of the right path/wrong path &amp;quot;Goofus and Gallant&amp;quot;, fight to outdo each other, interacting in the same frame as their host. The one-reeler ends with a boxing match: Sam K.O.&amp;#039;s Rudy, and the referee&amp;#039;s long count becomes a recitation of short and sweet maxims, ending with an admonition to &amp;quot;Obey all laws!&amp;quot; Like the print advertising of the 1930s, often tending towards tabloid-type headlines and copy designed to grab readers who were defecting to the radio, this film filters its complex message through ten patronizing slogans. In the end this entertaining film, on the surface designed to teach self-control, becomes an instance of mind control.&lt;br /&gt;
&lt;br /&gt;
Contents. An appeal for safe driving practices.&lt;br /&gt;
Opens with an animation of a prize fight between two cartoon characters, Reckless Rudolph and Sensible Sam. In the scenes that follow, the figures of Reckless Rudolph and Sensible Sam are superimposed on views of a real driver. Reckless Rudolph offers bad counsel, and Sensible Sam counteracts it with his good advice. A driver passes a car and almost collides with an oncoming vehicle. The commentator says that passing a car at 40 miles per hour is like passing 18 cars parked bumper to bumper and urges that drivers make sure they have sufficient clearance before passing. A giant character, Old Man Momentum, is introduced to symbolize the need for slackening speed at turns and descending hills in a lower gear. An airplane following a car around a curved speedway illustrates the need for banking roads to overcome centrifugal force.&lt;br /&gt;
A sequence on night driving is introduced by views of a man driving at high speed at night. Lights are dimmed in meeting cars. An animated diagram explains the term &amp;quot;overdriving your light.&amp;quot; After a sleepy driver nearly collides with a parked truck, Sensible Sam prevails upon him to stop for the night. Need for special precautions under conditions of unusually low visibility is illustrated. In a fog a good driver reduces his speed, dims his lights, sounds his horn periodically, and keeps close to the right side of the road.&lt;br /&gt;
The commentator says that friction is an enemy of most moving parts of the automobile, but that it is necessary for stopping and starting. Sensible Sam cautiously feels his way along an icy sidewalk while Reckless Rudolph, proceeding carelessly, falls. A driver demonstrates &amp;quot;easy braking&amp;quot; in engaging the clutch in icy weather.&lt;br /&gt;
The significance of traffic signs is demonstrated by views of signs, each of which dissolves to an animated diagram of the situation it denotes. A motorist slows down on seeing a school-crossing sign and is able to avoid hitting a tardy child who dashes across his path. After the commentator says that the driver must never try to predict what the &amp;quot;other fellow&amp;quot; is about to do, a pedestrian walks out from between parked cars, is nearly hit, and is about to protest vigorously when he notices that he is driving the car himself. Animated diagrams explain the term &amp;quot;margin of safety.&amp;quot; A daydreaming driver nearly collides with a car ahead.&lt;br /&gt;
The scene returns to the prize fight as Sensible Sam knocks out Reckless Rudolph. The referee enumerates ten safety rules.&lt;br /&gt;
Appraisal. Reported very good for illustrating safe driving practices. Found useful in giving students an appreciation of the automobile driver&amp;#039;s responsibilities.&lt;br /&gt;
Teachers reported that the animated figures representing man&amp;#039;s dual personality were very effective, and many students reported that they liked this type of presentation.&lt;br /&gt;
Photography is excellent, sound good.&lt;br /&gt;
&lt;br /&gt;
 |forma=35mm/16mm |year=1936 |up=|next=|prev=|step= |lang=English |pbrs=Handy (Jam) Organization |heldby=PA |len=10:30 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Command_Performance&amp;diff=13993</id>
		<title>Command Performance</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Command_Performance&amp;diff=13993"/>
		<updated>2021-12-27T15:24:42Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Command Performance to Moving Image:Command Performance&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Command Performance]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Command_Performance&amp;diff=13992</id>
		<title>Moving Image:Command Performance</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Command_Performance&amp;diff=13992"/>
		<updated>2021-12-27T15:24:42Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Command Performance to Moving Image:Command Performance&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Command Performance |embid=0534_Command_Performance_E00150_23_01_06_08 |embsv=archiveorg  |desc=PROCEDURES INVOLVED IN THE PRODUCTION OF SHELLAC RECORDS ARE SHOWN IN DETAIL, INCLUDING THE MAKING OF THE ORIGINAL MASTER PLATE, THE MOTHER PLATE &amp;amp; STAMPERS. NEXT THE PROCESSES OF PRESSING RECORDS ARE ILLUSTRATED. MUSIC - &amp;quot;THE BLUE DANUBE&amp;quot; by STRAUSS |forma=16mm |year=1942 |up=|next=|prev=|step= |lang=English |pbrs=Ganz (William J.) Co. |heldby=PA |len=18:58 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Community_Growth:_Crisis_and_Challenge&amp;diff=13991</id>
		<title>Community Growth: Crisis and Challenge</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Community_Growth:_Crisis_and_Challenge&amp;diff=13991"/>
		<updated>2021-12-27T15:24:34Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Community Growth: Crisis and Challenge to Moving Image:Community Growth: Crisis and Challenge&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Community Growth: Crisis and Challenge]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Community_Growth:_Crisis_and_Challenge&amp;diff=13990</id>
		<title>Moving Image:Community Growth: Crisis and Challenge</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Community_Growth:_Crisis_and_Challenge&amp;diff=13990"/>
		<updated>2021-12-27T15:24:34Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Community Growth: Crisis and Challenge to Moving Image:Community Growth: Crisis and Challenge&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Community Growth: Crisis and Challenge |embid=Communit1959 |embsv=archiveorg  |desc=01:41:20:28  CU large Caterpillar construction shovel; workers laying pipes in ground.&lt;br /&gt;
&lt;br /&gt;
01:42:47:18  Footage from car on highway in 1960s about to pass beneath underpass. &lt;br /&gt;
&lt;br /&gt;
01:42:48:22  Forklift sets down load of wood on lot in large suburban housing development under construction; construction workers lift wood frame for wall of house; VS construction site of large suburban tract housing development.&lt;br /&gt;
&lt;br /&gt;
01:48:59:26  CU cartoon of business men seated around round board room table; CU various newspaper headlines cover drawing of business men;  Andover Starts First Cluster Zone: Builder Creates Common Land ,  Suburbia Reshape: The Case for Flexible Zoning Control ,  Fairfax Growth Plan Adjusted To Radial Idea ,  New Amendment to Subdivision Ordinance Effective August,   Site Planner Sees Lot-Zoning Giving Way to Home  Clusters  .&lt;br /&gt;
&lt;br /&gt;
01:49:33:11 CU pamphlet with printed titled  New Approaches to Residential Land Development: A Study of Concepts and Innovations , aerial photograph of suburbs on cover.&lt;br /&gt;
&lt;br /&gt;
01:54:57:25  Great tracking shot 1950s suburb  housing development shot from car driving through neighborhood, large lots per unit; woman cutting hedges waves to camera.&lt;br /&gt;
&lt;br /&gt;
01:55:53:13  Typical 1960s suburban home; 1960s car parked in driveway, children run to father in car; father lifts daughter in his arms, pats son on the back and is greeted by his wife, all in the driveway.&lt;br /&gt;
&lt;br /&gt;
 |forma=16mm |year=ca. 1959 |up=|next=|prev=|step= |lang=English |pbrs=Creative Arts Studio, Inc. |heldby=PA |len=15:57 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Westinghouse_Total_Electric_Home_(Long_version)&amp;diff=13989</id>
		<title>Westinghouse Total Electric Home (Long version)</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Westinghouse_Total_Electric_Home_(Long_version)&amp;diff=13989"/>
