Difference between revisions of "Moving Image:Hier et demain"
Moving Image:Hier et demain
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{{Filmjr | {{Filmjr | ||
|title=Abel Gance | |title=Abel Gance - hier et demain | ||
|embid=q47r66kn1p | |embid=q47r66kn1p | ||
|embsv=Insimple | |embsv=Insimple | ||
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|next= | |next= | ||
|prev= | |prev= | ||
|step= | |step=2 | ||
|lang=French | |lang=French | ||
|heldby=IUL | |heldby=IUL | ||
|desc=Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry. | |desc=Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry. | ||
|link=https://media.dlib.indiana.edu/media_objects/tt44q4236 | |link=https://media.dlib.indiana.edu/media_objects/tt44q4236 | ||
|len=00:29:08 | |||
|dopt=1 | |||
}} | }} | ||
Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry. Explains that Gance pioneered such film techniques as polyvision and the use of the picturegraph and the picturescope. Illustrates these techniques through excerpts from some of his films, including Napoleon and J'Accuse. | Focuses on the life of [[Person:Abel Gance|French filmmaker Abel Gance]] and examines his contributions to the motion picture industry. Explains that Gance pioneered such film techniques as polyvision and the use of the picturegraph and the picturescope. Illustrates these techniques through excerpts from some of his films, including Napoleon and J'Accuse. | ||
Latest revision as of 19:58, 28 July 2022
Abel Gance - hier et demain is a short film from 1963 released on 16mm. It is held in the IUL Moving Image Archive collection.
Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry.
Abel Gance - hier et demain | |
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Produced by | {{{pbrs}}} |
Production company | {{{pbrs}}} |
Distributed by | {{{pbrs}}} |
Release date | 1963 |
Running time | 00:29:08 |
Language | French |
Focuses on the life of French filmmaker Abel Gance and examines his contributions to the motion picture industry. Explains that Gance pioneered such film techniques as polyvision and the use of the picturegraph and the picturescope. Illustrates these techniques through excerpts from some of his films, including Napoleon and J'Accuse.