Difference between revisions of "Moving Image:Hier et demain"

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Moving Image:Hier et demain
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{{Filmjr
            {{Filmjr
|title=Abel Gance: hier et demain
|title=Abel Gance: hier et demain
|embid=q47r66kn1p
|embid=q47r66kn1p
Line 14: Line 13:
|lang=French
|lang=French
|heldby=IUL
|heldby=IUL
|desc=Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry. Explains that Gance pioneered such film techniques as polyvision and the use of the pi...
|desc=Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry.
|link=https://media.dlib.indiana.edu/media_objects/tt44q4236
|link=https://media.dlib.indiana.edu/media_objects/tt44q4236
}}
}}
            Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry. Explains that Gance pioneered such film techniques as polyvision and the use of the picturegraph and the picturescope. Illustrates these techniques through excerpts from some of his films, including Napoleon and J'Accuse.
 
           
Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry. Explains that Gance pioneered such film techniques as polyvision and the use of the picturegraph and the picturescope. Illustrates these techniques through excerpts from some of his films, including Napoleon and J'Accuse.
              
              


            [[Category:Dec Import]]
[[Category:Dec Import]]

Revision as of 18:00, 3 December 2021

Abel Gance: hier et demain is a short film from 1963 released on 16mm. It is held in the IUL Moving Image Archive collection.

Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry.

Abel Gance: hier et demain
Produced by{{{pbrs}}}
Production
company
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Distributed by{{{pbrs}}}
Release date
1963
LanguageFrench
ewid: 204 | Fresh | | step:1 || dopt: {{{dopt}}}

Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry. Explains that Gance pioneered such film techniques as polyvision and the use of the picturegraph and the picturescope. Illustrates these techniques through excerpts from some of his films, including Napoleon and J'Accuse.