		<updated>2021-12-27T15:23:24Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Westinghouse Total Electric Home (Long version) to Moving Image:Westinghouse Total Electric Home (Long version)&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Westinghouse Total Electric Home (Long version)]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Westinghouse_Total_Electric_Home_(Long_version)&amp;diff=13988</id>
		<title>Moving Image:Westinghouse Total Electric Home (Long version)</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Westinghouse_Total_Electric_Home_(Long_version)&amp;diff=13988"/>
		<updated>2021-12-27T15:23:24Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Westinghouse Total Electric Home (Long version) to Moving Image:Westinghouse Total Electric Home (Long version)&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Westinghouse Total Electric Home (Long version) |embid=0719_Westinghouse_Total_Electric_Home_Long_version_06_43_08_00 |embsv=archiveorg  |desc=0 |forma=35mm |year=1960/01/00 |up=|next=|prev=|step= |lang=English |pbrs=Sherman (L.) |heldby=PA |len=915 feet |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Waterfowl_in_the_Spring&amp;diff=13987</id>
		<title>Waterfowl in the Spring</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Waterfowl_in_the_Spring&amp;diff=13987"/>
		<updated>2021-12-27T15:23:12Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Waterfowl in the Spring to Moving Image:Waterfowl in the Spring&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Waterfowl in the Spring]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Waterfowl_in_the_Spring&amp;diff=13986</id>
		<title>Moving Image:Waterfowl in the Spring</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Waterfowl_in_the_Spring&amp;diff=13986"/>
		<updated>2021-12-27T15:23:12Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Waterfowl in the Spring to Moving Image:Waterfowl in the Spring&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Waterfowl in the Spring |embid=0453_Waterfowl_in_the_Spring_01_47_10_00 |embsv=archiveorg  |desc=Presents close-ups of many North American ducks including the canvasback, the ruddy duck, green-winged and blue-winged teal, a drake mallard, and a pintail. Depicts a female redhead and a female gadwall at their nests, as well as newly hatched shovellers. Shows scenes of flocks of blue, snow, and Canadian geese, whistling swans, pied-billed and western grebes, and marsh hawks.&lt;br /&gt;
 |forma=0 |year=1953 |up=|next=|prev=|step= |lang=English |pbrs=Minneapolis-Moline Company. |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Water&amp;diff=13985</id>
		<title>Water</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Water&amp;diff=13985"/>
		<updated>2021-12-27T15:23:04Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Water to Moving Image:Water&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Water]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Water&amp;diff=13984</id>
		<title>Moving Image:Water</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Water&amp;diff=13984"/>
		<updated>2021-12-27T15:23:04Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Water to Moving Image:Water&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Water |embid=0200_Water_19_11_35_00 |embsv=archiveorg  |desc=A John Kieran Kaleidoscope. |forma=16mm |year=ca. 1950 |up=|next=|prev=|step= |lang=English |pbrs=Moss (Paul F.) &amp;amp; Thelma Schnee |heldby=PA |len=10:00 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=WABCO_Metro&amp;diff=13983</id>
		<title>WABCO Metro</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=WABCO_Metro&amp;diff=13983"/>
		<updated>2021-12-27T15:22:55Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page WABCO Metro to Moving Image:WABCO Metro&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:WABCO Metro]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:WABCO_Metro&amp;diff=13982</id>
		<title>Moving Image:WABCO Metro</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:WABCO_Metro&amp;diff=13982"/>
		<updated>2021-12-27T15:22:55Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page WABCO Metro to Moving Image:WABCO Metro&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=WABCO Metro |embid=0591_WABCO_Metro_22_31_47_00 |embsv=archiveorg  |desc=Wabco Metro (Miscellaneous urban rail transit systems).&lt;br /&gt;
Good shots of the Chicago El trains and rapid transit (&amp;quot;CTA Metropolitan &lt;br /&gt;
Transit&amp;quot;) en route and in elevated stations; sign &amp;quot;USE RAPID TRANSIT. 17 MINUTES TO LOOP&amp;quot;. 1960s passengers getting on and off trains; women in mini-skirts. Scenes filmed aboard moving trains; rapid transit train parallelling expressway. (1st 3 minutes all Chicago, then other rapid transit systems are shown.) Cleveland, Ohio transit system; train stops at airport. Terminus; &amp;quot;end the line&amp;quot;. Varied scenes of train platforms. Large, suburban homes&lt;br /&gt;
facing adjoining highway, filmed aboard moving train. POV trains into tunnels. ?Toronto, Canada subway; spotless, gleaming subway platforms. Monorail test track. Factory buildings under construction (mediocre). |forma=0 |year=1960s |up=|next=|prev=|step= |lang=English |pbrs=0 |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Curse_of_Nicotine&amp;diff=13981</id>
		<title>Curse of Nicotine</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Curse_of_Nicotine&amp;diff=13981"/>
		<updated>2021-12-27T15:22:28Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Curse of Nicotine to Moving Image:Curse of Nicotine&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Curse of Nicotine]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Curse_of_Nicotine&amp;diff=13980</id>
		<title>Moving Image:Curse of Nicotine</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Curse_of_Nicotine&amp;diff=13980"/>
		<updated>2021-12-27T15:22:28Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Curse of Nicotine to Moving Image:Curse of Nicotine&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Curse of Nicotine |embid=6136_Curse_of_Nicotine_01_12_49_26 |embsv=archiveorg  |desc=To be logged.&lt;br /&gt;
 |forma=16mm |year=ca. 1910s - 1920s |up=|next=|prev=|step= |lang=English |pbrs=Fun Films |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Bottle_and_the_Throttle,_The&amp;diff=13836</id>
		<title>Bottle and the Throttle, The</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Bottle_and_the_Throttle,_The&amp;diff=13836"/>
		<updated>2021-12-27T14:44:20Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Bottle and the Throttle, The to Moving Image:Bottle and the Throttle, The&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Bottle and the Throttle, The]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Bottle_and_the_Throttle,_The&amp;diff=13835</id>
		<title>Moving Image:Bottle and the Throttle, The</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Bottle_and_the_Throttle,_The&amp;diff=13835"/>
		<updated>2021-12-27T14:44:20Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Bottle and the Throttle, The to Moving Image:Bottle and the Throttle, The&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Bottle and the Throttle, The |embid=0992_Bottle_and_the_Throttle_The_E00776_01_50_27_08 |embsv=archiveorg  |desc=Studies problems of drinking and driving, emphasizing the error of the statement that you must be drunk before your driving ability is materially impaired. Uses the story of a teenage couple who are involved in a serious accident on the way home from the beach.&lt;br /&gt;
&lt;br /&gt;
Eighteen year old Bill drinks some beer with his friends at the  beach and hits a mother with her child crossing the street while driving afterwards.  Although he has not drunk enough to be faced with a drunk driving charge, he must live with the knowledge that he killed a child and crippled a mother.&lt;br /&gt;
Close-up of red rotating police light.&lt;br /&gt;
Woman and child lying on street near stopped white Mustang and are being covered up by two police officers.  A purse and a doll are scattered on the street.&lt;br /&gt;
Police officer leading young man in sobriety test.&lt;br /&gt;
Animation drawing of alcoholic beverage being consumed, a flaming cartoon liver, modular brain with gadgets in it and widely vibrating line.  Cartoon figure punching another and flexing muscles.&lt;br /&gt;
Swerving and wavering drunk driving vehicle on one lane road.&lt;br /&gt;
Close-ups of a variety of alcoholic beverages, some being mixed.&lt;br /&gt;
Animation drawing of clock hands spinning.&lt;br /&gt;
Close-ups of smashed front and rear ends of vehicles and smashed windshield.&lt;br /&gt;
Close-up of cigarette being put out in empty and progressively fuller ashtray.&lt;br /&gt;
Very rapid zoom in on man&amp;#039;s alarmed face (mouth open) driving a car.&lt;br /&gt;
&amp;quot;Teenagers&amp;quot; chugging Hamm&amp;#039;s beer at a lakeside party, casually making shots with cans at the trash, young woman happily opens a can of beer which sprays on her, close-up of teenage guy chugging a Hamms.&lt;br /&gt;
Woman and child crossing the street are approached by speeding car, close-up of alarmed woman&amp;#039;s face, bike rolling out from front of vehicle, woman rolling across hood. &lt;br /&gt;
Close-up of police officer &amp;#039;s face with moustache and helmet.&lt;br /&gt;
Police car in foreground, handcuffed young man being put into police car in background which then drives away.&lt;br /&gt;
&lt;br /&gt;
15:58:29:06  CU spinning flashing red lights of police siren. &lt;br /&gt;
&lt;br /&gt;
15:58:39:14  Police officers investigate scene of accident on street; Ford Mustang on road in front of several bodies sprawled on the ground; people on sidewalk, men, women and children, stop to watch. Ambulance pulls up. VS police interrogate young man. &lt;br /&gt;
&lt;br /&gt;
15:59:51:19  Great animated dark expressionist cartoon of human body taking drink from company as audio track explain effects of alcohol on the body, illustration of liver on fire beside ticking clock. &lt;br /&gt;
&lt;br /&gt;
16:00:10:21  CU mug of beer beside shot of whisky on bar counter. Animated expressionistic anatomical cartoon explaining alcohol s effect on the body.&lt;br /&gt;
&lt;br /&gt;
16:00:31:07  Great animated anatomical drawing of human body with zigzag line cutting through center of frame indicating heart rate and mechanical blinking lights, switches and dials indicating the functioning of the brain. &lt;br /&gt;
&lt;br /&gt;
16:01:13:18  VS 1970s car driving on California road cutting through dry terrain; CU man in car blinking eye groggily; POV shot from inside car; man tries to pass another car on a curve, and is nearly hit by oncoming car coming around the corner; CU man wipes face if relief. &lt;br /&gt;
&lt;br /&gt;
16:01:50:12  CU two shots of whisky beside two beers on bar counter. &lt;br /&gt;
&lt;br /&gt;
16:01:58:03  Red stoplight. Man in car wits at light; CU green light. &lt;br /&gt;
&lt;br /&gt;
16:02:13:28  CU disembodied hands of bar tender pours three shots into glass filled with ice. &lt;br /&gt;
&lt;br /&gt;
16:02:33:27  POV shot man driving down street, shot goes blurry as car passes through intersection. &lt;br /&gt;
&lt;br /&gt;
16:03:06:02  CU four beers and two cocktails. &lt;br /&gt;
&lt;br /&gt;
16:03:41:00  Animated anatomical cartoon drinking alcohol; CU drawing of flaming liver beside ticking clock; CU cartoon ticking clock. &lt;br /&gt;
&lt;br /&gt;
16:03:53:12  CU VS dents, broken windshields, smashed up parts of cars. &lt;br /&gt;
&lt;br /&gt;
16:04:14:06  great shot CU photographer looks into his camera face camera holding large external flash snaps picture. &lt;br /&gt;
&lt;br /&gt;
16:04:23:07  CU camera flash flashes. &lt;br /&gt;
&lt;br /&gt;
16:04:31:21  VS man smokes cigarette at bar; CU disembodied hands puts out cigarette in ash tray; CU man takes drink; VS man order another drink; CU ash tray full with cigarette buttes; man pays bar tender and leaves bar; man steps into car, POV shot car quickly approaching; CU man with mouth open in fear just before collision. &lt;br /&gt;
&lt;br /&gt;
16:05:32:25  MS young man and woman drinking beer cheers. LS groups young people on picnic benches and beach towels drinking beer at lake. &lt;br /&gt;
&lt;br /&gt;
16:05:51:12  MS young woman seated at picnic bench opens can of Budweiser and laughs as foam from beer sprays on her, another can of Schlitz beer is on the picnic table. &lt;br /&gt;
&lt;br /&gt;
16:05:54:26  CU young man chugs can of beer; LS young man throws can of beer toward camera missing the trash can, young man gets up with young woman and leave in his car; VS couple driving in car, POV shot man tries to pass, driver passed shakes head;  CU distracted driver talks to girl in passenger seat; POV shot women and her daughter crossing street; CU feet slam on break; CU woman s face screaming, woman roles over hood of car. &lt;br /&gt;
&lt;br /&gt;
16:07:16:12  VS Police officer in standing in front of West Covina Police car talks to young man; CU young man bites bottom lip; CU police officer with moustache wearing a helmet; police officer handcuffs young man. &lt;br /&gt;
&lt;br /&gt;
Great footage of late 1960s Culver City, California.&lt;br /&gt;
&lt;br /&gt;
21:51:33:22 VS MS nervous young man seated on grass biting bottom lip; police officers attend to woman hit by a car, lying in street of suburban neighborhood, ambulance pulls up; officer grabs young man by arm, two men stop to look woman lying in stretcher loaded into 1960s ambulance; officer takes man to Culver City police car, woman sits in back seat of police car crying, running mascara beneath her eyes; officer gives man sobriety test, makes man blow into a balloon. &lt;br /&gt;
&lt;br /&gt;
21:53:37:04 CU bottle of pure ethyl alcohol. Doctor holding rulers traces path of alcohol entering the circulatory system on a anatomical drawing.&lt;br /&gt;
&lt;br /&gt;
21:53:53:22  CU bottle of Budweiser beside a shot of whisky.  &lt;br /&gt;
&lt;br /&gt;
21:54:25:26 VS drunk man driving 1960s car, POV shot from passenger seat in car; car tailgating tries to make pass into oncoming traffic; CU foot hits gas pedal.&lt;br /&gt;
&lt;br /&gt;
21:55:15:09  Two men in white work suits fixing a traffic signal. &lt;br /&gt;
&lt;br /&gt;
21:55:59:03  POV shot from passenger seat of car driving up straight two lane strip of California highway. VS CU drunk drivers tired eyes and face while behind the wheel; car swerves.&lt;br /&gt;
&lt;br /&gt;
21:57:00:08  CU bottle of Budweiser beside shot of whisky; wall clock superimposed over shot reads 11:05&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
21:57:44:16 Bartender serves man a martini, man eats the olive, then takes sip of drink from hand also holding a cigarette; CU full ashtray, man pays tab then leaves bar smoking a cigarette.&lt;br /&gt;
&lt;br /&gt;
21:58:28:14  Disembodied hand inserts key in ignition; car pulls out of parking lot into oncoming traffic; CU man covers his head before impact.&lt;br /&gt;
&lt;br /&gt;
21:58:45:20  CU young man takes swig from beer can; VS young people on California beach in early 1960s drinking beer on grass; young man finishes drink then leaves friend with his girlfriend; couple driving in 1950s car; car recklessly passes 1960s car; POV shot car approaching mother walking child with tricycle across the street; CU boy s foot slams on break. &lt;br /&gt;
&lt;br /&gt;
22:00:11:29  CU disembodied hand of police office unscrews balloon from breathelizer test; pan up to CU young man s distressed face; police officer measuring car s skid marks; man is directed into back seat of 1960s police car, police car drives away down Culver City suburban street followed by motorcycle police officer. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 |forma=16mm |year=1965 |up=|next=|prev=|step= |lang=English |pbrs=Davis (Sid) Productions |heldby=PA |len=10:00 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Duck_and_Cover&amp;diff=12942</id>
		<title>Moving Image:Duck and Cover</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Duck_and_Cover&amp;diff=12942"/>
		<updated>2021-12-26T18:19:42Z</updated>

		<summary type="html">&lt;p&gt;Admin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Duck and Cover |embid=0771_Duck_and_Cover_12_33_20_12 |embsv=archiveorg  |desc=This film, a combination of animated cartoon and live action, shows young children what to do in case of an atomic attack.|forma=16mm |year=1951 |up=|next=|prev=|step= |lang=English |pbrs=Archer Productions, Inc. |heldby=PA |len=9:15 |link= |bw= |ani=1 |ewid= }}&lt;br /&gt;
     The film opens with &amp;quot;Bert the Turtle&amp;quot; wobbling down the street and singing a song, &amp;quot;Duck and Cover.&amp;quot;  When there is a bright flash, Bert immediately ducks into his shell covering.  The narrator explains that when there is a bright flash -- brighter than the sun -- children should follow Bert&amp;#039;s example.  The film shifts to a classroom of first or second grade youngsters who are practicing what to do in the case of an atomic attack.&lt;br /&gt;
     The narrator explains that boys and girls should know what to do in case of an atomic attack just as they know what do do in case of a fire.  He explains that this new danger can cause several types of injury.  He tells them that it can knock them down or burn them.  As the youngsters listen, the narrator explains to them that many schools are talking about atomic attacks and that many youngsters and their teachers are learning the best ways of protection.  The rules which he explains are demonstrated by youngsters who are shown in the school yard, playing at home, and walking down the street.  The simple rule that they should be like Bert, who ducks and covers, is emphasized.  At school youngsters are shown getting under their desks and covering the backs of their necks, or going to a special area in the basement, where they lie down on their stomachs and put their hands over the back of their necks.  At home they get under the table or davenport.  On the street they fall down along the curb or get into the entrance of a building.&lt;br /&gt;
     The Civil Defense worker is shown as a helper who will answer their questions, tell them when the danger is over, and give them help.  The film ends by suggesting that, whether they are in the city or the country and whether they are at home or away, they must always be ready to duck and cover when there is an atomic explosion.  &amp;quot;Bert the Turtle&amp;quot; once again sings his song and shows how he, too, ducks and covers when there is a bright flash.&lt;br /&gt;
&lt;br /&gt;
(Educational Screen, March 1952)&lt;br /&gt;
&lt;br /&gt;
	The widespread fear and suspicion with which many of us regard technology has little to do with the approaching millennium. It&amp;#039;s actually been a long time in the making, and for us, one of its main enablers was civil defense. If A Is For Atom was produced to reassure us of the atom&amp;#039;s essential goodness, Duck and Cover was made to frighten us. Produced for showing to schoolchildren, it presents the atomic bomb as a mysterious, frightening, and capricious force.&lt;br /&gt;
	Just five brief soundbites say it all:&lt;br /&gt;
	&amp;quot;You know how bad sunburn can be. The atomic bomb flash could burn you worse than a terrible sunburn, especially where you&amp;#039;re not covered.&amp;quot;&lt;br /&gt;
	&amp;quot;Always remember, the flash of an atomic bomb can come at any time, no matter where you may be.&amp;quot;&lt;br /&gt;
	&amp;quot;Sometimes the bomb may explode without any warning.&amp;quot;&lt;br /&gt;
	&amp;quot;Getting ready means we will all have to be able to take care of ourselves. A bomb might explode when there are no grownups near. Paul and Patty know this, and they&amp;#039;re always ready to take care of themselves.&amp;quot;&lt;br /&gt;
	&amp;quot;Sundays, holidays, vacation time...we must be ready every day, all the time, to do the right thing if the atomic bomb explodes.&amp;quot;&lt;br /&gt;
	This is the original cut of Duck and Cover as it was released to schools. In 1982, segments of Duck and Cover were used in the documentary film Atomic Caf  and edited into an original sequence together with footage from various other public and private sources. That version   which most people think is the original one   is actually the creation of co-directors Kevin Rafferty, Jayne Loader and Pierce Rafferty.&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Duck_and_Cover&amp;diff=12941</id>
		<title>Moving Image:Duck and Cover</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Duck_and_Cover&amp;diff=12941"/>
		<updated>2021-12-26T18:18:54Z</updated>

		<summary type="html">&lt;p&gt;Admin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Duck and Cover |embid=0771_Duck_and_Cover_12_33_20_12 |embsv=archiveorg  |desc=This film, a combination of animated cartoon and live action, shows young children what to do in case of an atomic attack.|forma=16mm |year=1951 |up=|next=|prev=|step= |lang=English |pbrs=Archer Productions, Inc. |heldby=PA |len=9:15 |link= |bw= |ani=1 |ewid= }}&lt;br /&gt;
&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Duck and Cover&lt;br /&gt;
| image          = Bert2.png&lt;br /&gt;
| image_size     =&lt;br /&gt;
| caption        = Theatrical release poster&lt;br /&gt;
| director       = Anthony Rizzo&lt;br /&gt;
| producer       =&lt;br /&gt;
| writer         = Raymond J. Mauer&lt;br /&gt;
| narrator       = Robert Middleton&lt;br /&gt;
| starring       =&lt;br /&gt;
| music          =&lt;br /&gt;
| cinematography =&lt;br /&gt;
| editing        =&lt;br /&gt;
| distributor    = Archer Productions&lt;br /&gt;
| released       = {{Film date|1952}}&lt;br /&gt;
| runtime        = 9 min 15 sec&lt;br /&gt;
| country        = United States&lt;br /&gt;
| language       = English&lt;br /&gt;
| budget         =&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     The film opens with &amp;quot;Bert the Turtle&amp;quot; wobbling down the street and singing a song, &amp;quot;Duck and Cover.&amp;quot;  When there is a bright flash, Bert immediately ducks into his shell covering.  The narrator explains that when there is a bright flash -- brighter than the sun -- children should follow Bert&amp;#039;s example.  The film shifts to a classroom of first or second grade youngsters who are practicing what to do in the case of an atomic attack.&lt;br /&gt;
     The narrator explains that boys and girls should know what to do in case of an atomic attack just as they know what do do in case of a fire.  He explains that this new danger can cause several types of injury.  He tells them that it can knock them down or burn them.  As the youngsters listen, the narrator explains to them that many schools are talking about atomic attacks and that many youngsters and their teachers are learning the best ways of protection.  The rules which he explains are demonstrated by youngsters who are shown in the school yard, playing at home, and walking down the street.  The simple rule that they should be like Bert, who ducks and covers, is emphasized.  At school youngsters are shown getting under their desks and covering the backs of their necks, or going to a special area in the basement, where they lie down on their stomachs and put their hands over the back of their necks.  At home they get under the table or davenport.  On the street they fall down along the curb or get into the entrance of a building.&lt;br /&gt;
     The Civil Defense worker is shown as a helper who will answer their questions, tell them when the danger is over, and give them help.  The film ends by suggesting that, whether they are in the city or the country and whether they are at home or away, they must always be ready to duck and cover when there is an atomic explosion.  &amp;quot;Bert the Turtle&amp;quot; once again sings his song and shows how he, too, ducks and covers when there is a bright flash.&lt;br /&gt;
&lt;br /&gt;
(Educational Screen, March 1952)&lt;br /&gt;
&lt;br /&gt;
	The widespread fear and suspicion with which many of us regard technology has little to do with the approaching millennium. It&amp;#039;s actually been a long time in the making, and for us, one of its main enablers was civil defense. If A Is For Atom was produced to reassure us of the atom&amp;#039;s essential goodness, Duck and Cover was made to frighten us. Produced for showing to schoolchildren, it presents the atomic bomb as a mysterious, frightening, and capricious force.&lt;br /&gt;
	Just five brief soundbites say it all:&lt;br /&gt;
	&amp;quot;You know how bad sunburn can be. The atomic bomb flash could burn you worse than a terrible sunburn, especially where you&amp;#039;re not covered.&amp;quot;&lt;br /&gt;
	&amp;quot;Always remember, the flash of an atomic bomb can come at any time, no matter where you may be.&amp;quot;&lt;br /&gt;
	&amp;quot;Sometimes the bomb may explode without any warning.&amp;quot;&lt;br /&gt;
	&amp;quot;Getting ready means we will all have to be able to take care of ourselves. A bomb might explode when there are no grownups near. Paul and Patty know this, and they&amp;#039;re always ready to take care of themselves.&amp;quot;&lt;br /&gt;
	&amp;quot;Sundays, holidays, vacation time...we must be ready every day, all the time, to do the right thing if the atomic bomb explodes.&amp;quot;&lt;br /&gt;
	This is the original cut of Duck and Cover as it was released to schools. In 1982, segments of Duck and Cover were used in the documentary film Atomic Caf  and edited into an original sequence together with footage from various other public and private sources. That version   which most people think is the original one   is actually the creation of co-directors Kevin Rafferty, Jayne Loader and Pierce Rafferty.&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Yankee_Story,_The&amp;diff=12940</id>
		<title>Yankee Story, The</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Yankee_Story,_The&amp;diff=12940"/>
		<updated>2021-12-26T16:33:17Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Yankee Story, The to Moving Image:Yankee Story, The&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Yankee Story, The]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Yankee_Story,_The&amp;diff=12939</id>
		<title>Moving Image:Yankee Story, The</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Yankee_Story,_The&amp;diff=12939"/>
		<updated>2021-12-26T16:33:17Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Yankee Story, The to Moving Image:Yankee Story, The&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Yankee Story, The |embid=0859_Yankee_Story_The_10_01_02_00 |embsv=archiveorg  |desc=Promotional film for the Yankee network, a network of radio stations in New England with excellent shots of radio production and radio broadcasting.&lt;br /&gt;
&lt;br /&gt;
10:01:38:29  Nice product placement MS ï¿½Scan-O-Scopeï¿½ radio. &lt;br /&gt;
&lt;br /&gt;
10:01:47:07  1950s to 1960s housewife sewing beside ï¿½Scan-O-Scopeï¿½ radio. &lt;br /&gt;
&lt;br /&gt;
10:01:54:00  From elevated angle camera looks down on man between two high-tech looking radios with many knobs dials between speaker box; man turns large knob tuning radio on right. &lt;br /&gt;
&lt;br /&gt;
10:02:00:06  CU old fashioned small radio (Zenith ?) with two tuning knobs, one frequency dial, and one speaker in single rectangular box.&lt;br /&gt;
&lt;br /&gt;
10:02:04:23  Young man in twenties, screwdriver in hand, attentively working in workshop fixing or building radio; tools scattered on table and small old-fashioned radio on work table. &lt;br /&gt;
&lt;br /&gt;
01:02:09:18  CU womanï¿½s elegant hand in white glove carrying by handle very small metallic radio with one dial and red button.&lt;br /&gt;
&lt;br /&gt;
10:02:15:22  Title ï¿½The Yankee Storyï¿½ superimposed over graphic of New England with each state differentiated by color.  ï¿½Only Yankee serves all of New Englandï¿½ superimposed over New England graphic with lines animated spreading from Boston in 360 degrees.&lt;br /&gt;
&lt;br /&gt;
10:02:47:21  CU hand plugging in 1/4 inch cable into row of inputs. &lt;br /&gt;
&lt;br /&gt;
10:02:53:08  Man in from of wall of modular electronic, smoking cigarette, patches quarter inch cables into bank of inputs. &lt;br /&gt;
&lt;br /&gt;
10:03:14:01  Man in suit point finger at globe, turns and looks away from globe. &lt;br /&gt;
&lt;br /&gt;
10:03:18:03  CU Man in suit and tie faces camera ï¿½Pardon me if I may interrupt. Before we get saturated with statistics Iï¿½d like to make perfectly clear one very important point. Whatever New England might be statistically, New England is people [raising eyebrows]. So if we are going to understand the area weï¿½d better meet some of the people and found out what they think about the place they live.ï¿½&lt;br /&gt;
&lt;br /&gt;
10:03:44:10  MS young brown-haired professor drawing with chalk on blackboard long arc over drawing of New England; professor stops drawing, turns to camera, and explains history of New England geography.&lt;br /&gt;
&lt;br /&gt;
10:04:14:25  CU man in suit and tie, gray hair, says to camera ï¿½Well that is not exactly what I had in mind.ï¿½ Man creepily bulges his eyes.&lt;br /&gt;
&lt;br /&gt;
10:04:20:20  Scholarly looking New England man (ï¿½gentleman of culture and learningï¿½) in suit, bald with round wire-frame glasses, seated in chair by fire place with open book on lap, stops his reading and speaks to camera about the foundation of America.&lt;br /&gt;
&lt;br /&gt;
10:04:52:07  Gray haired man in suit, arms crossed, globe bottom left of frame ï¿½Yes weï¿½re a tough minded people, deliberate in decisions; but once weï¿½ve made up our minds, weï¿½re hard to dissuade. ï¿½&lt;br /&gt;
&lt;br /&gt;
10:05:12:14  Missourian farmer hoeing land in short-sleeved plaid shirt and slacks looks up to camera resting hands on hoe ï¿½Farmingï¿½s been her from the first, thereï¿½s still fifty thousand of us, making a living off the land.ï¿½&lt;br /&gt;
&lt;br /&gt;
10:05:41:15  VS bustling commercial downtown  area  with heavy sidewalk traffic.&lt;br /&gt;
&lt;br /&gt;
10:05:54:04  LS bright red car pulls up to four people in sand dunes.&lt;br /&gt;
&lt;br /&gt;
10:06:34:24  VS two men, one holding horse wears cowboy hat, other in baseball cap and red t-shirt falls hoof of horse. &lt;br /&gt;
&lt;br /&gt;
10:06:50:00  MS gray-haired man in suit beside globe with magazine rolled up in hand, speaks to camera ï¿½As one of those people who are always saying things to remember, once said: ï¿½New England is whatever youï¿½re looking for.ï¿½&lt;br /&gt;
&lt;br /&gt;
10:07:14:13  VS saw mill off coast of Maine; paper factory; potato farm; New England harbor; lighthouse and watchtower off coast.&lt;br /&gt;
&lt;br /&gt;
10:07:51:29  VS Portland, Maine. &lt;br /&gt;
&lt;br /&gt;
10:08:10:14  Maine Trading Post shingled building.&lt;br /&gt;
&lt;br /&gt;
10:08:14:06  Cartoon graphic of cash register registering $994,236,000. &lt;br /&gt;
&lt;br /&gt;
10:08:34:07  Downtown  Providence, Rhode Island. Loewï¿½s Theater and Crown Hotel visible. &lt;br /&gt;
&lt;br /&gt;
10:08:37:21  VS industrial factories along Blackstone River. &lt;br /&gt;
&lt;br /&gt;
10:09:21:27  VS Connecticut. Narration ï¿½Connecticut, most yankee of the yankee states.ï¿½&lt;br /&gt;
&lt;br /&gt;
10:09:38:23  VS Connecticut tobacco farms. Classic red farmhouse. &lt;br /&gt;
&lt;br /&gt;
10:10:27:18  VS man in brown suit enters living room to young wife and cute daughter, each with one hand outstretched to receive money; husband hands wife cash, CU woman mouths thank you; daughter handed money; father tosses left over change in hand to dog, CU dog eating money; CU moustached man in shrugging. &lt;br /&gt;
&lt;br /&gt;
10:10:54:13  VS dairy cows on Vermont dairy farm.&lt;br /&gt;
&lt;br /&gt;
10:11:07:20  VS Granite or Marble quarry in Vermont. &lt;br /&gt;
&lt;br /&gt;
10:11:37:24  New Hampshireï¿½s ï¿½Man of the Mountain.ï¿½&lt;br /&gt;
&lt;br /&gt;
10:11:51:08  VS New Hampshireï¿½s Lake Winnipesaukee.&lt;br /&gt;
&lt;br /&gt;
10:12:41:04  Great CU two menï¿½s hands counting wads of cash. &lt;br /&gt;
&lt;br /&gt;
10:12:46:08  Pan up flag pole with sign ï¿½Birth Place of American Libertyï¿½; nice low angle shot of American flag blowing in wind framed by tree branches. &lt;br /&gt;
&lt;br /&gt;
10:13:03:09  VS aerial shot of Boston. &lt;br /&gt;
&lt;br /&gt;
10:14:36:16  Great shot man taking picture of woman holding pose with beach ball in Cape Cod sand dunes. &lt;br /&gt;
&lt;br /&gt;
10:14:39:14  VS two women in bathing suits throwing beach ball on sand in Cape Cod. &lt;br /&gt;
&lt;br /&gt;
10:14:53:09  CU camera looks over shoulder of bald man in glasses as he writes on paper which reads ï¿½How to prepare your Income Tax Return.ï¿½&lt;br /&gt;
&lt;br /&gt;
10:15:38:19  VS Sturbridge Town Hall.&lt;br /&gt;
&lt;br /&gt;
10:16:00:06  LS woman at bus stop  holding groceries on sidewalk in front of ï¿½Pharmacy Luncheonetteï¿½ to narration ï¿½New England a collection of whole towns where a Providence house wife will say,ï¿½ Providence housewife holding groceries ï¿½Yes Iï¿½ve been to Boston, but there is nothing there that I canï¿½t buy right here, downtown.ï¿½&lt;br /&gt;
&lt;br /&gt;
10:16:15:02  Comical VS of old newspaperman  at desk on phone, giving orders to reporter, then typing on typewriter. Good newspaperman sound-bites. &lt;br /&gt;
&lt;br /&gt;
10:16:28:21  Low angle of rich high-society woman  on phone with  pretentious Boston accent  ï¿½Ah, yes my dear to Californiaï¿½mmhmmï¿½.ï¿½&lt;br /&gt;
&lt;br /&gt;
10:16:46:17  Two rich men in suits. Younger man ingratiating himself with old rich Boston businessman ï¿½Sir, considering the size of our business, your international contacts and all, why do you maintain home offices here in Boston;ï¿½ MS of old rich man with pretentious accent ï¿½Well my dear man, I live here.ï¿½&lt;br /&gt;
&lt;br /&gt;
10:17:0403:10  Great zooming in shot and sound-bit of old fisherman with white hair, glasses, pulling his suspenders with one hand and smoking pipe with other. ï¿½ï¿½Washington, never been, all I need is right here.ï¿½&lt;br /&gt;
&lt;br /&gt;
10:17:43:01  VS CU radio and hand turning volume knob; woman sitting with hand held radio turning dial. &lt;br /&gt;
&lt;br /&gt;
10:19:09:08  CU street sign for intersection of Radio and Television Lanes with a marlin on top of sign post. &lt;br /&gt;
&lt;br /&gt;
10:19:12:11  Three people, one man and two woman sitting outside on grass along water listening to radio. &lt;br /&gt;
&lt;br /&gt;
10:19:16:01  VS man and woman in bathing suits on beach simultaneously drinking then exchanging loving gazes. &lt;br /&gt;
&lt;br /&gt;
10:19:32:19  Engineer working during broadcasting in radio studio. &lt;br /&gt;
&lt;br /&gt;
10:19:47:18  VS water skiing. &lt;br /&gt;
&lt;br /&gt;
10:20:20:13  Great shot of radio announcer in studio with engineer working on broadcast in background. &lt;br /&gt;
&lt;br /&gt;
10:20:26:25  Young couple lying on beach flirting with radio between them.  The young woman rolls over onto the young man. &lt;br /&gt;
&lt;br /&gt;
10:20:31:10  couple snuggled close listening to radio in convertible car parked on beach. &lt;br /&gt;
&lt;br /&gt;
10:21:10:27  VS Connecticut ï¿½shade grownï¿½ tobacco farm; ï¿½the Worldï¿½s Finest Cigar Wrapperï¿½ ad on roof of building. &lt;br /&gt;
&lt;br /&gt;
10:21:34:23  CU hands patching 1/4 inch cables into wall of inputs. CU electric lines. CU various dials. &lt;br /&gt;
&lt;br /&gt;
10:21:48:02  Sign ï¿½Yankee Network News Serviceï¿½; row of six printers printing news feeds. &lt;br /&gt;
&lt;br /&gt;
10:21:54:17  VS reporters  at desks working on typewriters in Yankee News Service office; one smokes cigarette. &lt;br /&gt;
&lt;br /&gt;
10:22:12:16  Women in green dress walks through busy Yankee News Service office; all the reporters stop to look at her; sexual harassment in the workplace. &lt;br /&gt;
&lt;br /&gt;
10:23:05:23  Two young boys wrestling in living room between mother and father. CU father (comically bad acting) yells ï¿½Quiet!ï¿½ clenching fists;ï¿½ CU to kids and mother looking shocked; MS father  looking into camera ï¿½Its time for the news,ï¿½ leans over and turns up radio. &lt;br /&gt;
&lt;br /&gt;
10:23:20:11  MS classic radio announcer behind WNAC radio microphone.&lt;br /&gt;
&lt;br /&gt;
10:23:48:24  VS cars pulling into Otis Air Force Base Buzzards Bay Gate.&lt;br /&gt;
&lt;br /&gt;
10:24:03:04  Older man turning knobs on large panel of high-tech radio. &lt;br /&gt;
&lt;br /&gt;
10:24:04:22  Great shot of WNAC Yankee microphone in front stern radio announcer ï¿½This has been the six oï¿½clock edition of the yankee network news serviceï¿½ followed by great montage engineers working behind the scenes in every technical aspect of the radio broadcast.&lt;br /&gt;
&lt;br /&gt;
10:25:47:19  VS blonde woman driving alone in turquoise and white convertible on highway. &lt;br /&gt;
&lt;br /&gt;
10:26:29:03  Man and woman in front microphone in radio studio. Archetypal radio man in perfect announcers voice reads announcement for Yankee home and food show catered toward the modern women of New England and homemakers. &lt;br /&gt;
&lt;br /&gt;
10:29:40:19  Great 1950s to 1960s shot of suburbia. White picket fences and friendly neighbors walking dogs on sidewalks; car in driveway. &lt;br /&gt;
&lt;br /&gt;
10:31:20:29  Great finale montage of each New England types in their various settings. &lt;br /&gt;
 |forma=16mm |year=1956 |up=|next=|prev=|step= |lang=English |pbrs=RKO Teleradio Pictures, Yankee Division |heldby=PA |len=1167 Feet |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Wings_for_Doubting_Thomas&amp;diff=12938</id>
		<title>Wings for Doubting Thomas</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Wings_for_Doubting_Thomas&amp;diff=12938"/>
		<updated>2021-12-26T16:33:08Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Wings for Doubting Thomas to Moving Image:Wings for Doubting Thomas&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Wings for Doubting Thomas]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Wings_for_Doubting_Thomas&amp;diff=12937</id>
		<title>Moving Image:Wings for Doubting Thomas</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Wings_for_Doubting_Thomas&amp;diff=12937"/>
		<updated>2021-12-26T16:33:08Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Wings for Doubting Thomas to Moving Image:Wings for Doubting Thomas&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Wings for Doubting Thomas |embid=0320_Wings_for_Doubting_Thomas_21_51_47_21 |embsv=archiveorg  |desc=0 |forma=16mm |year=ca. 1950s |up=|next=|prev=|step= |lang=English |pbrs=0 |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Wild_Pig_Kills_Rattlesnake!&amp;diff=12936</id>
		<title>Wild Pig Kills Rattlesnake!</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Wild_Pig_Kills_Rattlesnake!&amp;diff=12936"/>
		<updated>2021-12-26T16:32:58Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Wild Pig Kills Rattlesnake! to Moving Image:Wild Pig Kills Rattlesnake!&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Wild Pig Kills Rattlesnake!]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Wild_Pig_Kills_Rattlesnake!&amp;diff=12935</id>
		<title>Moving Image:Wild Pig Kills Rattlesnake!</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Wild_Pig_Kills_Rattlesnake!&amp;diff=12935"/>
		<updated>2021-12-26T16:32:58Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Wild Pig Kills Rattlesnake! to Moving Image:Wild Pig Kills Rattlesnake!&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Wild Pig Kills Rattlesnake! |embid=0968_Wild_Pig_Kills_Rattlesnake_18_46_28_27 |embsv=archiveorg  |desc=0 |forma=16mm |year=1937 |up=|next=|prev=|step= |lang=English |pbrs=Cine Art |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Wide_World_Music_Hall_Announcement&amp;diff=12934</id>
		<title>Wide World Music Hall Announcement</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Wide_World_Music_Hall_Announcement&amp;diff=12934"/>
		<updated>2021-12-26T16:32:49Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Wide World Music Hall Announcement to Moving Image:Wide World Music Hall Announcement&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Wide World Music Hall Announcement]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Wide_World_Music_Hall_Announcement&amp;diff=12933</id>
		<title>Moving Image:Wide World Music Hall Announcement</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Wide_World_Music_Hall_Announcement&amp;diff=12933"/>
		<updated>2021-12-26T16:32:49Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Wide World Music Hall Announcement to Moving Image:Wide World Music Hall Announcement&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Wide World Music Hall Announcement |embid=0592_Wide_World_Music_Hall_Announcement_19_17_17_00 |embsv=archiveorg  |desc=This praise of Ford tractors shows the $60,000 dollars worth of experiments and testing performed on the tractors, the details of their assembly and construction, and the international importance of these tractors.  With &amp;quot;traditional&amp;quot; music of different geographical locations, the film flips between the images of the various men working with their tractors and seemingly simultaneously breaking to enjoy a meal with their women and children and their traditional beverage.&lt;br /&gt;
&lt;br /&gt;
Slow fade into the center of a tractor wheel&lt;br /&gt;
A tractor with a driver, moving over speed bumps&lt;br /&gt;
Tractors driving through fields, close-up shots of threshers and other machinery that they are pulling to plow the fields.&lt;br /&gt;
Tractor covered in ice, icicles hanging off of it&lt;br /&gt;
International Ford tractor signs  fade into each other&lt;br /&gt;
Executives sitting around  a large wooden table, all in dark suits&lt;br /&gt;
Aerial landscape of fields&lt;br /&gt;
Ground pan of fields with a couple of cows in the distance&lt;br /&gt;
close-up shots of tractor engines&lt;br /&gt;
close-up pan of engine parts in a line against a red background&lt;br /&gt;
A tractor driving quickly over a bumpy road and bouncing&lt;br /&gt;
Sprinklers in a field&lt;br /&gt;
Farmer pouring gasoline into a tractor from a large red gas can&lt;br /&gt;
Close-up of the display instruments on a tractor&lt;br /&gt;
Silhouettes of tractors against a red sky&lt;br /&gt;
The production line -- tractor parts on conveyors&lt;br /&gt;
Men in white coats working on engines in a line -- inspectors and supervisors with clipboards walk behind them&lt;br /&gt;
Tractor parts moving through the mist of the &amp;quot;five stage acid bath&amp;quot;&lt;br /&gt;
The camera lens gets covered over with paint sprayed by a man wearing an air mask.&lt;br /&gt;
Highland Park plant, Michigan&lt;br /&gt;
Antwerp, Belgium plant&lt;br /&gt;
plant in Basilwood, England&lt;br /&gt;
Birmington, Michigan&lt;br /&gt;
German man driving a tractor in Germany, a Volkswagen Bug  passes it on the street&lt;br /&gt;
Man driving a tractor in France&lt;br /&gt;
An Arab man drives a tractor&lt;br /&gt;
An Englishman plowing a field &lt;br /&gt;
A man driving a tractor through a French vineyard&lt;br /&gt;
Close-up of a German clock, 11:00&lt;br /&gt;
A woman and a little girl get into a Fiat&lt;br /&gt;
Arab tractor driver waves to a little girl&lt;br /&gt;
Close-up of large mug of beer, brought out by a waiter&lt;br /&gt;
Coca-Cola being poured over ice&lt;br /&gt;
The Arab man and girl sit on a blanket and eat together&lt;br /&gt;
Close-up of a boy sitting in the back of a pickup truck, eating a chicken drumstick, with Coca-Cola bottles in front of him&lt;br /&gt;
Man pouring wine at a French outdoor lunch table for a little girl and a woman&lt;br /&gt;
&lt;br /&gt;
 |forma=16mm |year=ca. 1960s |up=|next=|prev=|step= |lang=English |pbrs=Handy (Jam) Organization |heldby=PA |len=29:53 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Why_We_Respect_The_Law&amp;diff=12932</id>
		<title>Why We Respect The Law</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Why_We_Respect_The_Law&amp;diff=12932"/>
		<updated>2021-12-26T16:32:39Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Why We Respect The Law to Moving Image:Why We Respect The Law&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Why We Respect The Law]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Why_We_Respect_The_Law&amp;diff=12931</id>
		<title>Moving Image:Why We Respect The Law</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Why_We_Respect_The_Law&amp;diff=12931"/>
		<updated>2021-12-26T16:32:39Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Why We Respect The Law to Moving Image:Why We Respect The Law&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Why We Respect The Law |embid=WhyWeRespect |embsv=archiveorg  |desc=KEN &amp;amp; 3 FRIENDS STEAL BOARDS TO MAKE BACKSTOP FOR BASEBALL FIELD. KEN SUFFERS FROM GUILT &amp;amp; SEES FAMILY LAWYER WHO HELPS HIM DEVELOP RESPECT FOR LAWS. KEN THEN HELPS OTHER BOYS SETTLE ACCOUNTS WITH CONSTRUCTION COMPANY.&lt;br /&gt;
 |forma=16mm |year=1950 |up=|next=|prev=|step= |lang=English |pbrs=Coronet Instructional Films |heldby=PA |len=14:00 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Why_Not_Live%3F&amp;diff=12930</id>
		<title>Why Not Live?</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Why_Not_Live%3F&amp;diff=12930"/>
		<updated>2021-12-26T16:32:29Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Why Not Live? to Moving Image:Why Not Live?&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Why Not Live?]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:Why_Not_Live%3F&amp;diff=12929</id>
		<title>Moving Image:Why Not Live?</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:Why_Not_Live%3F&amp;diff=12929"/>
		<updated>2021-12-26T16:32:29Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Why Not Live? to Moving Image:Why Not Live?&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=Why Not Live? |embid=why_not_live |embsv=archiveorg  |desc=Safety film with a number of vivid simulated accidents and stunt driving sequences. Shows role of American Red Cross in accident prevention and first aid training.&lt;br /&gt;
Stock shots to be logged. |forma=35mm |year=ca. 1937 |up=|next=|prev=|step= |lang=English |pbrs=Ganz (William A.) Productions |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=White_Pelican&amp;diff=12928</id>
		<title>White Pelican</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=White_Pelican&amp;diff=12928"/>
		<updated>2021-12-26T16:32:19Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page White Pelican to Moving Image:White Pelican&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:White Pelican]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:White_Pelican&amp;diff=12927</id>
		<title>Moving Image:White Pelican</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:White_Pelican&amp;diff=12927"/>
		<updated>2021-12-26T16:32:19Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page White Pelican to Moving Image:White Pelican&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=White Pelican |embid=0812_White_Pelican_00_43_03_00 |embsv=archiveorg  |desc=0 |forma=16mm |year=0 |up=|next=|prev=|step= |lang=English |pbrs=Du Bois (J.M.) |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=When_Work_Is_Done&amp;diff=12926</id>
		<title>When Work Is Done</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=When_Work_Is_Done&amp;diff=12926"/>
		<updated>2021-12-26T16:32:08Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page When Work Is Done to Moving Image:When Work Is Done&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:When Work Is Done]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:When_Work_Is_Done&amp;diff=12925</id>
		<title>Moving Image:When Work Is Done</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:When_Work_Is_Done&amp;diff=12925"/>
		<updated>2021-12-26T16:32:08Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page When Work Is Done to Moving Image:When Work Is Done&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=When Work Is Done |embid=0431_When_Work_Is_Done_00_42_20_00 |embsv=archiveorg  |desc=How the town of Sylacauga, Alabama extended a welcome to war plant workers.&lt;br /&gt;
&lt;br /&gt;
Community building between towns and workers from out of town in 1940s. Footage of segregation in recreational activities for workers and workerï¿½s families. &lt;br /&gt;
&lt;br /&gt;
00:42:36:14  Great shot pan down downtown street in classic 1940s small American town packed  with cars.&lt;br /&gt;
&lt;br /&gt;
00:42:55:05  Low-angle hull of ship with sign ï¿½Hull 108 They Fight and Die They Expect You To Try Deliver June 18th.ï¿½&lt;br /&gt;
&lt;br /&gt;
00:41:59:20  VS construction workers in hard hats building ship.&lt;br /&gt;
&lt;br /&gt;
00:43:05:15  African American workers hammering large sheet of metal. &lt;br /&gt;
&lt;br /&gt;
00:43:11:13  VS women welding;  woman with Doris written on protective welding mask lifts up mask and wipes face; pan over women welding in shipyard; woman carried out of shipyard on stretcher.&lt;br /&gt;
&lt;br /&gt;
00:43:31:28  Enormous crowd of hundreds of workers entering shipyard, camera pans to large sign ï¿½You canï¿½t spell Victory with an Absent T, 2022 were out Monday.ï¿½&lt;br /&gt;
&lt;br /&gt;
00:43:46:27  Long line of workers waiting to enter small post office shack. &lt;br /&gt;
&lt;br /&gt;
00:44:01:14  CU young couple try to enter diner, women through window shakes her head no.&lt;br /&gt;
&lt;br /&gt;
00:44:06:16  VS people swimming public pool; CU low-angle of lifeguard blowing whistle and waving arms, little kids admitted into pool through gate. &lt;br /&gt;
&lt;br /&gt;
00:44:58:12  Couples dancing in 1940s juke joint; 1940s pool hall. &lt;br /&gt;
&lt;br /&gt;
00:45:11:28  Pan down long line into building, man hands over his round I.D. pin with his photograph on it, CU covered with round I.D. pins for Jones Construction Co. &lt;br /&gt;
&lt;br /&gt;
00:45:27:12  Sylacauga train station; stream of black smoke pours out of train exhaust at station; VS town of Sylacauga.&lt;br /&gt;
&lt;br /&gt;
00:45:41:08  CU sign for Alabama Ordnance Works Administration Building; low-angle sign ï¿½No Smoking- No Matches No Lighters Permitted In This Plantï¿½&lt;br /&gt;
&lt;br /&gt;
00:46:08:12  Children chase after car down street in typical 1940s suburban neighborhood. &lt;br /&gt;
&lt;br /&gt;
00:46:34:17  Farmer in overalls crouched down putting plastic letters on sign for church advertising Sunday school; quote on sign reads ï¿½Remember the stranger within they gatesï¿½; CU quote on sign. &lt;br /&gt;
&lt;br /&gt;
00:46:39:09  Church congregation stands up; VS inside church. &lt;br /&gt;
&lt;br /&gt;
00:46:49:22  Friendly police of gives two young men in car directions on a map. &lt;br /&gt;
&lt;br /&gt;
00:46:57:19  VS children cleaning town pool. &lt;br /&gt;
&lt;br /&gt;
00:47:10:29  VS children swimming in community pool. Two women do handstand dives into pool; little girl goes backward down slide into pool. &lt;br /&gt;
&lt;br /&gt;
00:47:18:24  Couples playing doubles tennis. &lt;br /&gt;
&lt;br /&gt;
00:47:34:05  Large outdoor dance on street; big band plays on stage while couples dance. &lt;br /&gt;
&lt;br /&gt;
00:47:49:13  Two rural men insert Federal Recreation Building sign into ground; man installs sign indicating one block to building; man hammers sign onto pole indicating 4 blocks to Federal Recreation Building; man hammers 3 block marker sign into pole; seven block marker. &lt;br /&gt;
&lt;br /&gt;
00:48:10:01  People dancing, playing ping pong, and shuffle board in Federal Recreation Building; CU man smoking pipe plays checkers with young man as younger boy watches;  cute little girls hits keyboard of piano while sitting on manï¿½s lap; man and woman read events schedule.&lt;br /&gt;
&lt;br /&gt;
00:48:27:00  Woman leads adult dance class, group steps forward and backward;  VS womenï¿½s aerobics class, two rows of women lying on their backs lifting their legs up; cute little girl pulls down womanï¿½s legs.&lt;br /&gt;
&lt;br /&gt;
00:48:43:24  VS women in nutrition class; woman leading class pulls out surreal poster with illustration of Hitler with horns getting punched in the face with text above ï¿½Eat to beat the devil.ï¿½&lt;br /&gt;
&lt;br /&gt;
00:49:06:15  Teenagers play musical chairs. &lt;br /&gt;
&lt;br /&gt;
00:49:12:13  Black youth band performs for all Black audience; audio track narration ï¿½The negro boys and girls band, they hit it on the beat and take it on down.ï¿½  VS three girls playing clarinet, two boys play tuba, boy plays trumpet.&lt;br /&gt;
&lt;br /&gt;
00:49:25:06  Ballet dancer does solo dance on stage bare except for an American flag; VS audience applauds.&lt;br /&gt;
&lt;br /&gt;
00:49:33:24  young magician on stage makes a small American flag appear; audience applauds.&lt;br /&gt;
&lt;br /&gt;
00:49:40:26  Man plays piano for two girl duet, one seated on top of piano; VS audience; man performs solo violin piece; audience applauds.&lt;br /&gt;
&lt;br /&gt;
00:50:06:09  Country folk barn dance;  low-angle country band on stage; VS square dancing; man sings into microphone holding a cat in his arms and wearing a party hat; more square dancing.&lt;br /&gt;
&lt;br /&gt;
00:50:54:12  Workers at the shipyard; VS CU faces of male and female workers.&lt;br /&gt;
&lt;br /&gt;
 |forma=16mm |year=ca. 1943 |up=|next=|prev=|step= |lang=English |pbrs=U.S. Office of War Information, Bureau of Motion Pictures |heldby=PA |len=8:55 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=When_Elk_Come_Down&amp;diff=12924</id>
		<title>When Elk Come Down</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=When_Elk_Come_Down&amp;diff=12924"/>
		<updated>2021-12-26T16:31:57Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page When Elk Come Down to Moving Image:When Elk Come Down&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:When Elk Come Down]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:When_Elk_Come_Down&amp;diff=12923</id>
		<title>Moving Image:When Elk Come Down</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:When_Elk_Come_Down&amp;diff=12923"/>
		<updated>2021-12-26T16:31:57Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page When Elk Come Down to Moving Image:When Elk Come Down&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=When Elk Come Down |embid=6082_When_Elk_Come_Down_14_31_42_00 |embsv=archiveorg  |desc=Shot in and near Yellowstone National Park.&lt;br /&gt;
Some good shots to be logged. |forma=16mm |year=0 |up=|next=|prev=|step= |lang=English |pbrs=U.S. Department of Agriculture |heldby=PA |len=0 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=What_Made_Sammy_Speed%3F&amp;diff=12922</id>
		<title>What Made Sammy Speed?</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=What_Made_Sammy_Speed%3F&amp;diff=12922"/>
		<updated>2021-12-26T16:31:48Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page What Made Sammy Speed? to Moving Image:What Made Sammy Speed?&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:What Made Sammy Speed?]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:What_Made_Sammy_Speed%3F&amp;diff=12921</id>
		<title>Moving Image:What Made Sammy Speed?</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:What_Made_Sammy_Speed%3F&amp;diff=12921"/>
		<updated>2021-12-26T16:31:48Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page What Made Sammy Speed? to Moving Image:What Made Sammy Speed?&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=What Made Sammy Speed? |embid=2243_What_Made_Sammy_Speed_13_51_08_01 |embsv=archiveorg  |desc=Points out how emotional problems caused a teen-ager to speed to his death.&lt;br /&gt;
 |forma=16mm |year=1957 |up=|next=|prev=|step= |lang=English |pbrs=Davis (Sid) Productions |heldby=PA |len=10:00 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=We_Learn_About_the_Telephone_I&amp;diff=12920</id>
		<title>We Learn About the Telephone I</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=We_Learn_About_the_Telephone_I&amp;diff=12920"/>
		<updated>2021-12-26T16:31:39Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page We Learn About the Telephone I to Moving Image:We Learn About the Telephone I&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:We Learn About the Telephone I]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Moving_Image:We_Learn_About_the_Telephone_I&amp;diff=12919</id>
		<title>Moving Image:We Learn About the Telephone I</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Moving_Image:We_Learn_About_the_Telephone_I&amp;diff=12919"/>
		<updated>2021-12-26T16:31:39Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page We Learn About the Telephone I to Moving Image:We Learn About the Telephone I&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Filmjr |title=We Learn About the Telephone I |embid=0355_We_Learn_About_the_Telephone_I_09_01_02_00 |embsv=archiveorg  |desc=Tells the history of communications, from smoke signals to telephones.&lt;br /&gt;
&lt;br /&gt;
Part live-action and animation. &lt;br /&gt;
&lt;br /&gt;
CU color Western Electric 500 handset ringing; little girl answers it.  Her older brother corrects her and shows how to answer the phone.&lt;br /&gt;
&lt;br /&gt;
A young man sketches a generic human (ï¿½Mr. Manï¿½) who takes us back through history to show us how humans developed a need to communicate and the devices to do so.&lt;br /&gt;
&lt;br /&gt;
Caveman animation.&lt;br /&gt;
Little girl tries to listen to telephone wire to hear voice.&lt;br /&gt;
Her brother: ï¿½You canï¿½t hear voices in the wire.ï¿½ ï¿½How does the telephone work, Uncle Bill?ï¿½&lt;br /&gt;
Lots of the usual instructional stuff about telephone etiquette and proper use of the equipment.&lt;br /&gt;
CU boy dialing 555-2368 (standard dummy phone number in the old Bell days)&lt;br /&gt;
Kids taken on tour of police station by Captain Adams; he shows them how the telephone is important to police work. &lt;br /&gt;
CU poster explaining to children ï¿½How We Get Helpï¿½ by dialing 0 for Operator.&lt;br /&gt;
Explanation of how to dial 0.&lt;br /&gt;
Desk sergeant takes call for missing child&lt;br /&gt;
African American policeman walks through background of frame.&lt;br /&gt;
CU street signs at corner of Elm St. and 6th St.&lt;br /&gt;
VS inside telephone building ï¿½ views of switchmen, relays switching, frame guys&lt;br /&gt;
Series of vignetted inserts showing people talking on the phone, connected by switches and relays between them (a multicultural group including Asian and Latina people)&lt;br /&gt;
VS operators at switchboards (one is an African American woman) (good)&lt;br /&gt;
LS jet plane contrail in sky&lt;br /&gt;
Animation of communication satellites rotating aroung earth; rocket animation; animation of Mr. Man as astronaut (all good)&lt;br /&gt;
&lt;br /&gt;
 |forma=16mm |year=1965 |up=|next=|prev=|step= |lang=English |pbrs=Fairbanks (Jerry) Productions |heldby=PA |len=22:32 |link= |bw= |ani= |ewid= }}&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
	<entry>
		<id>http://ephemeralfilm.info/index.php?title=Uruguay&amp;diff=12918</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="http://ephemeralfilm.info/index.php?title=Uruguay&amp;diff=12918"/>
		<updated>2021-12-26T16:31:29Z</updated>

		<summary type="html">&lt;p&gt;Admin: Admin moved page Uruguay to Moving Image:Uruguay&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Moving Image:Uruguay]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
</feed>